100 Books Like We Took to the Woods

I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.

Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.

This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things. 

When I think of Maine, I think of mill towns. When I think of mill towns, I think of Empire Falls. And to consider Russo’s titular town is to consider what happens to a community when its once-lucrative mills are abandoned.

I have witnessed it repeatedly through the years, all around the state of Maine—first our mills go out of business, then the towns that grew around those mills gradually, inexorably decline. Russo captures this struggle, creating characters as real as the millworkers I grew up with.

He also emphasizes a strange thing that happens in these blue-collar communities: even though the people who live there know their town will never be as it once was, most of them still can’t bring themselves to leave. 

Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.

His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.

Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community. 

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

This book tells the story of Helen and Scott Nearing, who left the city in 1932 for a rural life in Vermont based on hard work, self-reliance, good health, and a small amount of cash. They later moved to Main, where they continued living on the land until the early 1980s.

I loved this book because it was a “how-to” guide to rural homesteading, and because the authors made their life seem so rewarding and worthwhile. It must have been, because Scott Nearing lived to the age of 100, and Helen to 91.

This book can be more aptly titled “Life”. Klinkenborg’s musings over an eleven-year span while maintaining his farm in upstate New York’s Hudson Valley go well beyond the allotted time and location. His many astute observations about nature, animals, and people are expertly framed with blunt and humorous analogies. The Interlude and final chapter ("Coda") state the importance of the sciences exploring cosmology, biology, and archeology and why knowledge morphs through history. A must-read for any urbanite or suburbanite curious about country living.

This is an academic book, but I found it easy and fascinating to read. The author is a sociologist who studied 1300 of the thousands of individuals who gave up their suburban homes in the 60’s, 70s, and 80s for a few acres of rural land.

I loved it because the experiences of the families the author studied shared my values and my own reasons for living off the grid. It also described some of my romantic misconceptions about what it would be like to live a “simple life” with a group of friends. I would describe this book as an introduction to homesteading for city dwellers who dream of moving to the country.

A gorgeous meditation on friendship, the English countryside, art, and beauty.

Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.

As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'

I’m always a fan of graphic novels that capture the mood of the book, rather than trying to make everything perfectly accurate to the original. Mariah Marsden’s adaptation of Anne of Green Gables perfectly captures the magic and beauty of one of my favorite childhood books.

I mentioned how much I enjoyed this adaptation to a friend who’s also a fan of L.M. Montgomery. However, my friend hated this adaptation (especially how Anne’s nose is drawn!) which I actually found very liberating as I considered adapting The Great Gatsby. I’d been concerned about how people who loved Gatsby would view my adaptation, but this made me realize that some people would love my book and some people wouldn’t—and that was okay!

A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.