64 Books Like Tree Story

When I was young, I used to ask every new person I met if they believed in magic. No caveats, no explanation of what I meant by that. Their response – generally either an unequivocal no, a tentative what does that mean, or a delighted yes, cemented the direction of our relationship.

One of my favorite quotes is Yeats’ statement that “the world is full of magic things, patiently waiting for our senses to grow sharper.” This conviction fuels my writing and my life. Whatever genre I write is informed first by magic, and there is no higher form of magic than the natural world and the science that explores it.

My interest in women in science started 18 years ago, when I became a tenure-track assistant professor. I began to experience the difficulties of being a woman in science in my new position. I knew there must be a reason for it. I read everything I could find on the role of women, not just in science but in society. I’ve been reading and writing about it since then, and while some progress has been made, there’s still a long way to go. The books on this list are a good start, giving readers a sense of how long women have been fighting for equality and what we can do to move things forward. 

One way I bring lightness and wonder to my life is through the joy of observing something new around me in this world. The new thing might be the forty Heavenly Blue morning glories that bloomed one morning for my father and me, finding an ancient fossil shell in a skirt of fallen shale at the bottom of a cliff or hearing Balinese gamelan music for the first time. But each time one of these wonders lights up my day, I am reminded of how limited our ability to observe is. Each of these books gave me a view into a world I had not even dreamed about.

Growing up, my father and I would take two weeks every summer to camp in the High Sierra Mountains of California. In between fishing excursions and rafting trips, I would take time to hike among tall pines or resplendent forests. I was always amazed at what I would discover. In later years, I would often find myself in the company of forests on business ventures or family vacations. Now in my eighth decade, I still embrace the magnificence of tall timbers. I have lived among them, danced beneath their branches, and reposed in their shade. They are an integral part of my life; they are both inspiration and friends.

 I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.

I have always been interested in the world’s mysteries. This is why I studied theoretical physics. Ultimately, this scientific pathway led to a permanent position in the School of Engineering at the University of Edinburgh. But archaeology is also fascinating, and I was lucky enough to decode some ancient symbols at one of the world’s most important archaeological sites, Göbekli Tepe. The resulting story combines archaeology, astronomy and geophysics to present a new synthesis for the origin of civilization. My academic background in science has helped me to provide compelling evidence and arguments for these ideas.

I learned to love nature early, from the tadpoles in the swamps of ‘my’ New York woods to the scarlet tanagers that came through in the spring and the old tilted oak where I sometimes slept. In college in California, I became acquainted with the myriad ways in which we humans are still degrading the natural environment that is the prime source of our worldly and spiritual subsistence. Ever since, I’ve worked to protect the natural world, first as an activist, then a government official, then as a diplomat, and now as I write fictional intrigues set in the world we all need to conserve. I hope you’ll enjoy this latest effort.

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us.