Books like Vernon God Little — picked by fans

I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.

What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.

Chaucer didn’t invent erotica, but he must be the all-time bestselling writer of medieval smut. He wrote The Miller’s Tale to entertain fellow travellers on a pilgrimage. I bet they lapped it up. This bawdy celebration of lust and trickery is as rude — and hilarious —  as it was 400 years ago.

Okay, this brilliant book doesn’t quite fit with the others. But I had to include it because; 1) I couldn’t write this list without including a Canadian book; and 2) it’s one of my favourite books. Richler’s Barney is every bit as compelling a tragic character as the others I mention here, but he’s written with Richler’s sly, caustic wit.

He’s the lovable rogue who fritters away all three of his wives, including love-of-his-life Miriam, while being accused of killing his best friend. Amidst Richler’s sly critique of the modern world, we witness Barney’s slow descent into dementia and desolation. The ending, however, fits this sardonic novel like a glove and left me with a big smile on my face.

This is another book I read that made me think that the story of immigration into a provincial, rather than big city, setting was something people would read. It also made me think, that all parents, immigrants or not, have a massive calling to be deeply embarrassing.

Marina’s story to publication is an inspiring one, too. She was fifty-eight when this, her debut novel, was published.

Concealed inside this comic tale of an octogenarian newly widowed father, finding romance with a much younger Ukrainian barmaid is a lesson that all immigrants must one day learn. Just because someone else is from the old country too, it does not necessarily mean they have your best interests at heart.

I wish more people in general and men in specific knew about this book. It includes an enormous amount of information, all based in science (which is really important when it comes to sex education), yet written in a compassionate, clear, and understandable way. 

While this book is written to help men with their sexuality, the women in their lives will no doubt benefit from what they learn. I truly think that if all men read this book, both they and their partners would have fewer sexual issues and much more pleasure and connection.

Death by tortoise shell, a lifeless head, excess of dance, or playing a concert? Based on true stories, in this impossible to catalogue book, you can find out the tragic, sometimes funny, but always incredible deaths of famous, and ordinary, people alike. 

What I love about this book is Cecilia’s sensitivity and witty sense of humor to deal with the illustrations. While some of the deaths depicted are brutal in nature, the images are never violent or morbid, but they are rather whimsical, poetic, and rather intriguing.

The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.

Stephen J. Golds is a prolific powerhouse of dirty realist poetry and gritty modern crime fiction. I’ve been lucky enough to work with him on a number of projects now and admire his mind and words greatly. 

Say Goodbye When I’m Gone is a breakthrough work of art for someone well-studied in his craft. It’s punchy, atmospheric, and brutal…but also, so sensitively poetic and soulful.

Say Goodbye When I’m Gone, and his other books generally, are prime examples of how a masterwork doesn’t have to be a doorstop in page length. Like The Postman Always Rings Twice by James M. Cain, these gems of noir fiction are often in novella format. Soulful, concise, sharp, and lean. Like the best poetry, which Golds happens to be unsurprisingly masterful with too.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.

Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values… show more.