69 Books Like To Stand and Fight

Vitale is not calling for the abolition of police departments. He details the dramatic growth of these departments and notes police in America use their weapons more than any other police force of developed democracies. Blacks are disproportionately the victims of police killings. Policies like racial profiling and a “warrior mentality” on the part of cops are major reasons why police assault on black people is so widespread.

Police must take on a number of tasks in which they are not qualified to do, such as dealing with the mentally ill and homeless population. In addition, Vitale writes about a number of failed policies, including managing sex workers, the war on drugs, and suppressive measures towards gangs.

Butler argues that the large increase of police assaults and killings of black men is not a breakdown in law enforcement or the activities of a few rogue cops. The system is doing what it has been designed to do. Police hurt black men, according to the author because “that is what they are paid to do.” Butler maintains that the Chokehold “is a way of understanding how American inequality is imposed.” It is a tool of oppression. One outcome of the Chokehold is mass incarceration. The construction of the thug is a means of justifying the Chokehold. Butler traces the “Ape” or “dehumanization” thesis.

The book contains loads of data showing how in city after city black people are disproportionately targeted by police officers. Programs such as Obama’s My Brothers’ Keeper ignores women and plays into perpetuating stereotypes of black men as the primary victims of racism.

Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.

Between 1960 and the 1990s, the budget, size, and power of LAPD dramatically grew in spite of attempts to use regulatory powers of the government to control the police. “Racial targeting was central to the LAPD’s expansion despite twenty years of liberal leadership of the city. The problem in LA, similar to most urban centers, was a reliance on the police to manage social problems that were “rooted in Los Angeles’ history of segregation, inequality, and poverty.” But such an approach “led to disciplinary practices of surveillance, harassment, and arrest that criminalized and excluded black and Latino/a residents.”

Black Los Angeles citizens were seen by the police as threats to public safety and not deemed worthy of the protection of the law. In its battle against crime, social movements, and drug gangs, the Los Angeles Police Department was able to legitimate their authority to use coercive power to control the… show more.

You wouldn’t think anyone could unearth something new about New York City. But that’s what Carla Peterson did with this book. I first came across it while researching my own work. By focusing on her own family history, Peterson flipped the wagon on the perception that NYC’s African American population was mostly enslaved laborers. 

Reading this, I discovered an elite class of black entrepreneurs who worked tirelessly to end slavery in the state and gain the civil rights all other New Yorkers enjoyed. Thoroughly researched, the book reads with the ebbs and flows of a novel. Anyone writing future screenplays, novels, or streaming series about old New York must face Peterson’s stereotype-busting work. 

One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.

This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.

As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar. 

This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the… show more.

This is the book behind the popular FX Series Feud: Vs. The Swans. It is a well-reported history of Truman Capote’s friendships with several famous socialites, like Babe Paley and CZ Guest, and how they came to despise the author after he published a thinly veiled accounting of their lives. In my opinion, the book is much better than the television series and gives a much more accurate account of what happened.

Like nothing I'd ever read before. An incredible fusing of the familiar and the fantastic. Much of it takes place in Greenpoint, Brooklyn, during the 2010s, on the same subways and sidewalks I frequented. I interviewed author Geoff Rickly extensively for my book, as his band Thursday is central to its plot. I thought I knew Geoff's story pretty well. Turns out, I had no idea.

This book is surrealist, and it's autofiction. I could tell you how great it is by stressing you don't need to know anything about Geoff or his band to be spellbound by it. But I think the best praise I could give is how it made me consider all the extraordinary things that are happening around me all the time

While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.

She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.

I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.

New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.