Here are 100 books that White Lies fans have personally recommended if you like
White Lies.
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I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.
Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I arrived at Halifax’s Pier 21 at 19 months old and have lived in Montreal for most of my life, yet I have always considered myself a displaced person. My father was from Belarus, my mother from Poland, and I was born in Germany. Yet, I am not from any of those places. I have lived in Canada, in Quebec, all my life, but I’m not from here either. I denied my ‘otherness’ until my mid-forties when suddenly, I finally understood that most of the planet is comprised of people just like me, struggling to understand how we fit in a world that is in constant flux.
This is a sweeping saga, the kind I love because it keeps me turning pages.
Against a backdrop of 20th-century China, I was drawn into the fate of a cast of captivating characters. Split into two locales and timelines—Vancouver in 1991 and China from the mid-20th century to the tragedy in1989—the novel is a jigsaw puzzle of countless bits, revealed with skill and delicacy as the pieces finally fit together.
Here is the Cultural Revolution; there Tiananmen Square and in between I was caught up in the lives so cruelly marked by history.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking…
Grief is now an unwanted travel companion and a friend to me. At times, I find myself incapable of understanding it. Even so, it has helped me view myself through a different lens. When I wrote my book, my mother was still alive. Grief had yet to announce itself as my lifelong companion, but I was aware of its menacing presence. That amazing prescience spilled into my book. After my mother died, I discovered that there was a lot more to discover about death and grief. For months, I reviewed books on these topics for various publications. I'm still on this enlightening journey.
I read Jhumpa Lahiri's The Lowland in 2015—a time when my life wasn't tainted by grief. Even then, I found myself mesmerized by the novel's depiction of the grieving process as a long-lasting curse that spreads its tentacles into all aspects of our lives.
Gauri, the protagonist of Lahiri's novel, loses her Naxalite husband to political violence. Although Gauri gains a second chance at happiness, her pain consumes her, and she constantly reinvents herself to escape its clutches, albeit at her family’s emotional expense.
In retrospect, I was impressed by the author's accurate portrayal of grief as a sort of spiritual and emotional gridlock. In addition, I believe The Lowland provides a moving meditation on the intergenerational effect of unresolved trauma.
SHORTLISTED FOR THE MAN BOOKER PRIZE 2013. From Subhash's earliest memories, at every point, his brother was there. In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight. So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
In middle school, I wrote my first novel calledChildren of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.
Ghost Eaters is a deep dive into the horrors of addiction. While the focus is largely on substance abuse, the book also explores love addiction and grief in fresh ways. Erin, the protagonist, loses her graduate school friend and love to an overdose. As she tries to explore the details of Silas’ final days, she finds herself mixed up in a new drug—one that allows the user to communicate with the dead. Discovering what happened to Silas, leads Erin to learn far more about herself and her own addictive personality than it does about Silas or his final days.
A Gothic-punk graveyard tale about what haunts history and what haunts the human soul. An addicting read that draws you into its descent from the first page. Chuck Wendig, New York Times best-selling author of The Book of Accidents. From the acclaimed author of The Remaking and Whisper Down the Lane, this terrifying supernatural page-turner will make you think twice about opening doors to the unknown. Erin hasn t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab again she knows she needs to…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
I love studying the ins/outs of humanity and our interactions, but especially, EI (emotional intelligence). A lot of emphasis is put on being “smart” and analytical (think IQ), but EI is largely ignored.
Relationships thrive (and die) on EI! In the novels I write, I explore the emotional side of relationships and how, if we pay attention to this other side of intelligence, beautiful interactions happen.
Typically, I don’t find riveting EI in books—and so when I do, I gobble the book up once, then twice, and possibly a third time, then tell everyone I know to GO READ THAT BOOK!
The sole survivor of a train wreck, Autumn Manning lives crippled with guilt. When she meets the husband of one of the women who died in the wreck, sparks fly, and Autumn’s guilt only increases. And, while very likely the saddest book I’ve recommended thus far, Life After paints a beautiful, cathartic picture of grief that few authors have. Grief is part of life, but people don’t like to talk about what happens to our hearts/psyches when it descends. While Life After may elicit a few tears, it is a stunning, beautiful book that I highly recommend.
Snow whirls around an elevated train platform in Chicago. A distracted woman boards the train, takes her seat, and moments later a fiery explosion rips through the frigid air, tearing the car apart in a horrific attack on the city’s transit system. One life is spared. Twenty-two are lost.
A year later, Autumn Manning can’t remember the day of the bombing and she is tormented by grief—by guilt. Twelve months of the question constantly echoing. Why? Why? Why? Searching for answers, she haunts the lives of the victims, unable to rest.
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
I love books where magic infuses the everyday world.
Ava Lavender is born with wings. That’s only one thing that sets her apart and makes her life difficult. She is the third generation of women in her family who are doomed in love. Like most that I love, this story asks what it means to be human, how we can protect those we love, and how we balance the need for freedom with safety.
No, neat conclusion at the end. Beautiful prose and unexpected metaphors fill this book. I’m a sucker for a good metaphor.
A mesmerizing, lyrical tale of the bright and dark sides of love and desire. First-time author Leslye Walton has constructed a layered and unforgettable mythology that "follows Ava Lavender's discovery of her one-of-a-kind self" (Teen Vogue).
Shortlisted for the 2015 Waterstone's Children's Book Prize, Leslye Walton's stunning debut novel is "rich with lyrical and whimsical writing" (Kiera Cass, New York Times bestselling author of the Selection series). Magical realism is woven through this generational saga, creating a narrative reminiscent of Gabriel Garcia Marquez, with a taste of Chocolat by Joanne Harris.
Foolish love appears to be a Roux family birthright.…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory.
Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift?
Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.
Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . .
As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen,…
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll…
My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
John Berger was a fantastic cultural observer and art critic, this book is erotic both in its observation of culture and context but also of human fallibility, and psychic and psychological transportation of love itself. It had a big influence on me as an art student and for the brief years when I was a sculptor. What I love about it is its empathy for both the female and male inner erotic life, although it is set in England and Europe at the end of the 19th century, Berger’s razor-sharp, succinct blending of the internal and external world is both moving and sensual.
In this luminous novel about a modern Don Juan, John Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war.
With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the…
