Here are 73 books that Who Killed Society? fans have personally recommended if you like
Who Killed Society?.
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I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
After the WASPs of The Social Register, the next great wave of American wealth was generated by the German-Jewish upper class that rose at the end of the 19th Century. Weaving together the stories of the Loeb, Lehman, Lewisohn, Schiff, Seligman, Goldman, Straus, Warburg, and Guggenheim families, Birmingham created a classic of the kind of group biography I aspire to write.
They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds. In response, they created their own elite "100," a privileged society as opulent and exclusive…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
I was fortunate to cross paths with Curtis when I went to work for what were called the women’s pages” of The New York Times,which she had written for and edited before rising to the exalted op-ed page. When I got that job, my soon-to-be wife gave me a copy of this book—a collection of Curtis dispatches from the front lines of Society—and said, “This is what you can do if you’re good at it.”
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
When I was a boy, I dreamed of writing pop fiction. As a young writer in the 1980s, I was riveted by the novels of Dominick Dunne, a former film and TV producer who’d started covering Society as a journalist for Vanity Fair, but also wrote novels where he told the sort of stories that couldn’t get past fact-checkers and libel lawyers. This one is the most trenchant and revealing book ever written about the “Nouvelle Society” of the Reagan years. It’s as delicious as dinner used to be at Le Cirque.
Before they had Too Much Money, the inhabitants of Dominick Dunne’s glitzy, gossipy New York Times bestselling novels were People Like Us.
The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in–even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there’s absolutely nothing to worry about–except for those nasty secrets from the past.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
This one is a bit of an obscurity. Another roman a clef from the 1980s, it’s a murder mystery set in Manhattan Society, only this time, it’s about the ways the high and mighty get down and dirty—and at the time, it was said to be based on several very real Upper East Side New York gentleman whose behavior was anything but gentle. At the time, many knew but no one talked about the sleaze and moral corruption that lurked in the dark corners of the world of wealth. I heard enough and saw enough to think that Stewart knew a lot.
New York, its wealth, decadence and crime levels are the subject of this novel which tells the intertwining tales of a rich society queen's sudden recovery from coma and the discovery of a mutiliated corpse. When Lieutenant Vince Cordoza begins to investigate, he gradually finds links between the two seemingly unconnected events. What he finds is dirty, explosive and gruesome and involves not only the society queen's family, but the whole fabric of New York, rich and poor alike.
Louise-Élisabeth Vigée Le Brun, a feminine icon in her day, is today an inspiration for us. Ambitious since childhood to be a great artist, undaunted by the obstacles that, as a woman, stood in her way, Vigée Le Brun’s confidence in her talent and devotion to her art; her strong values and basic integrity; intellectual curiosity and appreciation of beauty in nature, art, music, and letters; capacity for pleasure; and delight in the society of friends gave her strength to overcome the vicissitudes of life.
There has been a dearth of prominent women in the art world; those who, like Vigée Le Brun, have succeeded in it, deserve our attention.
This book offers us a vivid and insightful look into the personality of a remarkable woman, a pioneering art collector and creator of one of America’s iconic museums. The Isabella Stewart Gardner Museum’s treasures include masterwork paintings, tapestries, rare books, prints, porcelains, and fine furniture, all displayed exactly as Isabella wished.
Born into a privileged New York family, Isabella Stewart married Boston Brahmin Jack Gardner at a young age. Friendships – in the cream of society and in fascinating bohemia, world travel, collecting beautiful things, and her husband’s loyalty helped Isabella in her sometimes unconventional drive to create her museum, her living memoir.
The vivid and masterful story of Isabella Stewart Gardner-creator of one of America's most stunning museums-an American original whose own life was remade by art. Includes archival photos of Isabella's world, museum, and the art she collected.
Isabella Stewart Gardner's museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston's Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.
An extraordinary achievement of storytelling and scholarship, Chasing Beauty illuminates the fascinating ways the museum and its holdings can be seen as…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Before I stumbled across this book, I had never heard of Caroline Healey Dall, a prickly but vulnerable and fiercely intelligent Bostonian who knew almost everyone in the various reform movements that swept across the United States in the mid-nineteenth century.
On one day, Dall is recording the details of a pregnancy that went horribly wrong; on another, passing along salacious gossip about a lady who propositioned Bronson Alcott (father of Louisa May). All the while, she champions the cause of women’s rights while clashing with some of the many strong personalities in the movement.
This Journal is my safety valve-and it is well, that I can thus rid myself of my superfluous steam . . . I trust posterity will remember this, should it ever be gratified by a glimpse at these pages.
