Here are 72 books that Virginia Folk Legends fans have personally recommended if you like
Virginia Folk Legends.
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Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
Before other authors (including me) published books on Virginia’s ghosts and legends, it was L. B. Taylor who’d written many spooky tales that haunted the Old Dominion in a long span of books, including this one. Not just Virginians, but as someone who moved here in 1985, I learned about the state’s many ghosts, monsters, and legends that taught me a new view of the state. No one needs to live in Virginia to enjoy reading this book.
The Old Dominion has been one of the nation's most embattled states. Serving as center stage for both the American Revolution and the Civil War, it is also one of the most haunted. In addition to the sagas of the tragic spirits from these wars, this volume includes stories on the female stranger of Gadsby's Tavern in Alexandria, the mysterious stone showers in Newport, the ghost hound of the Blue Ridge, Mad Lucy of Williamsburg, and the spirits of native sons Thomas Jefferson, Robert E. Lee, and Edgar Allan Poe.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
For centuries, Virginians have told, retold, and embellished terrific stories of their history, some based on truth, others more folklore than reality. As someone who has written her own myths and legends book, it was refreshing to read about them from another author’s viewpoint. Plus, I got to learn some new angles about the lore of Virginia.
For centuries, Virginians have told, retold and embellished wonderful stories of their history. Legends such as the "wild Spanish ponies" of Chincoteague, General Braddock's lost gold, the Mount Vernon Monster and the Richmond Vampire tug at the imagination. Revolutionary War heroes, Annandale's Bunny Man, the enslaved woman who became a Union spy in the White House of the Confederacy and many others left imprints on the Commonwealth of Virginia. Explore secret societies, hidden knowledge and the mysteries of the universe with author Chuck Mills.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
As I was working on a new nonfiction book, this time about werewolves, dogmen, and other types of shapeshifters in the United States, I read many books on the subject out there. One author. Linda S. Godfrey, had written many stories connected to the American Dogman/werewolf, beginning with the Beast of Bray Road. In this book, she also wrote about other American creatures, not just the dogman. She covers pre-Columbian to modern sightings. I believe, whether a fantasy/horror writer looking for their next monster for their short story or novel to the amateur cryptid hunter happy to explore these beasties from the safety of their seat, anyone will enjoy this book. I did.
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America—including Bigfoot, the Jersey Devil, and more.
Bigfoot, the chupacabra, and thunderbirds aren’t just figments of our overactive imaginations—according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region.
Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using…
I am a novelist who loves stories that express deep emotions and life-changing experiences, suspenseful stories that explore how humankind responds to tragedy, to heartache, and to joy, so that is what I write. My stories don’t come from me; they come through me. I often listen to scene-setting music full blast over and over again as scenes form in my head and the words pour onto the page. I don’t write my stories in order. I usually know the beginning and end, but I write whatever scene I “see” and then arrange them in the right order when I’m done.
I loved The Waltons, the closeness of the family, and how they solved typical family squabbles. As an adult, I watched every episode again with my kids, so I was thrilled when I actually met The Homecoming author Earl Hamner, Jr. (the real John-Boy Walton/Clay-Boy Spencer) in an online writers’ group way back when the internet was first invented. We became great online friends. His John-Boy character inspired the character in my book, a good-hearted teen who, despite living in modern times, traverses his small southern town on a horse, just as John-Boy rode Blue, his mule.
A young man searches for his missing father on Christmas Eve in this sequel to Spencer’s Mountain, the novel that inspired The Waltons.
It’s the night before Christmas, but Clay Spencer has failed to return home. Leaving his worried family to keep watch at the homestead, his son, Clay-Boy, takes to the snowy Virginia hills in search of his father. Along the way, he will meet an irate deer, a threatening county sheriff, a congregation of African American churchgoers, and two elderly women who happen to be bootleggers—in this tale filled with warmth, humor, and emotion.
I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.
Lu Ann Bell was a painter in the 1850s who became well known for painting servants. It was actually her housemaid that did the paintings. I liked how the story depicts a lawyer in 2004 that tries to help the housemaids' descendants get what is rightfully hers.
Our history is full of talented people that were taken advantage of because of their status or race. I loved the fact that there are still people today that are trying to right the wrongs of yesterday.
The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia. Weaving together the story of an escaped slave in the pre-Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine. Featuring two remarkable, unforgettable…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
I’ve always enjoyed the intrigue of the mystery and the constant back and forth of the twists and turns offer in a well-written novel. The tremor of my nerves at the base of my neck as I try to figure out the culprit and their intentions, has always enticed my imagination. To, me, those sensations are mind stimulating, and are only born through reading.
If you like reading fast action and involved mysteries, you’ll enjoy Patricia Cromwell’s novel, Isle of Dogs. This action-packed story delves into the historical plots surrounding a small island off the coast of Virginia, where it is said ancestors of long-ago pirates reside, and to this day a sunken treasure remains at the bottom of the sea off their shores. The Governor of Virginia decides to build speed bumps on the small island where the preferred mode of transportation is golf carts. Disarrays begin, so State Trooper Andy Brazel is assigned to investigate and discovers a gang’s intentions to raid the island in search of the treasure.
Isle of Dogs is the final book in the Andy Brazil series, following the success of Hornet's Nest and Southern Cross, from bestselling author Patricia Cornwell.
Chaos breaks loose when the Governor of Virginia orders that speed traps be installed on all streets and highways, and warns that motorists will be caught by monitoring aircraft flying overhead. But the eccentric inhabitants of Tangier, fourteen miles off the coast of Virginia in the Chesapeake Bay, respond by threatening to secede and set up an independent state, claiming that their independence lies in the history of America's first settlers, those who set…
Nearly 200 years passed between the first English settlements and the American Revolution. Yet Americans today have a static view of women’s lives during that long period. I have now published four books on the subject of early American women, and I have barely scratched the surface. My works—Liberty’s Daughters was the first I wrote, though the last chronologically—are the results of many years of investigating the earliest settlers in New England and the Chesapeake, accused witches, and politically active women on both sides of the Atlantic. And I intend to keep researching and to write more on this fascinating topic!
A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s development.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
You don’t necessarily have to like an author to admire their grasp of the subject matter and few writers have a better slab-side manner than Cornwell. She knows her stuff and you can perhaps forgive her the smartarsery that she can’t resist. But she does go out of her way to give the victims and their families closure.
In this #1 New York Times bestseller Dr. Kay Scarpetta is on a deadly mission that will pull her in two opposite directions: toward protecting her career or toward the truth...
Remains were all that was left of the stowaway. He arrived in Richmond's Deep Water Terminal-the ghastly cargo of a ship from Belgium. The decomposed body gives Chief Medical Examiner Dr. Kay Scarpetta no clues to its identity-or the cause of death. But an odd tattoo soon leads her on an international search to Interpol's headquarters in Lyon, France-and towards a confrontation with one of the most savage killers…
