100 Books Like Watery Ways

Driving Over Lemons is a quintessential travel book that inspired me to throw away my regular life and start exploring the world.

This classic tale takes you to far-flung shores bathed in sunshine, filled with misadventures, and bursting with glorious food. What more could you need to start dreaming, take a leap, and make your perfect life a reality? 

This is my go-to for the start of any big project and always gives me the courage to go for it and laugh in the face of adversity on the way.

Gene Kranz gave a precise and concise description of historic events around the creation of America’s manned space program and presented the key players at the forefront of NASA’s space exploration Missions. His participation in the space program from the early days of the Mercury program to the last Apollo mission was dramatically documented in this book to my admiration. A fascinating firsthand account by a veteran mission controller of one of America’s greatest achievements, this book reflects on what has happened to the space program and offers his own bold suggestions about what we ought to be doing in space now.

I fell in love with this book because of the author’s personal involvement and perceptions in some of the Mission programs. The graphic description of different explorations kept me spellbound to read each exploration to the end. Again, the book was written with simple and easy-flowing English grammar… show more.

A classic biography about one of the Royal Air Force’s most colorful fighter pilots during the early part of the war.  Robert Stanford Tuck was born into a wealthy family, but had an individualistic spirit that was sometimes at odds with that family.  Prior to the war, he went to sea aboard a tramp steamer where he did much growing up. Upon his return, he was drawn to the excitement of flight and joined the Royal Air Force. Not an intrinsically gifted pilot, he nearly washed out of training, but ultimately flourished. He excelled as a leader as one of the “few” during the Battle of Britain. 

I think it is an excellent example of how ingenuity and mutual loving support can overcome an otherwise devastating event.

When Beth Haslam and her hilariously grumpy husband, Jack, and their lovable dogs, set off to buy a second home in rural France, they didn't expect to become part-time foresters, raising rare breed pheasants and caring for wild boar. In this fourth episode of Beth's excellent five-part memoir series, the Haslam's have their lives turned upside-down when a raging storm devastates vast sections of their forest. As if this disaster wasn't already bad enough, the authorities then demanded that the 1,000s of fallen trees be removed. But at what cost? Is their idyllic French retirement over, or can they recover and rebuild without going bust?

The author and her husband are trapped in an almost untenable situation, but they pull together to see things through to a satisfactory conclusion. I thought it was a great example of that British philosophy to "Keep calm and carry on."

In this third memoir in her enjoyable Two Old Fools series, Victoria and her husband Joe find that rising costs and a shrinking bank balance are threatening their idyllic retirement. After applying online, they leave their beloved Spanish mountain village to teach for a year in Bahrain. But their timing couldn't have been worse. Just after they arrive, the Arab revolution erupts, throwing the country into violent events that would make world headlines. Suddenly they are trapped. Should they leave and risk losing their Spanish dream or stay and face a greater hazard?

This made me laugh until I cried. It blends a harebrained idea with a social experiment. Two men decide to cycle from the southernmost tip of England to the far north of Scotland. They have no bicycles. They also have no clothes, food, or money. 

Barefoot, wearing nothing but Union Jack boxer shorts, off they set in a freezing gale. The outcome of their journey will depend entirely on the kindness and generosity of strangers.

Written in an engaging style, A Long Way from Paris centers on a young women's experiences living with a small family and working as a goat herder in southern France in 1980.  Elizabeth soon discovers that it is hard work dealing with the animals, especially during the frigid winter months. The language barrier between her and the family adds an unwelcome layer of complexity to an already challenging experience.

This book resonated with me because it’s the story of a journey. A journey of personal discovery and resilience.

I know what it’s like to lose loved ones. My whole family is gone. I know what’s it’s like to have the life you’ve led, the life you’ve believed in, be dismantled. And I know what it’s like to go on an expedition to find yourself again.

It doesn’t matter how that expedition takes form; the journey to find yourself again is powerful, and I’m still on that road.

This book described not just a heinous crime that was committed near Johannesburg, South Africa, but the effects it had on a man falsely accused and imprisoned for that crime. Instead of focusing on a single perspective, the author chose to focus on several perspectives, some of which were totally unreliable. As a result, I was shown the messy mind states of all those people associated with the crime, 2 decades after it was committed.

I was in a constant state of curiosity with every page, and as soon as I finished the book, I wanted to learn more, not just about the case itself, but the culture and society from which it took place. 

I find the notion of the “unknown” writer quite problematic.

Most of the time, at least somebody has, in fact, heard of the writer. So by whom is this writer unknown, and for what reasons has their reputation been erased?

The South African writer Miriam Tlali – the first South African woman writer to publish a book in English - is a case in point.

Tlali’s novel Muriel at Metropolitan (about an office worker in apartheid Johannesburg) was banned when it was published in 1975 for its critical portrayal of white South Africans.

Tlali was subsequently ignored by her literary (almost entirely male) peers, dismissed as offering “reportage” rather than “art”. Yet since 2017, Tlali’s work has been celebrated.

The question of whether a writer is “known” or “unknown” is complex with many layers to consider, including the prejudices of racism and sexism.