52 Books Like To Kill a Necromancer

A great story about the underdog bullied kid who rises up to become a necromancer builds up an undead nation, and rises up to contend with powerful forces against all odds. Great storytelling and compelling character, it’s a pleasure watching Jason grows up from a timid teen to a confident leader – and by using the dark arts. It's a great coming-of-age \ underdog reach the top kind of story – except the underdog does it by embracing necromancy and his tools are the undead soul-wilting powers – yet you can't stop rooting for him to win.

I’m drawn to fantasy stories set in modern-day analogues because I’m fascinated to see the ways that having magic and monsters as a fact of life would shape a world from the ground up. I’m particularly interested in the impact on more mundane matters like legal contracts and labor disputes. Perhaps no one dives into this topic with as much gusto as Max Gladstone. In Three Parts Dead, we meet necromantic lawyers and witness the legal and practical repercussions of a god’s death. In lesser hands, this could easily slump into tedious details, or the intricacies might be forgotten in an attempt to ramp up the action. But Gladstone finds the perfect balance, keeping abstract concepts engaging while presenting action scenes that carry true consequences. The city of Alt Coulumb is one of my favorite fantasy settings, and the entire Craft Sequence is well-worth reading.

The Chronicles of Ghadid follows a family of assassins in a fantastical desert world—but rather than play it safe by following stealthy assassination quests, Doore throws her assassins into the fray against undead armies and unkillable spirits. The result is a truly unique setting with haunting action sequences, bound together by the close ties of family and budding romances. Also, necromancers and undead camels, how could you go wrong?

Oh, my god, what a wonderfully magical and creepy library! I don't know how it was ever built and the treasures/dangers accrued (yes, I know it's fantasy, but still . . .) but the result is a total marvel.

I love how Lirael builds her skills to explore it and master magic after magic, even though the one kind of magic she most wants keeps staying out of reach. I love Dog and Dog's attitude!

Her practical observations and refusal to share anything about herself that she doesn't want. (I'm just as glad my own dogs aren't like that, though.) This is such a treasure of a book. Give me Lirael, Dog, and the library and I'm a happy camper.

I love this story because it is everything that a magical school and otherworld story should be. I’ve read the entire book series about five times and will immediately start reading a new book in this series when it comes out, even if I’m in the middle of reading something else.

It’s a world that functions perfectly in every aspect; everything established in one book is a part of every other. There are no magic cure-alls that are ignored because they could resolve the plot in an afternoon, and every person is using the exact same magic system. No handwaving, no, “the author didn’t feel like explaining,” just a wonderful world where you get to explore and figure things out alongside the main character. It’s easily my favorite story of all time.

In all honesty, I wasn’t going to read this at first.

This book is a spin-off of her A Beginners Guide to Necromancy series, and I didn’t really like Amelie. But I really enjoyed this series, almost more than the main one. Hadley is as flawed as they come, but she’s compassionate, hardworking, and really wants to change.

This has become a series that I never wanted to end, and I can go back to read each one over and over. 

Within the lands of the True Game, humans possess specific 'talents', such as shape-shifting or telekinesis. Much like a planet-sized game of chess each player is utilised in great 'games' of war that ravage the planet. Enter Peter, a young necromancer, who must uncover the truth behind the disappearance of prominent gamesmen from the board.

Wildly clever and surprisingly touching, it's a novel I've read and re-read many times over the past 35 years.

This is one of the first stories I ever read with a strong female protagonist at the helm. Dante Valentine is a bounty hunter, necromancer, and a no-nonsense kind of woman. She is stubborn, flawed, and her story is a classic answer to what happens when you make a literal deal with the devil. I appreciate that she is unapologetically human and blatantly admits to her faults as a person. She is honest—perhaps sometimes too much so—and perseveres when things go awry. If anything, I would say she is a stand-out not only as far as female protagonists are concerned, but protagonists in speculative fiction as well.

Prince Roland is a knight who willingly gave his birthright to his older sister.

Sairis is a necromancer with a price on his head. They shouldn't have feelings for each other, because their relationship could strain the stability of the kingdom as it heads for war.

The Knight and the Necromancer is a finished trilogy with a satisfying Happily-Ever-After. Something I adore in fantasy worlds is the dynamic of a power couple.

In this one, Roland is a physically strong knight and Sairis is a powerful magician able to raise the dead. Both partners bring a lot to the table and they overcome the dangers and difficulties of their war-torn world as a strong team.

And the fact that the world doesn’t want them to be together is a personal favorite spice.

The Season of the Runer series is a great book for fans of The Witcher. It is unique in that it doesn’t focus on western European culture, but rather eastern European or middle-eastern or Eastern. Runers are humans who have committed a crime and been genetically altered. They’re bounty hunters, essentially. It follows Tzarik, a Runer, as he struggles with the will to go on. He meets Sybal, a diamond mine heiress and brand new Runer, and trains her to help him take down a necromancer. I enjoyed everything about this story, and I’d recommend it to those wanting a darker fantasy.