Books like Unbelievable — picked by fans

I'm a PEN Award-winning historian of alternative spirituality and a writer-in-residence at the New York Public Library. I track the impact and substance of supernatural beliefs—a source of fascination since my Queens, NY, boyhood—in books including Occult America, The Miracle Club, and Uncertain Places. I often say that if you do not write your own history, it gets written for you—usually by people who may not care about or even understand the values that emanate from your work. Given my personal dedication to the spiritual search, I call myself a believing historian (which most historians of religion actually are). I labor to explore the lives, ideas, and practices behind esoteric spirituality.

I'm a PEN Award-winning historian of alternative spirituality and a writer-in-residence at the New York Public Library. I track the impact and substance of supernatural beliefs—a source of fascination since my Queens, NY, boyhood—in books including Occult America, The Miracle Club, and Uncertain Places. I often say that if you do not write your own history, it gets written for you—usually by people who may not care about or even understand the values that emanate from your work. Given my personal dedication to the spiritual search, I call myself a believing historian (which most historians of religion actually are). I labor to explore the lives, ideas, and practices behind esoteric spirituality.

I'm a PEN Award-winning historian of alternative spirituality and a writer-in-residence at the New York Public Library. I track the impact and substance of supernatural beliefs—a source of fascination since my Queens, NY, boyhood—in books including Occult America, The Miracle Club, and Uncertain Places. I often say that if you do not write your own history, it gets written for you—usually by people who may not care about or even understand the values that emanate from your work. Given my personal dedication to the spiritual search, I call myself a believing historian (which most historians of religion actually are). I labor to explore the lives, ideas, and practices behind esoteric spirituality.

I'm a PEN Award-winning historian of alternative spirituality and a writer-in-residence at the New York Public Library. I track the impact and substance of supernatural beliefs—a source of fascination since my Queens, NY, boyhood—in books including Occult America, The Miracle Club, and Uncertain Places. I often say that if you do not write your own history, it gets written for you—usually by people who may not care about or even understand the values that emanate from your work. Given my personal dedication to the spiritual search, I call myself a believing historian (which most historians of religion actually are). I labor to explore the lives, ideas, and practices behind esoteric spirituality.

I've always been fascinated by experiences that exist on the border of the ordinary. Growing up, my grandmother would tell us, in serious tones, of the fairies and ghosts she had encountered—how closely the natural and the “supernatural” are linked. In my twenties, I would read a lot about shamanism and the kinds of extraordinary experiences they would actively seek. Later, noticing similarities between those experiences and the spontaneous experiences of ordinary people, my interest continued to grow. Near-death experiences, out-of-body experiences, but especially crisis apparitions—these experiences spoke strongly to me about how little we still know of the nature of the mind and how much there is yet to discover!

I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers as the most accessible, enjoyable, and practical sources for beginners.

I became interested in the relationship between the mind and the brain around the age of 8. It was at this age that I decided to become a neuroscientist. Years later, I completed a bachelor's degree in psychology and then a doctorate in neuroscience. I’ve spent part of my research career in neuroscience at the University of Montreal. I have also been affiliated with the University of Arizona (Tucson). My groundbreaking work on the neurobiology of emotional self-regulation, consciousness, and spiritual experiences has received extensive international media coverage and numerous awards. I am one of the main proponents of a postmaterialist paradigm for the new science of mind/consciousness.

I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay, are replete with themes of Nazi occultism and border science. The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.

Since childhood, growing up in a family with spiritualist beliefs, I’ve been fascinated with mysterious phenomena. Once I became a little older, and my childhood love of zoos, museums, and dinosaurs became a broader love of science, I began to re-examine certain fantastic claims and beliefs with a skeptical lens. I became fascinated not only with the subject of certain beliefs, but the reason we as humans have these beliefs. The study of ghosts, monsters, or UFOs is really a study of the human condition and our belief systems. It’s the exploration of the human side that motivates the characters in my books and my continued interest in mysterious phenomena. 

I never write anything without having first experienced it. To give you context, I’d never been slapped before, couldn’t tell you what it felt like or even sounded like. So, I legit had someone slap me so I could accurately depict it. Every mental health aspect in Death 2 My Past, I’ve personally experienced. Every loss, heartbreak, trauma, life event, etc. On some level, I’ve experienced it. And through everything, I learned something very important. Embrace it. I can’t stop the bad things from happening. But I can embrace the suspense of it, experience the romances, and grieve the death that encompassed my life. Death is a Butterfly.