Here are 97 books that Where Mountainy Men Have Sown fans have personally recommended if you like
Where Mountainy Men Have Sown.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
Frank O'Connor is one of Ireland's most famous writers of short stories. I love that he took on this story about a beloved rebel leader and did so with all of the attention to detail and deep insight into characters that he is known for. I also love that his own affection and admiration of the man shines through even when trying to be dispassionate and unbiased and tell the bad with the good. It matters not.
His love for the man resonates across every type of action Collins takes, good, bad, or ugly. O'Connor opens a window into a nation's deep regard and tragic loss of the fearless man who convinced everyone freedom could be pried from the British and then set about to do it.
Re-issued with an introduction by Neil Jordan, 'The Big Fellow' is the 1937 biography of the famed Irish leader Michael Collins by acclaimed author Frank O'Connor. It is an uncompromising but humane study of Collins, whose stature and genius O'Connor recognised. A masterly, evocative portrait of one of Ireland's most charismatic figures, 'The Big Fellow' covers the period of Collins' life from the Easter Rising in 1916 to his death in 1922 during the Irish Civil War.
The author, having served with the Anti-Treaty IRA during the Irish Civil War, wrote 'The Big Fellow' as a form of reparation over…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love that this book is a treasure chest of ancient stories passed down by word of mouth for countless generations. The Irish were originally a separate nation of Celts, with their own set of gods and heroes and warriors, their own idiosyncratic characters like shape-shifters, fairies, and leprechauns. I love that Lady Gregory spent years collecting these stories from the locals on her native West Coast, starting with her own nanny.
What I love most about this book is that it was a best seller when the rebels of 1916 were young and that they were raised on some of these same stories of courage, fortitude and yes, trickery. These wild characters were the role models of young developing Irish rebels at the turn of the century.
Lady Augusta Gregory's Irish Myths and Legends, or Gods and Fighting Men as it was first titled in 1904, is an essential collection of Irish myths, legends and folk tales gathered by Gregory from Irish oral story tellers at the close of the nineteenth century.
These epic tales are divided into two parts: the first charts the coming of the mythic Tuatha De Danaan to Ireland, the lives of Manannan and Lugh, and the tragedy of the Children of Lir. The second part follows the exploits and trials of Finn Mac Cumhal, the Fianna, Oisin, and the love story of…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this book because it is a compilation of first-person accounts of major events throughout the history of Ireland. From St. Patrick to the raids of the Vikings, the rebellions of former rebels, and all the way to the civil war of 1923-24. Each selection is from extant works located in libraries and institutions around the country.
We hear the wild stories told with awe and wonder, with shock and abhorrence, as if we are sitting in a pub listening to the author whisper his witness in astonishment or regret. Suddenly, we understand the Irish rebels, the generations of rebels through the centuries, and we find ourselves full of admiration for those men and women who endured and fought and finally found freedom for their countrymen.
The history of Ireland told through the words of the people who lived it
Eyewitness to Irish History draws upon original source materials to capture the tumultuous events and rich texture of Irish history like no other book. Comparing the readings compiled here to snapshots, the renowned Celtic scholar Peter Berresford Ellis offers what is, in essence, a family album of Ireland and the Irish people—beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping firsthand accounts by those on both sides of the…
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
This novel juggles multiple situationships with humor and poignancy in equal measure.
I found the writing sharp and unexpected. The characters are witty, and despite their shallow choices, I was charmed by them. I wanted to meet them at a party just to see what they do next. One moment I was giggling, and the next I was so frustrated by Carey and Rachel that I wanted to grab them through the page!
What I also appreciate is the novel’s focus on capturing the experience of a complicated friendship alongside the multiple romantic relationships it details.
The Rachel Incident is an all-consuming love story. But it's not the one you expected...
*2023's MOST ANTICIPATED SUMMER READ*
'Funny, nostalgic, sexy ... it's everything I want in a summer book' MONICA HEISEY 'Funny, LOVELY, romantic, DRENCHED in nostalgia' MARIAN KEYES 'You will love The Rachel Incident' GABRIELLE ZEVIN, author of Tomorrow and Tomorrow and Tomorrow
The Rachel Incident is an all-consuming love story. But it's not the one you're expecting. It's unconventional and messy. It's young and foolish. It's about losing and finding yourself. But it is always about love.
Aged eighteen and living in London, my mother fell in love with an older man and was soon pregnant. Fearful of repercussions, she kept the pregnancy secret from her Catholic parents and continued to keep this secret for many years. This was something I’d always known, but it was only recently that I decided to investigate what happened to so many girls who went to the wrong people for help. What I found was devastating, and it gave me a greater understanding of the choices my mother made. I'm a writer who often draws on autobiographic material for my novels, plays, and stories. I like to feel a subject is truly mine.
