Here are 97 books that VenCo fans have personally recommended if you like
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As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading.
Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.
The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy.
The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe.
The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone.…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always loved witches. Witches are women with powers and as a girl growing up in the 80’s (Before much female superhero representation) I was very drawn to that. My very favorite stories humanize witches, like the ones I listed above. My own children are very into Halloween and all things spooky- but cannot handle anything remotely scary. These were the best stories I found to share my witches obsession with my scaredy- kids. I hope you enjoy these books as much as I do, and may they spark a lifetime love of magic in your own young readers.
A favorite in our home for years- Cyd Moore’s illustrations are perfectly suited to this tale of two very different witches. The pictures are full of details that can be discovered over multiple readings and the color palate keeps things light and fun. A great moral about Karma makes this a fun witchy read year round.
A bewitching tale showcasing the timeless lesson that a good deed always triumphs over a bad one, even at Miss Mildred Mildew's School of Magic!
Whatever you chant, Whatever you brew, Sooner or later Comes back to you!
Alice and Greta attended the same school of magic, but they each have their own ideas about how to put their skills to the best use. Alice spends her days waving her wand to cast splendid spells. Greta only uses hers to stir up trouble. When their wands and witching styles clash, it turns out Greta should have paid more attention to…
Throughout my childhood, my mother repeated the mantra, “Love your own, leave others alone.” Her purpose was to prevent me and my siblings from begging to keep every animal we saw. Arguably, the phrase had some impact because we obviously didn’t bring home every animal. (But we also adopted a opossum from the backyard and named him Mr. Jenkins, so you be the judge.) For as long as I can remember, I have loved finding fantasy adventure books that feature the animals I love so much as trusted companions. I hope you enjoy the books on this list as much as I do!
Another middle grade fantasy, Eva Evergreen: Semi-Magical Witch, follows a young girl trying to prove herself even with a lack of magical ability.
Though away from her parents, Eva’s not alone. Her trusty companion throughout her journey to help the residents of Auteri and earn her title never leaves her side. And, what’s more, is her animal companion is one I hadn’t seen before reading this book—it's a flamefox.
The flamefox, better known as Ember, loves food but loves her person, Eva, more—something that will resonate with people who love pets (and people who just love, well, love)!
Eva Evergreen is determined to earn the rank of Adept Witch before she turns thirteen years old. If she doesn't, she'll lose her magic forever. For most young witches and wizards, it's a simple enough test:
ONE: Help your town, do good all around. TWO: Live there for one moon, don't leave too soon. THREE: Fly home by broomstick, the easiest of tricks.
The only problem? Eva only has a pinch of magic. She summons heads of cabbage instead of flowers and gets a sunburn instead of calling down rain. And…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
My journey as a writer began in correlation with my career as a family doctor. After reading Dr. Jacques Ferron’s, books, I knew I wanted to be an author as well as a doctor. While pursuing my medical career, I wrote medical articles and books. My husband and I have also been featured in Chicken Soup for the Soul of Quebecers with the story Witness of the Last Breath. This is the story of the last night of my daughter-in-law dying of lung cancer. Before she died, I promised Marie-Noëlle that I would pursue my writing career to change the world one young reader at a time. And I did.
When I was young, my sister falsely accused me of stealing her money. I remember the pain I felt. If I had had this book in my hands, it would have consoled me.
The author of this funny chapter book teaches 7- to 10-year-old children a great life lesson on integrity and friendship. After reading the book, parents and children should discuss these values.
Heidi Heckelbeck is a witch, but she is NOT a thief! Can she clear her name and help find her best friend’s missing pen? Maybe…with some magic!
Heidi Heckelbeck’s best friend, Lucy, has a brand-new pen. It’s glittery, looks like a lollipop, smells like strawberries, and even lights up. It’s the coolest pen ever! Heidi wishes she had one just like it. And when it goes missing, Lucy accuses her best friend of taking it! Heidi Heckelbeck might be a witch, but she is NOT a thief! Heidi searches all over for Lucy’s pen, but it’s nowhere to be found.…
I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.