In the nineteenth century, Boston was well known as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (1822-1912): Transcendentalist, early feminist, writer, reformer, and-perhaps most importantly-active diarist.
Dall kept a diary for seventy-five years.She captured in it all the fascinating…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I know a lot about “ripped from the headlines” news stories because I’ve been around a lot of news stories and headlines most of my life. I’m a longtime New York City journalist who has worked as a top editor at both the NY Post and the NY Daily News. Believe me, I’ve seen a lot of wild headlines in these places (e.g., Headless Body in Topless Bar!). So you can understand why I now like ripping from news headlines for fiction books as an author.
I love Hank Phillippi Ryan’s books, and I love big court trials, so it makes perfect sense that I loved this book.
Ryan–who is an award-winning TV journalist as well as a best-selling thriller author–started covering the murder trial of Casey Anthony, the mother who made headlines for allegedly killing her two-year-old daughter Caylee and hiding the body for months, with the idea of doing a non-fiction book about the case.
But, when Anthony was found not guilty by the jury, Ryan switched gears and came up with the idea of doing a mesmerizing fictional novel inspired by a case such as Casey Anthony. The result is a must-read!
Trust Me is the chilling novel of psychological suspense and manipulation that award-winning author and renowned investigative reporter Hank Phillippi Ryan was born to write. "Ryan dazzles―a must read."―Mary Kubica "Mesmerizing!" ―Lisa Gardner
**Now an AGATHA AWARD nominee** Best Contemporary Novel
"A knockout."―Booklist (starred review)Now a Criminal Element Best Book of 2018! Now an >>AMAZON Editors' Pick BEST MYSTERY/THRILLER OF THE MONTH!BOOKLIST Starred review! "A knockout." Now a Criminal Element Best of 2018! Now a REAL SIMPLE Magazine Top Thriller of 2018!Now a Book Bub Top Summer Thriller of 2018!Now a POPSUGAR Top Summer Thriller!Now a CrimeReads Most Anticipated Thriller…
I found my first arrowhead at age seven and have been hooked on history ever since. My Bone Rattler series—Freedom’s Ghost is the seventh installment—builds on many years of research and field trips, supplemented by intense investigation of specific aspects leading up to and during the writing of each novel. The volatile 18th century was one of the most important periods in all of history, and I immerse myself in it when writing these books—by, among other things, reading newspapers of the day, which are often stacked on my desk.
I deeply enjoyed Archer’s book for its intimate depiction of Boston’s life under British occupation from 1768 until mid-1770.
It was a city under siege in many respects, with four thousand troops in a community of only sixteen thousand souls. The city’s streets –mostly paved with oyster shell—come to life with details on tavern fare, street life, troop encampment, epidemics, the violent celebrations of the annual Pope’s Day, popular song parodies, and the three hundred women who initiated a boycott of foreign tea.
Here too you can meet early patriot leaders like James Otis, who was rendered “insane” by a blow to the skull by a furious tax collector and wandered, raving, for years, until he was struck down by a lightning bolt. Archer’s book pulls you into the torment and the glory of life in a powder keg destined to explode.
In the dramatic few years when colonial Americans were galvanized to resist British rule, perhaps nothing did more to foment anti-British sentiment than the armed occupation of Boston. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town. Bringing colonial Boston to life, Archer deftly moves between the governor's mansion and cobblestoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson,…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.
This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.
It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease.
Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart—it’s an urgent, glittering, devastating novel about the perils of queer world-making in the mid-‘90s.
This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
The biggest unsolved art crime is the 1990 robbery of the Isabella Gardner Museum in Boston, during which two men disguised as policemen stole 13 works of art worth an estimated $500 million.
Not one of the stolen paintings has been recovered, and rumors about their whereabouts and the identity of the thieves continue to fuel investigations across the globe. This book is a rapid-fire read and a terrific crash course in the many challenges involved in tracing lost art, let alone ever catching the thieves.
When writing a mystery novel that opens with an audacious museum heist in the very first chapter, it’s probably a good idea to research the biggest museum robbery in history. The Gardner heist shocked the art world and revealed how many museums around the world have shockingly bad security protocols relative to most office buildings, let alone a bank, even though priceless art is…
Shortly after midnight on March 18, 1990, two men broke into the Isabella Stewart Gardner Museum in Boston and committed the largest art heist in history. They stole a dozen masterpieces, including one Vermeer, three Rembrandts, and five Degas. But after thousands of leads, hundreds of interviews, and a $5 million reward, not a single painting has been recovered. Worth as much as $500 million, the missing masterpieces have become the Holy Grail of the art world and their theft one of the nation's most extraordinary unsolved mysteries. Art detective Harold Smith worked the theft for years, and after his…
