Here are 100 books that When the Emperor Was Divine fans have personally recommended if you like
When the Emperor Was Divine.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a historian of the Nazi occupation of France during the Second World War and the author of two books about the period. My book about the Oradour-sur-Glane massacre (Silent Village) was published in French this year, and as a result, I was interviewed live on French television. I am fascinated by history from the ground up, and I love revealing the stories of ordinary people whose contributions have been under-represented. My current PhD research focuses on the Resistance in rural French villages, interpreted through a series of micro-histories. I also adore historical fiction. I have a master's degree from Cardiff University and a BA joint Hons from the University of Exeter.
No work of fiction has had such a profound effect on historians of Occupied France as this staggeringly beautiful book. I had never read fiction like this before, a novel written contemporaneously yet showing such a depth of knowledge of the world around by a novelist who saw beauty beyond the chaos that had engulfed her world.
The young French novelist of Ukrainian-Jewish origin had planned five books yet only completed two before being killed in Auschwitz in 1942. This book contains the first two complete novels which are very different stories, but equally dramatic and written in prose that flows poetically. I loved the first novel, about the exodus from Paris in May 1940, just as much as the second, a love story that was used for the film of this heart-wrenching book.Â
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" fallsâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
Iâve been fascinated by China and Chinese culture since I was a kid. I had bilingual books with Chinese characters on one page and an English translation on the other. Iâd spend hours looking for patterns to match characters to their English meaning. That process became easier once I started studying Chinese at university. Iâve since lived in Beijing and Shanghai and return to China regularly, either by plane or by book.
Written in the 1940s, this book takes readers to Hong Kong as the Japanese occupation replaced the British colony. Itâs mostly a love story in which the intensity of war reflects the passion of emotions and the restraint on actions.Â
But like all of Eileen Changâs works, itâs also beautifully written. Though the fall of Hong Kong is at the heart of the novella, Iâve always found the city less important in the story than the domestic settings. When the Bai family talks, Iâm in the room, sitting in a wingback chair, sipping green tea, and listening.
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China.Â
A New York Review Books Original
Â
â[A] giant of modern Chinese literatureâ âThe New York Times
Â
"With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers canâŚ
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasnât particularly famous, at least to people from outside the region. Iâve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often womenâs stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But Iâve always believed that womenâs stories are no less interesting than menâs. These books look at historyâs worst conflict from unique perspectives that foreground the female experience.
Though it is set just after the war, the characters in this novel cannot escape from their memories of the Holocaust or guilt at having survived. Yet they are also stuck in a comic scenarioâthrough a complex series of events, the Jewish protagonist Herman has wound up with three âwives,â his first wife from before the war who he mistakenly assumed dead, the Polish Catholic peasant who hid him from the Nazis and he married out of gratitude, and his mistress and fellow survivor he met upon relocating to New York. The novel is both hilarious and heart-breakingâa potent reminder of the impossibility of ever leaving behind the worst horrors of this war.  Â
Almost before he knows it, Herman Broder, refugee and survivor of World War II, has three wives: Yadwiga, the Polish peasant who hid him from the Nazis; Masha , his beautiful and neurotic true love; and Tamara, his first wife, miraculously returned from the dead. Astonished by each new complication, and yet resigned to a life of evasion, Herman navigates a crowded, Yiddish New York with a sense of perpetually impending doom.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,âŚ
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasnât particularly famous, at least to people from outside the region. Iâve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often womenâs stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But Iâve always believed that womenâs stories are no less interesting than menâs. These books look at historyâs worst conflict from unique perspectives that foreground the female experience.
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgeraldâs keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.Â
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about âcamp.â During the â80s and â90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
This novel is the reason I became a writer, for it showed me that we Japanese/Asian Americans had stories to tell, and we could write them.
Its protagonist is one who was labeled a âNo-No Boyâ for his response to two questions on the âloyalty questionairreâ required to be answered in the World War II camps as to whether the respondent would be willing to serve in the U.S. military. Those who refused were not only members of a reviled race after the war, but were also ostracized by their own Japanese American community.
The novelâs powerful writing, questioning oneâs place in America, is often spoken aloud in stage readings and, like me, became a catalyst for members of my generation to follow creative pursuits.
"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature," writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience.
No-No Boy tells the story of Ichiro Yamada, a fictional versionâŚ
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about âcamp.â During the â80s and â90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
Most of the best books about the Japanese American World War II experience are memoirs by those who actually lived through it, and this is one of the best.
Removed along with her family from Berkeley, California and confined at the Topaz, Utah camp, pick any page and the reader will see Uchidaâs skillful descriptions: âAs we plodded through the powdery sand toward Block 7, I began to understand why everyone looked like pieces of flour-dusted pastry.â
Also, that I am a writer for young readers was trailblazed by Yoshiko Uchida who, along with her publisher, had the courage to write and publish her first book, The Dancing Kettle, and Other Japanese Folk Tales in 1949ââduring a time in America when hatred against all things Japanese still ran strong.
In the spring of 1942, shortly after the United States entered into war with Japan, the federal government initiated a policy whereby 110,000 persons of Japanese ancestry were rounded up and herded into camps. They were incarcerated without indictment, trial, or counsel - not because they had committed a crime, but simply because they resembled the enemy. There was never any evidence of disloyalty or sabotage among them, and the majority were American citizens. The government's explanation for this massive injustice was military necessity.
