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Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Fifty-five stories of dedication, terror, rage, and faith make up Hands on the Freedom Plow. These narratives by women, black and white, describe their devotion to the activist Civil Rights work of the Student Nonviolent Coordinating Committee, SNCC—“snick.” I found myself powerfully drawn to accounts with which I was familiar—door-to-door organizing, singing meetings in the hot Mississippi summer, police and Klan assaults, jail time, but above all the solidarity of women (and men) fervent about the cause of achieving “freedom now.” Brief historical overviews of legendary 60s campaigns knit these accounts, as do the short bios that trace the enduring work—as singers, lawyers, preachers, organizers—of these women over the past 50 years.
In Hands on the Freedom Plow, fifty-two women--northern and southern, young and old, urban and rural, black, white, and Latina--share their courageous personal stories of working for the Student Nonviolent Coordinating Committee (SNCC) on the front lines of the Civil Rights Movement. The testimonies gathered here present a sweeping personal history of SNCC: early sit-ins, voter registration campaigns, and freedom rides; the 1963 March on Washington, the Mississippi Freedom Summer, and the movements in Alabama and Maryland; and Black Power and antiwar activism. Since the women spent time in the Deep South, many also describe risking their lives through beatings…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Want to understand today’s America? Noam Chomsky, Dan Ellsberg, Jane Anne Phillips, Kim Stanley Robinson, John Dower all recommend Crash Course, Bruce Franklin’s 20th book. Bruce went from working on tugboats during the bloody war for control of New York Harbor to flying as Air Force intelligence officer and Arctic navigator. Then he became a major figure in "revolutionary" movements of the sixties and seventies, getting fired from his tenured job. FBI documents reveal efforts “neutralize” him, including framing him for various crimes. This book discloses some of his actual underground activities, including helping to set up a Vietnam deserter network in France. As exciting as a thriller novel, Crash Course rewards readers with its deep analysis of modern American history.
Growing up during the Second World War, H. Bruce Franklin believed what he was told: that America’s victory would lead to a new era of world peace. Like most Americans, he was soon led to believe in a world-wide Communist conspiracy that menaced the United States, forcing the nation into a disastrous war in Korea. But once he joined the U.S. Air Force and began flying top-secret missions as a navigator and intelligence officer, what he learned was eye-opening. He saw that even as the U.S. preached about peace and freedom, it was engaging in an endless cycle of warfare,…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
In a clever move, Charlie Cobb uses the form of a travel guide—I love it better than a Lonely Planet—to introduce the events and people of the 1960s Civil Rights struggles. An active participant, Cobb takes us into, behind, and around the sit-ins, the formation of SNCC, campaigns for voting rights, Mississippi Summer of 1964, and other day-by-day battles for Civil Rights. We meet close up and learn about the work of the young people, many unknown and unsung, whose determination and daring carried the Movement forward. And, yes, the book also provides many pictures and documents, as well as a “guided tour” of the homes, churches, shops, and bars where the real action happened.
Award-winning journalist Charles E. Cobb Jr., a former organizer and field secretary for SNCC (Student Non violent Coordinating Committee), knows the journey intimately. He guides us through Washington, D.C., Maryland, Virginia, North Carolina, South Carolina, Georgia, Alabama, Mississippi, and Tennessee, back to the real grassroots of the movement. He pays tribute not only to the men and women etched into our national memory but to local people whose seemingly small contributions made an impact. We go inside the organizations that framed the movement, travel on the "Freedom Rides" of 1961, and hear first-person accounts about the events that inspired Brown…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Mickey and Dick Flacks enjoyed a 60-year marital and political partnership that featured blintzes along with activism. Their joint memoir traces a century of American left history as they and their families created and lived it. Raised in the rich but insulated culture of the communist “old left” in the Bronx and Brooklyn, these founding figures of the "new left,” helped construct a post-sixties progressive movement in a once-conservative region of California. They have been trailblazers in the struggles for affordable housing, and leaders and mentors—including me—in the on-going efforts to democratize higher education. Their activist left perspective on American possibility—unimaginable for too many Americans—belongs on our bookshelves.
Making History/Making Blintzes is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today's social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history-of…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
During a period when Mexican American women were seen as having only three possible roles in life, either as hypersexualized figures, maids, or beauty queens, this stirring biography uncovers how one Latina, Adela Sloss-Vento, broke the mold.
She had only a high school education—and one belatedly received at that, but Sloss-Vento became a public intellectual and a vital, though hidden figure in the emerging Mexican American Civil Rights Movement. Reading this stimulating biography, I found it easy to see Sloss-Vento (1901-1998), sitting at her kitchen table writing spirited columns and letters in defense of Mexican Americans to English and Spanish Texas newspaper editors.
Though Mexican American women didn’t begin entering into mainstream journalism jobs in any sizeable numbers until the 1980s, Sloss-Vento’s story shows how at least one Latina beat back the barriers and made her own way into print.
Liz Carpenter Award for Research in the History of Women, Texas State Historical Association
The essayist Adela Sloss-Vento (1901-1998) was a powerhouse of activism in South Texas's Lower Rio Grande Valley throughout the Mexican American civil rights movement beginning in 1920 and the subsequent Chicano movement of the 1960s and 1970s. At last presenting the full story of Sloss-Vento's achievements, Agent of Change revives a forgotten history of a major female Latina leader.
Bringing to light the economic and political transformations that swept through South Texas in the 1920s as ranching declined and agribusiness proliferated, Cynthia E. Orozco situates Sloss-Vento's…
I was born and raised in Texas, and I’ve lived here most of my life. For good or for ill, Texas looms large in the American consciousness and, since everything is bigger in Texas, so are the stereotypes. While you can definitely still find cattle ranches and oil wells in our state, modern Texas is much more complex and diverse than many people might think. While I love books that show those traditional elements of Texas (looking at you, Lonesome Dove!), I have always delighted in finding books that give me a new lens on what it means to be a Texan. I hope you’re delighted by these too.
