99 Books Like Trump Was a Joke

I love this satirical book because, through humor, it generated productive discomfort within me and thus attached valuable lessons to my emotional responses. The book even stirred up childhood memories for me and forced me to reflect on my past, on my life experiences. In other words, I haven’t forgotten what I learned from this book. And I won’t.

I never thought I could laugh so hard while absorbing hard truths about race and racism until I encountered this provocative book. I love that the book includes striking historical information. Overall, I appreciate how the authors present their position in such a way that kept the book on my mind even when it was not in my hands.

Although it was Mercer's Talking to Americans that had me rolling on the floor, I list Streeters only because Talking to Americans isn't available in book format. That said, I do feel an affinity with Streeters for its rantiness (indeed, the subtitle is Rants and Raves from This Hour has 22 Minutes). Sometimes his stuff is too Political-capital-P for me (I don't follow the news anymore), but often it's just political-small-p—which is just right.

A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life. 

This unusual book deserves to be included in some list or another; to that end, I have included it here.

It views cities, from their urban high rises to McDonald’s roadside eateries, from the standpoint of a burglar (with an architect’s eye), examining how to break in, steal, and make a clean getaway. Although I’ve never broken into a home (other than my own after locking myself out), I found the book eye-opening.

Don’t put it down until you get to the description of the movie Die Hard, which rethinks the skyscraper as one of the key characters of the movie. Okay, I admit it may not be central to who we are, but it is different!

Tim Fite is a creative dynamo who has been steadily blessing the world with his music and art for years.

This is his first children’s book and it has all the irreverence and cockeyed creativity that I love about his other work. The text of the book is a series of questions (Why Do Seals Clap? Why Are Old People Extra Wrinkly?) followed by multiple-choice answers that could only come from a genuine artist like Tim.

The answers each land in unexpected places on your body – your heart, your mind, your funny bone – and are accompanied by his full bleed hand drawn imagery, all in Black and White save for one color spread that feels like it explodes from the book. Most importantly, this book is fun to read with kids, who will learn to question answers – a skill that grows more valuable every day.

I love this essay for the same reason I love so much of DFW’s nonfiction. His voice is completely unique; unashamedly neurotic and over-analytical, to the extent that the stated objective of the trip (the piece is about his week on a cruise ship, which advertises guaranteed total relaxation, pampering, and convenience) is completely – and often comically – undermined.

It resonates with me because I’ve always had trouble with the whole “Just live in the moment!” shtick, so it was very inspiring/validating to discover someone who had made their being an outsider/misfit a strength. To see someone just be unashamedly themselves. So that’s what I took away.

Don’t keep your neuroticism and self-consciousness and eccentricity to yourself to try and seem “normal,” but actually lean into those things. Question things that nobody else seems to be questioning.

Marcus Berkmann doesn’t write about great famous cricket players of superb accomplishments. He writes about people who are also great, but in a different way. He writes about incompetent amateurs like us, the ordinary weekend cricketers.

Berkmann is a prime example with a thunderously low batting average. It’s all about failure in so many ways and is so hilarious for being all that. It’s absolutely perfect for reading in the cricket pavilion or in your car on a rain-affected cricket day waiting for the showers to stop. But you will still get wet with tears of laughter. It’s so true of trivial human life.

I met Bill Bryson once, and we subsequently exchanged a few letters.

‘Knowing him’ gave an extra dimension to his writing and humour, because he’s acerbic with the pen and yet so gentle and shy as a person.

When we met, he was giving a talk on the importance of hedgerows in our ‘Green and Pleasant Land’, and he has always inspired me to appreciate the privilege of being British (He is American).

Sometimes it can be hard to remember..! One thing is for sure: British humour is unique, and I will never fail to appreciate that. Neither Here Nor There was the first Bryson I read, but you could pick any of his travel works.

He’s got such a wonderful style and humour, you can’t really go wrong.

Why include a book about humor in a business writing list? Because it can make a major impact on the business environment. This book shares research about how humor influences behavior, affects negotiations, and strengthens bonds. That’s all relevant to the workplace!

You’ll find advice here that might inspire you to infuse a little levity into your emails. And, as you might expect, the book itself is entertaining to read.

There is one very excellent reason to read this book: It’s hilarious. Ms. King delivers her memoir of a 1950s-60s Southern childhood with searing, laugh-til-you-cry wit as she turns classic Southern tropes on their eccentric heads. Everything from the ubiquitous obsession with lineage (“Who are your people?”) to a mother’s nickname for a wayward child (“Mama Tried”) receives its due. It’s a must-read if you want to understand Southern culture or if only to make acquaintance with Ms. King’s most famous one-liner, an admission of the indelible effects of Southern training even in failed ladies: “No matter what sex I slept with, I never smoked on the street.”