Here are 100 books that Vintage Murakami fans have personally recommended if you like
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My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
The Woman in the Dunes (Suna No Onna, Sand Woman) was a 1962 novel written by Kobo Abe. The story is about an amateur entomologist who ends up as a forced partner to a recently widowed woman living at the bottom of a sand dune. The story, of course, goes far deeper than that.
While reading the book I recalled the Tottori Sand Dunes on Japan’s West Coast, one of the most surprising landscapes in the island nation. After reading the book and visiting Tottori I watched the 1964 film adaption of the book directed by Hiroshi Teshigahara and starring Eiji Okada and Kyoko Kishida. It is one of the few instances where the film is at least equal to or perhaps surpasses the book version. I highly recommend first reading both books then watching the films to see how skillfully the written word can be converted…
The Woman in the Dunes, by celebrated writer and thinker Kobo Abe, combines the essence of myth, suspense and the existential novel.
After missing the last bus home following a day trip to the seashore, an amateur entomologist is offered lodging for the night at the bottom of a vast sand pit. But when he attempts to leave the next morning, he quickly discovers that the locals have other plans. Held captive with seemingly no chance of escape, he is tasked with shoveling back the ever-advancing sand dunes that threaten to destroy the village. His only companion is an odd…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
My first somewhat clear understanding of what Zen is, and perhaps isn’t, came from the reading of this book.
I have seen in my own life when I’m doing photography or playing golf that I can enter a state of Zen. Nothing else exists while I’m depressing the shutter or hitting that little white ball. The concept of mindfulness is something that is much easier to read about than put into practice, but reading this book has helped me take strides toward living in the present.
A classic work on Eastern philosophy, and a charming, deeply illuminating story of one man’s experience with Zen.
Eugen Herrigel, a German professor of Philosophy in Tokyo, took up the study of archery as a step toward an understanding of Zen Buddhism. This book is the account of the six years he spent as a student of one of Japan’s great kyudo (archery) masters, and of how he gradually overcame his initial inhibitions and began to feel his way toward new truths and ways of seeing.
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
Hototogisu (The Cuckoo) is a Japanese novel by Kenjiro Tokutomi under the pen name Roka Tokutomi. It was initially published in serialized form between 1898 and 1899. My English copy, renamed “The Heart of Nami-san,” dates back to 1918.
I first became aware of the book when I was in Ikaho working on my Japanese hot spring series. One of the ryokans there had a small museum dedicated to the author. The story takes place over a century ago, but the interactions between a couple and their in-laws could take place not only in present-day Japan but almost anywhere around the globe. The ending (which I won’t give away) is very much a product of Japan, a country where simplistic Hollywood happy endings are seldom, if ever, appreciated.
Late 19th Century, Tokyo. Namiko, born as the daughter of an army lieutenant, loses her mother, and finds herself suffering at the hands of her new stepmother. Soon, her kindly aunt introduces her to Navy General Takeo Kawashima. Now Namiko lives happily ever after, or so she thought...
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
I am a big fan of Japanese art, with Japanese woodblock prints in the form of ukiyo-e and hanga at the top of the list. While James Michener might be best known for his novels, he was a very serious collector of woodblock prints and did deep research into the art form. I have in my collection this textbook on the subject, as well as his fine art limited edition books.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.
For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.
The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.
The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s…
The Little House is set in the early years of the Showa era (1926-89), when Japan's situation is becoming increasingly tense but has not yet fully immersed in a wartime footing. On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in…
I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.
Floating Clouds tells the story of a young woman who returns to Tokyo from Japan’s ex-colony in Indochina after the war and resumes the love affair with the man she met there. Their relationship is tormented and ultimately broken, like Japan’s dreams of empire and the promises of youth. The author, who had experienced destitution when she was young, weaves into the story the contrasting luxuriance of the colony’s tropical forests and the grime and spiritual emptiness of post-war Tokyo. This is such an honest and heart-wrenching novel.
In this groundbreaking novel, Fumiko Hayashi tells the powerful story of tormented love and one woman's struggle to navigate the cruel realities of postwar Japan. The novel's characters, particularly its resilient heroine Koda Yukiko, find themselves trapped in their own drifting, unable to break out of the morass of indecisiveness. Set in the years during and after World War II, their lives and damaged psyches reflect the confusion of the times in which they live. Floating Clouds follows Yukiko as she moves from the physically lush and beautiful surroundings of Japanese-occupied French Indochina to the desolation and chaos of postwar…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context. Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan. Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades. More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.
Cities often look quite different from the bottom up than from the top down. The practical demands of making cities work often rest on the shoulders of the most local of officials. Consequently, neighborhood officialdom often engages with citizens and residents more openly, even in authoritarian systems. Such engagement may hold the seeds of future democratic change. Hastings’ study of Honjo Ward and other proletarian Tokyo districts before World War II reveals a surprisingly robust participatory political and cultural environment across the early twentieth century.
In this pre-World War II analysis of working-class areas of Tokyo, primarily its Honjo ward, Hastings shows that bureaucrats, particularly in the Home Ministry, were concerned with the needs of their citizens and took significant steps to protect the city's working families and the poor. She also demonstrates that the public participated broadly in politics, through organizations such as reservist groups, national youth leagues, neighborhood organizations, as well as growing suffrage and workplace organizations.
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
I read this book in college and still recall it vividly.
A family seeks to marry off its daughters in prewar Japan, but while the world around them is evolving, they cling to tradition, insisting that the betrothals and marriages must happen in order. The youngest has a suitor and is eager to move forward with her life, but the first in line isn’t interested in being matched or hurried, which provokes a cascade of crises. Although the goal is finally achieved, there’s no sense of triumph.
Even in translation, the story is rich, complex, and naturalistic, and the characters seem so real that I once dreamed about encountering them on the street.
Tanizaki's masterpiece is the story of four sisters, and the declining fortunes of a traditional Japanese family. It is a loving and nostalgic recreation of the sumptuous, intricate upper-class life of Osaka immediately before World War Two. With surgical precision, Tanizaki lays bare the sinews of pride, and brings a vanished era to vibrant life.
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
First published in 1948, this was one of the first Japanese crime novels that I read. It is about a beautiful, tattooed woman who is brutally murdered and dismembered. However, the piece that contained her most exquisite tattoo has gone missing. It’s up to her hapless admirer and a brilliant amateur detective to discover why she was murdered and track down the killer.
Like The Silent Dead, I enjoyed this novel mostly for its plot, taking place just after World War II, offering interesting insights into the postwar Japanese mindset.
Can you solve the mystery of the tattoo murder? Tokyo, 1947. At the first post-war meeting of the Edo Tattoo Society, Kinue Nomura reveals her full-body snake tattoo to rapturous applause. Days later she is gone. A dismembered corpse is discovered in the locked bathroom of her home, but her much-coveted body art is nowhere to be found. Kinue's horrified lover joins forces with the boy detective Kyosuke Kamizu to try to get to the bottom of the macabre crime, but similar deaths soon follow. Is someone being driven to murder by their lust for tattooed skin, and can they…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?
In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.
From literary sensation and International Booker Prize-shortlisted author Mieko Kawakami, the bestelling author of Breasts and Eggs and Heaven comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo.
'A brief, compelling study of alienation and friendship; I binge-read it in one sitting.' - Rebecca F Kuang, bestselling author of Babel
Fuyuko Irie is a freelance proofreader in her thirties. Living alone in an overwhelming city and unable to form meaningful relationships, she has little contact with anyone other than her colleague, Hijiri. But a chance encounter with a man named Mitsutsuka…
