Here are 100 books that Wheels within Wheels fans have personally recommended if you like
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Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.
Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe."
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East – Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book – it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
I’m a serial memoirist (two published, two more to come), and a true fan of well-written memoir. I read all kinds, but my favorites often combine coming-of-age with unusual travel or life choices. I love getting inside the authors’ heads, discovering not just what they did, but why, and how they felt about it later, and what came next. Great memoirs take us out of our own lives and into settings, situations, and perspectives we may never experience. What better way to understand how other people live and move and think and feel? Fiction is fine, but a unique true story hooks me from start to finish.
I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.
Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.
Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.
Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it. Such a treat!
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.
Since reading the Harry Potter series (I know, how original! But bear with me), I’d been searching for books that awoke the same feelings of awe, curiosity, and inspiration in me. It’s been my mission—to be on the dramatic side—to find books that make magic feel just within reach of our world, which is why I set out to write my own urban fantasy story, The Wise One. My creation process involved years of extensive research on esoteric topics and Celtic folklore, including visiting most of my story’s locations during my travels across Ireland and Scotland. What I can boldly say after immersing myself in the landscape and culture is this: magic totally does exist.
When I was recommended this book, I was in the midst of my own journey of self-discovery, likethe author was in writing it. I was just starting to embrace who I wanted to be: someone whocould open people’s imaginations to the magic that is already all around us. Faery Taleis thestory that prompted me to book that trip to Ireland and Scotland and experience the mysticism of the lands for myself. I’m not a memoir enthusiast normally, but Pike’s (at first) skeptical POV,detailed research into Celtic folklore, and real-life magical encounters inspired much of mydebut novel.
In search of something to believe in once more, Signe Pike left behind a career in Manhattan to undertake a magical journey - literally. In a sweeping tour of Mexico, England, Ireland, Scotland and beyond, she takes readers to dark glens and abandoned forests, ancient sacred sites and local pubs, seeking people who might still believe in the elusive beings we call faeries. As Pike attempts to connect with the spirit world - and reconnect with her sense of wonder and purpose - she comes to view both herself and the world around her in a profoundly new light.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I chose this book because, well, it’s really funny!
Tony Hawks carries a fridge around Ireland for charity and becomes infamous for it on the way round. His style and humour are hugely engaging, and Ireland is so full of character, that by the end of it, I felt as if I had taken every step with him.
I feel as if I have a memory of walking around Ireland with a fridge as if I did it. That is a sign of very good writing!
Whilst in Ireland for an International Song Competition, Tony Hawks was amazed to see a hitch-hiker, trying to thumb a lift, but with a fridge. This seemed amazingly optimistic - his Irish friends, however thought nothing of it at all. 'I had clearly arrived in a country', writes Tony, 'where the qualifications for 'eccentric' involved a great deal more than that to which I had become used'. Two years pass but the fridge incident haunts our author. Until one night, heavy with drink, he finds himself arguing about Ireland with a friend. It is, he insists, a 'magical place', so…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall.
Ireland 1652: In the desperate, final days of the English invasion . . .
A fey young woman, Áine Callaghan, is the sole survivor of an attack by English marauders. When Irish soldier Niall O'Coneill discovers his own kin slaughtered in the same massacre, he vows to hunt down the men responsible. He takes Áine under his protection and together they reach the safety of an encampment held by the Irish forces in Tipperary.
Hardly a safe haven, the camp is rife with danger and intrigue. Áine is a stranger with the old stories stirring on her tongue and rumours…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.
Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.
A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.
I’ve chosen to recommend fiction by Irish women, because I’m a female Irish writer myself. My own books are mostly for children, but, hey, I’m an adult. As well as a writer I am a retired publisher, a not-quite-retired editor, and an occasional translator, so I tend to engage very closely – OK, obsessively – with text. I have a pretty serious visual impairment, so most of my ‘reading’ is through the medium of audiobooks. I’m never sure if that influences my taste in reading. Anyway, these are the books I’ve liked recently, and hope you do too.
Let’s be clear: the title is ironic. This is a love story, told mostly in retrospect. Well, it’s not love exactly. It’s sex. Or a kind of twisted idea of romance. It’s attraction anyway, not quite obsessive, but close. And it’s mysterious. Who are these people? How do they connect to each other? How do they know each other? Do they even like each other? Why/why not?
The answers, if readers can identify them, are not reassuring. And yet... I loved this book, read it twice, straight off. It’s partly the descriptions of the physical world – natural and constructed – always partial, never conclusive, that are so attractive to read.
'A beautiful, wry love story' David Nicholls, author of ONE DAY
'I love this woman's writing. Golden sentences' Diana Evans, author of ORDINARY PEOPLE
'One of the year's most beautifully written books, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond' The i, Best Books of 2020 So Far
'If you loved Sally Rooney's NORMAL PEOPLE, read this novel ... Darkly romantic ... Reminiscent of Eimear McBride's lyrical Joycean sentences' Vogue
'The best novel I have read all year' Sunday Business Post
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a kid, I loved books of all shapes and sizes, especially those written by Irish authors. They made me feel like there was a chance of my own dream coming true – that I would walk into my local bookshop and see a book with my name on the cover. In the last twenty years, we've seen an explosion of new Irish authors making their mark on the world of children’s literature. Don’t get me wrong, I adore leprechauns, and many of the classic Irish books that have been loved by previous generations. But there’s a crop of brand new Irish authors making some incredible work, and it’s time to give them some love!
I’m super-passionate about giving young people the window into the world that they deserve – in fact, I wrote a whole book about journalism and fake news for kids.
David McCullagh, with this book, has flung that window wide open.
David will be familiar to Irish audiences as the anchor of the main evening news programme on RTE, but he’s managed to do the almost-impossible with this book. Namely: communicating the world of politics to kids in a way that doesn’t patronise or talk down to young people.
This beautifully-illustrated book explains some quite complicated concepts clearly with real-word examples and some excellent tongue-in-cheek humour.
I’ll be forcing it on my wee nephew as soon as he’s old enough!
Join political buff David McCullagh and illustrator Graham Corcoran as they guide you through all the things that make our country work. Why do we have a president and a Taoiseach? What is the Seanad and why can only some citizens vote in its elections? Who makes the rules for Ireland and how are they enforced? And what do we do if we want to change them?
Learn what it means to be a citizen and the positive role you can play by helping others, protecting what works and creating change in the world you live in.