I spent my twenties watching in horror as Texas and then-Governor Bush executed more prisoners than any other governor in modern American history, only to be replaced by Gov. Rick Perry who executed even more. In Chammah’s deeply researched non-fiction exploration of the death penalty, he focuses on Texas, “the epicenter of capital punishment.” I better understood our justice system through his intimate focus on the individuals impacted by the larger system. And the book gave me a measure of hope, too—the societal problems that seem intractable can actually improve over time, through the work of many.
NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America
“If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review
WINNER OF THE J. ANTHONY LUKAS AWARD
In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, they’ll do the same for you.
I’ve never seen a man’s life told with such clarity and skill as Caro lays out LBJ’s journey. I was in awe of how clear-eyed Caro was about what his story is about: not the facts and dates of LBJ’s life, but what Caro saw in LBJ’s life about ambition, politics, and the powers that shape society.
Caro never for a second loses sight of the story he is telling, and what it is truly about: power, how to get it, and how to yield it. Caro’s adherence to the themes he found in LBJ’s story is inspiring—and completely informed how I approach storytelling.
'The greatest biography of our era ... Essential reading for those who want to comprehend power and politics' The Times
Robert A. Caro's legendary, multi-award-winning biography of US President Lyndon Johnson is a uniquely riveting and revelatory account of power, political genius and the shaping of twentieth-century America.
This first instalment tells of the rise to national power of a desperately poor young man from the Texas Hill Country, revealing in extraordinary detail the genesis of the almost superhuman drive, energy and ambition that set LBJ apart. It charts his boyhood through the years of the Depression to his debut…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
Brammer’s novel has resonated throughout my career, warning of almost inevitable disillusionment with a political powerhouse. Brammer had served as a top aide to Lyndon Johnson, on whom he based Arthur Fenstemaker, a star as bright as Penn Warren’s Willie Stark. The Gay Place spoke to me even more directly, focusing on minor politicos and their ambitions, frailties, and humanity. And the book drove home, through a pervading sadness, the anomie that rises from disillusionment. Brammer’s “Flea Circus” metaphor continues to amuse and bum me.
Set in Texas, The Gay Place consists of three interlocking novels, each with a different protagonist-a member of the state legislature, the state's junior senator, and the governor's press secretary. The governor himself, Arthur Fenstemaker, a master politician, infinitely canny and seductive, remains the dominant figure throughout.
Billy Lee Brammer-who served on Lyndon Johnson's staff-gives us here "the excitement of a political carnival: the sideshows, the freaks, and the ghoulish comedy atmosphere" (Saturday Review).
Originally published in 1961, The Gay Place is at once a cult classic and a major American novel.
I'm an independent historian and journalist who has spent over 25 years studying Abraham Lincoln and his family. My fascination with the Great Emancipator began when I worked first as a student volunteer and then as a park ranger at the Lincoln Home National Historic Site in Springfield, Illinois. As I writer who has always loved history, I decided I should start writing about history. I've authored or edited eight books (seven on Lincoln and his family) as well as numerous articles. My big break came when I discovered a cache of Mary Lincoln’s missing letters, written during her time in a sanitarium in 1875, which had been missing for nearly 100 years.
George W. Bush, even today, 14 years after leaving the presidency, is a controversial president. But as with all presidents, to understand their politics and policies you have to first understand their personality and character. That’s what I like about this book: Bruni seeks to explain and understand who Bush was as a man—a man who, although the son of a president, never seemed destined to lead a nation and the world and yet ultimately faced one of the greatest crises in US history. Bruni, a former New York Timesreporter who covered Bush as presidential nominee and president, shows W.’s weaknesses and strengths, his somewhat surprising life journey of serious endeavors for an often less-than-serious man, and ultimately how the terrorist attacks of September 11, 2001, changed Bush’s entire outlook and demeanor, thrusting him into an unprecedented challenge that elevated the laid-back good-time guy to a serious and dedicated leader.…
The unlikely Odyssey of George W. Bush. As the principal New York Times reporter assigned to cover George W. Bush's presidential campaign from its earliest stages - and then as a White House correspondent - Frank Bruni has spent as much time around Bush over the last two years as any other reporter. In Ambling Into History, Bruni paints the most thorough, balanced, eloquent and lively portrait yet of a man in many ways ill-suited to the office he sought and won, focusing on small moments that often escaped the news media's notice. From the author's initial introduction to Bush…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.
The Time It Never Rained tells the grim battle between ranchers and drought in 1950s western Texas.
I grew up on a small Minnesota farm and remember my father’s struggle to keep the farm going, but at least he never faced a seven-year drought. A stubborn rancher who reminded me of my father, refuses to give in or ask for help.
I especially liked the secondary story of illegal immigrants, attitudes of ranchers toward the Feds tasked with arresting and deporting them, and the government programs that backfired in the end. It’s an excellent read that left me thankful for every drop of rain and blade of green grass. Its lessons of racism and kindness are pertinent to today’s world.
In the 1950s, West Texas suffered the longest drought in the memory of most men then living. By that time, Charlie Flagg, the central character of this novel, was one of a dying breed of men who wrested their living from the harsh land of West Texas. The struggle made them fiercely independent, a trait personified in Charlie’s persistence throughout the seven dry years, his refusal to accept defeat, his opposition to federal aid programs and their inevitable bureaucratic regulations, his determination to stay on the land he loves and respects even as he suffers with that land. Charlie is…