Spooky and magical! I remember staying up all night to finish this one when I was a child. It’s scary but so, so exciting. The real thrill comes from the idea that magic is all around us, alongside us in our everyday lives. The relationship between the boy and his grandmother is warm and loving, and their positivity is what provides the hope and joy in this book.
From the World's No. 1 Storyteller, The Witches is a children's classic that has captured young reader's imaginations for generations.
This is not a fairy tale. This is about real witches.
Grandmamma loves to tell about witches. Real witches are the most dangerous of all living creatures on earth. There's nothing they hate so much as children, and they work all kinds of terrifying spells to get rid of them. Her grandson listens closely to Grandmamma's stories-but nothing can prepare him for the day he comes face-to-face with The Grand High Witch herself!
I learned to read when I was three and the first book I remember reading was Ozma of Oz, which featured some great witches (even though they weren’t called that). I’ve been fascinated by women using magic to change the world around them ever since, and books about witches have remained a staple of my reading diet. As an adult, I learned more about the theory and practice of witchcraft and even spent some time in a coven. These days, I guess you’d call me more of a hedgewitch; I maintain no formal practice, just try to live in “a good way” like my Ojibwe ancestors taught.
YA books about witches promise teen angst, magic, and mayhem, and Barry’s book does not disappoint.
One thing that really makes Barry’s book stand out is the unique POV she uses. The girls on the 1989 Danvers High School Women’s Varsity Field Hockey Team sign their names in a notebook, initiating a spell to make their team finally start winning.
After that, they become a new entity, which is both all of them and something else entirely – the winning team. Or is it?
Barry’s POV places us in the minds of all the girls at the same time, but instead of being confusing, it makes the magic come to life on the page. GenXers (like me) who were in sports/music programs will particularly enjoy this one.
In the town of Danvers, Massachusetts, home of the original 1692 witch trials, the 1989 Danvers Falcons will do anything to make it to the state finals—even if it means tapping into some devilishly dark powers.
Against a background of irresistible 1980s iconography, Quan Barry expertly weaves together the individual and collective progress of this enchanted team as they storm their way through an unforgettable season.
Helmed by good-girl captain Abby Putnam (a descendant of the infamous Salem accuser Ann Putnam) and her co-captain Jen Fiorenza (whose bleached blond “Claw” sees and knows all), the Falcons prove to be wily,…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
I clung to every word, every story, and every turn of phrase like a traveler gripping a well-worn map. Listening to the audiobook version narrated by Cherokee Nation writer Daniel Heath Justice, the stories unfolded, some like a quiet stream, urging me to pay closer attention, others rushing flyaway wild like the wind, gripping, inspiring, and wandering.
Tuning into the audiobook with my headphones on made my nature walks an immersive and contemplative experience I’d highly recommend. The questions posed about humanity challenge us to be better humans, and I was struck by the familiarity of the stories to my own culture.
I could read and listen to this book over and over again as the life lessons are so generously expressed and simply made me want more, more, more.
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This is one of the most compelling books written on Africa. The author insightfully and thoughtfully reassesses the predicament and plight of the African continent with regards to socio-cultural development, institution-building, nation-building, and state-building. The book – both challenging and stimulating as it is – proves to be a somewhat difficult read as the author alternately targets scholars of African studies more than students of Africa as his main audience and recipients.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining…
I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
I randomly found The Break in a bookstore and was drawn in by the cover, which features a light-skinned Indigenous woman wearing a black dress covered in florals. It immediately reminded me of a ceremonial dress that was taken from White Earth long ago and now sits in a museum in Washington DC.
There is grief in the many removals and losses Indigenous people have endured through the years, and real human consequences that echo down the generations. But I feel fuller and wiser when I get to explore this through other’s perspectives.
There are many characters to keep track of in this book, but it is gratifying to get lost in their journeys, gleaning insights and teachings from their stories.
Longlisted for the Dublin Literary Award 2018 Crime Book of the Month, Sunday Times, February 2018
'I loved this... very tough and very real.' - Margaret Atwood
When Stella, a young mother in an Indigenous community, looks out her window one wintry evening and spots someone being attacked on the Break - a barren field on an isolated strip of land outside her house - she calls the police. By the time help arrives, all that is left of the struggle is blood on the snow. As the search for the victim intensifies, people…