I came across this memoir while researching Irish mother and baby homes for my own novel. June Goulding was a young midwife in the 1950s when she was hired by the Sacred Heart Convent in Cork. Here she found girls, some as young as 13, punished for the sin of being pregnant, forced to work, tarring roads, scrubbing floors, and rearing their children until they were handed over for adoption – in exchange for a donation to the church – often without their consent. Thirty years later, haunted by what she was party to, Goulding tells the story of how she tried to relieve the suffering of these unfortunate women.
'I promised that I would one day write a book and tell the world about the home for unmarried mothers. I have at last kept my promise.'
In Ireland, 1951, the young June Goulding took up a position as midwife in a home for unmarried mothers run by the Sacred Heart nuns. What she witnessed there was to haunt her for the next fifty years. It was a place of secrets, lies and cruelty. A place where women picked grass by hand and tarred roads whilst heavily pregnant. Where they were denied any contact with the outside world; denied basic…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.
Penguin Classics is proud to welcome William Trevor—"Ireland’s answer to Chekhov" (The Boston Globe) and "one of the best writers of our era" (The Washington Post)—to our distinguished list of literary masters. In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment…
Aged twelve, I stood just a few feet from President John F. Kennedy as he passed slowly by in June 1963. Waving and smiling from an open-top car, he was going to meet Ireland’s president in Dublin. His visit was a triumph for Irish-America. I have long enjoyed the variety of Irish-America. As an Irish student, I was one of the first foreigners to benefit from the J-1 visa program. I went to New Hampshire for the summers of 1970 and ’72 to work in an old resort hotel. On a visit to Boston then, I met a distant relative who, for decades, had worked as a domestic servant there.
I like the way that Miller chooses to see “ordinary” immigrants through their personal letters, diaries, songs, and poems. I think that researchers who confine themselves to official archives miss so much of the color and vibrancy of personal experiences in real life.
Miller is a highly respected academic, which makes it all the more impressive that he has dipped deep to paint a broad picture of Irish immigrants who have crossed the Atlantic and settled in America.
From the 1660s to the early 1900s, no fewer than seven million people emigrated from Ireland to North America. This vast flow at once reflected and compelled enormous social changes on both sides of the Atlantic. In this book Miller chronicles the momentous causes of the Irish emigration and its far-reaching impact - on the people themselves, on the land they left behind, and on the new one they came to. Drawing on enormous original research, Miller focuses on the thought and behaviour of the "ordinary" Irish emigrants, Catholic and Protestant, as revealed in their personal letters, diaries, journals, and…
I am a historian of the American Revolution. I am interested in the war that created the United States, why it happened, and its lasting effects on the world today. The British government kept meticulous records of the lead-up to American independence and I have scoured these for new and interesting stories that historians have missed. I teach history at Eastern Michigan University, and I am currently completing a book on buggery in the British army that will be out in 2024.
Revolutionary historians are familiar with the Townshend Acts, import duties approved by Parliament in 1767 that pushed the Americans closer toward independence. Patrick Griffin explores the man for who the taxes were named—Chancellor of the Exchequer Charles Townshend—but also his brother George who served as Lord Lieutenant of Ireland from 1767 to 1772. By comparing and contrasting these two brothers who ran the British Empire for a brief moment, Griffin invites us to consider the American Revolution within its imperial context. I found the parallels between America where independence efforts succeeded and Ireland where they failed particularly thought-provoking.
The captivating story of two British brothers whose attempts to reform an empire helped to incite rebellion and revolution in America and insurgency and reform in Ireland
Patrick Griffin chronicles the attempts of brothers Charles and George Townshend to control the forces of history in the heady days after Britain's mythic victory over France in the mid-eighteenth century, and the historic and unintended consequences of their efforts. As British chancellor of the exchequer in 1767, Charles Townshend instituted fiscal policy that served as a catalyst for American rebellion against the Crown, while his brother George's actions at the same moment…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Dervla Murphy (1931-2022) was queen of the road when I started out. I learnt a lot from her.
Visiting Rwanda is probably my top pick among her many travelogues but her best book by far, in my opinion, is the autobiographical Wheels within Wheels. "I had been brought up to understand," Murphy writes, "that material possessions and physical comfort should never be confused with success, achievement and security."
I had been brought up to understand the opposite, and this book showed me, as I tackled a travel memoir of my own, that like Murphy I must take those crucial lessons as a starting point.