100 Books Like Uncivil Rites

Mahmoud Darwish is without a doubt the national Palestinian poet, who expresses the experience of millions of Palestinians across generations.

Whether he is writing about exile, love, or death, his poetic voice reverberates simultaneously in the soul, the intellect, and the body. Darwish speaks with the intimacy of someone who is not afraid to be vulnerable and the authority of a poet who believes that poetry can change the world.

This collection gathers together the best translations of his poems by American poet Carolyn Forché working in collaboration with Munir Akash, and includes commentary by the important Arabic writers Sinan Antoon, Fady Joudah, and Amira El-Zein.

There is no better place to start learning about Palestine than with the stories of Ghassan Kanafani, a writer and militant activist who was assassinated by Mossad, the Israeli Secret Service, in 1972.

Kanafani combined activism with a powerful ability to recreate the Palestinian experience of displacement and forced migration. In one of his most moving and disturbing stories, Men in the Sun, Kanafani tells of three Palestinian migrant workers who travel from the refugee camps of Iraq to Kuwait in the hopes of finding work.

The story was made into a film called The Dupes by Egyptian director Tawfiq Saleh in 1973.

Raja Shehadeh is the author of many important books on Palestine.

He has a unique ability to interweave the personal into the political in his writing. That talent shines through in this recent book, a memoir about his relationship to his father, an influential attorney and defender of Palestinian rights who was murdered outside his home in Ramallah in 1985. In telling the story of this relationship, which was marked by mutual misunderstanding and unarticulated love, Shehadeh also tells a story about the history of the Palestine people.

He shows how the conflicts and displacements inflicted on Palestinians have torn apart millions of lives and destroyed the human connections that many of us take for granted.

Mohammed El-Kurd is arguably the most militant voice in Palestinian literature since Ghassan Kanafani. Born in the East Jerusalem neighborhood of Sheikh Jarrah, even as a young boy, he began speaking out against the settlers who were occupying his home.

Rifqa is his debut poetry collection. Named for his grandmother, the poems in this work combine oral history with powerful political verse. Despite his youth, Kurd speaks as a poet who has already developed a strong literary voice. Having witnessed the brutality of occupation and lived to tell the story.

Since 2021, El-Kurd has been the Palestine correspondent for The Nation, and in this role has brought a Palestinian perspective to the media coverage that tends to silence Palestinian voices.

I found this book to be one of the best introductions to the endless dilemmas surrounding free speech. In the first half of the twentieth century, anxieties about free speech in the United States were triggered mostly on the left, with government attempts to stifle socialists and communists culminating in Senator Joseph McCarthy’s witch hunts, damaging and even destroying thousands of lives and careers.

Philippa Strum shows how, after the 1950s, this completely changed. The government’s increasing focus on far-right speech became an issue of burning importance when residents of a small Illinois town, home to Holocaust survivors, tried to block a Nazi march–and the courts said “No” in the name of free speech.

The oral historian and radioman Studs Turkel takes us around American without leaving his Chicago via Division Street America. Sparsely contextualized by his interstitial commentary, Turkel exercises his embracing interviewing skills to bring poignant stories of the non-celebrity class into sharp, relevant focus. This same type of unornamented approach earned a Nobel Prize in literature for Belarussian journalist Svetlana Alexievich and her Chernobyl.

Nathan Leopold and Richard Loeb set out to commit the perfect crime and ended up in newspapers as the perpetrators of “the crime of the century.” They kidnapped and murdered a teenage boy in Chicago in 1924, but both Leopold and Loeb were still considered boys themselves at the time. Clarence Darrow defended them at trial, arguing that they were guilty but that the situation had extenuating circumstances. Baatz’s book explores how two college students from good families ended up in prison for murder. Leopold’s family even came from Michigan’s Upper Peninsula, near where I currently live, so even though the case is almost 100 years old, it’s not as distant as it might seem.

Vera Abramowitz, ‘Dollface,’ was a flapper who got caught up with the mob.

Her two mobster lovers cause her life to take a downward spiral. Read how she puts the broken pieces of her life back together. Realistic and gritty, we see the flip side of the frivolous life of flappers seen in the movies.

I first encountered Lincoln as an Oxford undergraduate, spellbound by his public jousting with the “Little Giant,” Stephen Douglas, his Democratic opponent in the US Senate race of 1858. The campaign crisscrossed the plains of Illinois and brought the Republican Lincoln to national attention. Guelzo, a Lincoln Prize-winner, writes stylishly, capturing the feel of the prairies, and above all gets to the heart of the issues that divided the candidates: race and slavery. An unapologetic white supremacist, Douglas was neutral on slavery; Lincoln argued against it and its westward spread. He declared slavery wrong and at odds with the principles of the Declaration of Independence. Douglas was elected but Lincoln’s raised profile would help elect him to the presidency two years later.

This moving novel is right from the headlines of today reflecting real-life events. 

The story follows a 12-year-old boy named Jerome who is shot and killed by a white police officer after he mistakes Jerome's toy gun for a real one. Jerome becomes a ghost who meets another ghost, that of Emmett Till, a black boy who was murdered in 1955.

Through Till's story, Jerome learns about other "ghost boys" left to roam society, trying to stop society from repeating itself.