Here are 100 books that When Brooklyn Was Queer fans have personally recommended if you like
When Brooklyn Was Queer.
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I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria AnzaldĂșa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria AnzaldĂșa
Rooted in Gloria AnzaldĂșa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, butâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I was an odd kidâa bookworm worried about why I was different from others. Luckily, my family continuously reminded me that I belonged. Once out of the closet, I was able to appreciate the importance of families, both chosen and unchosen. I became a writer because I was compelled to articulate that importance and maybe help others understand how knowledge, trauma, emotions, and love move between the generations. Queer and family histories have inspired a lot of my journalism and fiction, but especially my new novel, This Is It. I hope it fits alongside these recommendations that explore queer multi-generational stories with wit, intelligence, and wisdom.
This book gripped me from the opening page. Itâs everything I usually avoidâcomics, suspense, memoir, psychology articleâbut the way it's calibrated invited me in, then wouldnât let me leave until Iâd lapped up every detail. By setting up her childhood review as a mystery that has to be solved through visual exploration, Alison Bechdel justifies every choice she makes. And they are all correct.
With deadpan humor and wry drawings, Fun Home gave me a thickly layered exploration of how queer elements impacted generations of her family. It never felt navel-gazing, and I found it impossible to imagine the story told any other way than in a graphics.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement isâŠ
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parentsâ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judithâs life and why her story is so vital to tell.
Lordeâs landmark collection of essays amplifies ways of living and knowing long familiar to women and other marginalized groups. Her exploration of eroticismâa fully vivacious, embodied experience of lifeâas a source of womenâs knowledge, wisdom, and power is yet unmatched in American letters.
Essential reading for anyone who has felt unsatisfied or unseen by the narratives handed down by the white, heteronormative, patriarchal powers that continue to hold our imaginations in a vice grip.Â
The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep
The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.
'The truth of her writing is as necessary today asâŠ
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someoneâs lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier selfâand soâŠ
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.
Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. Iâm honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that⊠for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more âtraditionalâ fantasy settings. But Mr. Olderâs depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierraâs shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. ButâŠ
I am Monique âNikkiâ Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This coming-of-age novel-in-verse beautifully captures the dynamics of survival in tough neighborhoods in a way that honors the humanity and nuance of the communityâdetails that are too often lost in media and forgotten by the people that âmake it out.â Through the lens of the Puerto Rican-American protagonist, Sarai, her family, and the neighborhood characters that are all too familiar, I was brought into the heart of pre-gentrified Bushwick, Brooklyn, and Puerto Rican culture to go on Saraiâs journey of self-discovery. We are sitting on the stoop, at the foot of the bed, in the back pew in conversation with Sarai. We see her, we hear her, we love her. And wonât ever forget her. We are left to reflect on what it really means to âmake it.â
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"-NYT bestselling and award-winning author Jacqueline Woodson
An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it," for readers of Nicholasa Mohr and Elizabeth Acevedo.
Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurityâŠ
Donât mess with the hotheadâor he might just mess with you. Slater Ibåñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side ofâŠ
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian RevolutionâI am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which Iâm still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, includingâor especiallyâwithin his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmiâs mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
âDavid Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?â
  â Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David AdjmiâŠ
The blue-collar everyman lives on the periphery, coming and going with little fanfare. But what does he think and feel? How does he view the world? I became interested in these questions while working for my fatherâs rug business. I started as a part-timer in the early 90s, straddling the line between academe and the homes of the rich. He employed me for the next twenty years, supplementing my income as I found my way as a university professor. The books listed led me to a deeper appreciation of my fatherâs vocation, but only in writing Rug Man did I come to understand the true meaning of work.
Published the same year as John SteinbeckâsThe Grapes of Wrath, di DonatoâsChrist in Concrete is another closely drawn portrait of working-class immigrants, this time the Italian-American bricklayers of New York Cityâs Lower East Side.
On top of its lyricism and spirited narrative pace, what I find most refreshing about di Donatoâs tale is its choice of subject matter. So much of what we read and hear about the Italian-American experience tends to focus on the Mafia, perpetuating negative stereotypes that have dogged paisans since the late 19th century.
While Iâll never be the one to turn off Goodfellas, I long for more stories like that of Geremio and his irrepressible son, Paul, âborn artists of brick and mortar.â
Giving voice to the hardworking Italian immigrants who worked, lived, and died in New York City shortly before the Great Depression, this American classic ranks with Steinbeckâs The Grapes of Wrath as one of the 20th centuryâs great works of social protest.  Largely autobiographical, Christ in Concrete opens with the dramatic Good Friday collapse of a building under construction, crucifying in concrete an Italian construction worker, whose death leaves his pregnant wife and eight children impoverished. His oldest son, Paul, at just twelve years old, must take over his fatherâs roleâand his job.  Paulâs odyssey into manhood begins on theâŠ
All my books, for adults and kids, include the theme that things are seldom what they seem. I link this to the slow realization when I was young that my family had an uncommon history. Novels featuring spies go deep into this theme, as a good spy is always manipulating their environment and presenting versions of themselves that may or may not be true. When my own children were little, we read so many of these novels. That reading is what inspired the Mrs. Smithâs Spy School for Girls series.
I love how Georges and Safer are relatable. Their friendship has ups and downs and tensions that resonate for young readers.
Middle school is challenging! The realism extends to Georgesâs family and the challenges he faces at home. But this story is driven by the mystery of Spy Club and Mr. X. Important themes of friendship, empathy, and self discovery are flawlessly woven into the expert storytelling. I read this in one sitting!
When Georges moves into a new apartment block he meets Safer, a twelve-year-old self-appointed spy. Soon Georges has become his spy recruit. His first assignment? To track the mysterious Mr X, who lives in the flat upstairs. But as Safer becomes more demanding, Georges starts to wonder: what is a game and what is a lie? How far is too far to go for your only friend?
Winner of the Guardian Children's Fiction Prize and shortlisted for the Carnegie Medal.
'A joy to read' Independent
'Rebecca Stead makes writing this well look easy' Philip Ardagh, Guardian
Growing up in New York, the child of New Yorkers, every corner was replete with memories and histories that taught me life values. Walking through these meaningful places, I learned that the multiplicity of peopleâs stories and struggles to make space for themselves were what made the city and enriched everyoneâs lives. The books here echo the essential politics and personal connections of those stories, and all have been deeply meaningful to me. Now, with my firm Buscada, and in my writing and art practice, I explore the way peopleâs stories of belonging and community, resistance and rebuilding from cities around the globe help us understand our shared humanity.
The people in this book shaped the spaces and sidewalks of a city I know well. Prithi Kanakamedalaâs telling of four Black familiesâ stories and the ways they shaped Brooklyn gave depth to my own way of thinking, writing, and caring about the borough.Â
I love this book because it makes people who are often absent from written histories feel vital and realâit introduces us to Black people who have agency in shaping their own lives and places, and specifically, to brilliant Black women who are almost invisible in the archive.Â
I could imagine talking with these people, seeing the signs they saw, hearing the smells they smelled, and walking their streets; the book allowed me to see how Black people shaped their placeâand shaped the place Brooklyn would becomeâand how this making of the place was really making the arguments for freedom. What else could you want?
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice
Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life-businesswomen, church leaders, laborers, and writers-who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the livesâŠ