Desert Exile tells the story of one family who lived through these sad years. It isâŚ
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlifeâmostly mammals, from mountain lions to pocket miceânear her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marksâŚ
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about âcamp.â During the â80s and â90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
But the memoirs didnât delve into the emotional and psychological impact of the forced removal and incarcerationââuntil this unflinching one from 2005, and itâs another among the best.
Removed along with her family from their farm on Vashon Island, Washington and incarcerated at the Minidoka camp in Idaho, Matsuda Gruenewald, like most of those who underwent this experience, remained silent about what happened to them until she refused to be further confined by âthe self-imposed barbed-wire fences built around my experiences in the camps.â
During a 2004 return to the Minidoka site, she wrote about her pilgrimage: âI had been saddled by feelings of paralyzing helplessness for so long. I wondered, Once I open up and start talking, will I also cry? And if I do so, will I be able to stop?â
Mary Matsuda is a typical 16-year-old girl living on Vashon Island, Washington with her family. On December 7, 1942, the Japanese bomb Pearl Harbor, and Mary's life changes forever. Mary and her brother, Yoneichi, are U.S. citizens, but they are imprisoned, along with their parents, in a Japanese-American internment camp. Mary endures an indefinite sentence behind barbed wire in crowded, primitive camps, struggling for survival and dignity. Mary wonders if they will be killed, or if they will one day return to their beloved home and berry farm. The author tells her story with the passion and spirit of aâŚ
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about âcamp.â During the â80s and â90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
A government report that doesnât read like a government report.
In 1980, the U.S. Congress voted to form the Commission to extensively research the Japanese American World War II experience and make recommendations to remedy past government actions.
This is the most extensive and comprehensive coverage of that period in American history, which includes lesser-known facts such as the U.S. government-arranged abductions of Japanese Latin Americans, and the forced evacuation of the indigenous of the Aleutian and Pribilof Islands in Alaska.
The Commissionâs report led to the Civil Liberties Act of 1988, commonly known as âredress,â which mandated an apology and $20,000 each to living survivors of that experience.
This compilation has been my consistent go-to reference source, a mountain of research from which I have often excavated.
Personal Justice Denied tells the extraordinary story of the incarceration of mainland Japanese Americans and Alaskan Aleuts during World War II. Although this wartime episode is now almost universally recognized as a catastrophe, for decades various government officials and agencies defended their actions by asserting a military necessity.
The Commission on Wartime Relocation and Internment was established by act of Congress in 1980 to investigate the detention program. Over twenty days, it held hearings in cities across the country, particularly on the West Coast, with testimony from more than 750 witnesses: evacuees, former government officials, public figures, interested citizens, andâŚ
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used childrenâs books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction childrenâs books to love non-fiction history.
At the age of eleven I had never heard of internment camps in my own state of California until I came across this book, and I remember being astonished such a thing happened in the United States.
Though this title has been around for many years, Wakatsuki Houstonâs autobiography book is still relevant and gently but factually introduces young readers to the unjust discrimination inflicted on innocent civilians/citizens. She tells of her familyâs life before Manzanar, at the camp, and her pre-teen/teen struggle to fit in at school when returning from internment.
Its purpose was to house thousands of Japanese Americans. Among them was the Wakatsuki family, who were ordered to leave their fishing business in Long Beach and take with them only the belongings they could carry. Jeanne Wakatsuki Houston, who was seven years old when she arrived at Manzanar in 1942, recalls life in the camp through the eyes of the child she was. First published in 1973, this new edition of the classic memoir of a devastating Japanese American experience includes an inspiring afterword by the authors.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circularâŚ
Having encountered Japanese American incarceration as an undergraduate student, I was perplexed at how distant so many of the narratives were. How could such a large-scale forced removal in recent history seem like it happened âsomewhere else?â This started my never-ending yearning to really understand and feel how these camps operated as communities. I have little doubt that this could happen again in the United States and Canada or elsewhere, so itâs my passion to keep educating people both in my home country of Finland and North America about the underlying dynamics leading to incarceration.
This book features Bill Manboâs original photographs from the Heart Mountain incarceration camp, weaved in with the historical narrative of the camp and the time period.
What is remarkable about the photos is that they are not part of government propaganda but depictions of everyday events by an amateur photographer. Moreover, inmates werenât supposed to have cameras in camp, so Manboâs photos are also an act of resistance.
Since Iâm always on a quest to really âfeelâ history, I love how these photos bring me that much closer to the people and the place. Eric Muller and othersâ writings provide useful contextualization to both the art and the era.Â
In 1942, Bill Manbo and his family were forced from their Hollywood home into the Japanese American internment camp at Heart Mountain in Wyoming. While there, Manbo documented both the bleakness and beauty of his surroundings, using Kodachrome film, a technology then just seven years old, to capture community celebrations and to record his family's struggle to maintain a normal life under the harsh conditions of racial imprisonment. Colors of Confinement showcases sixty-five stunning images from this extremely rare collection of color photographs, presented along with three interpretive essays by leading scholars and a reflective, personal essay by a formerâŚ
