100 Books Like Up Front

Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.

I was an odd kid—a bookworm worried about why I was different from others. Luckily, my family continuously reminded me that I belonged. Once out of the closet, I was able to appreciate the importance of families, both chosen and unchosen. I became a writer because I was compelled to articulate that importance and maybe help others understand how knowledge, trauma, emotions, and love move between the generations. Queer and family histories have inspired a lot of my journalism and fiction, but especially my new novel, This Is It. I hope it fits alongside these recommendations that explore queer multi-generational stories with wit, intelligence, and wisdom.

I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.  

I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.  

I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.

I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.

I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.

I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase.  The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”

Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.

I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.