Here are 100 books that Time to Murder and Create fans have personally recommended if you like
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I'm a lifetime, passionate reader. During the summer vacations, my brother and I would often ride with our father to his job in downtown Mobile and walk to Mobile Public Library, where we would spend all day exploring and reading. Well-written novels with remarkable but believable charactersâsuch as those I've noted here are my passion. I have included novels in my list where I can identify personally with the protagonist. My list of books is varied. They have one thing in common: believable characters who struggle with lifeâauthored by legitimate wordsmiths. When I wrote Angry Heavens as a first-time novelist, it was my history as a reader that I used as a writer.
John D. MacDonald is the father of modern fictional detectivesâespecially Robert Parkerâwho, like MacDonald, is a writer of sparse dialogue. John D. MacDonaldâs main character is the unforgettable Travis McGee. Travis McGee lives on his houseboat, The Busted Flush, which he won in a poker game. McGee has no steady job. Instead, he takes on salvage jobs as he can find them and is paid 50% of the value of the recovered items he returns to the owner. Â
Bright Orange for the Shroudâinterestingly, is typical for John D. MacDonald as each of his books is connected to a colorâThe Deep Blue Goodbye, A Purple Place for Dying, and The Empty Copper Sea.Â
While enjoying another short âretirementâ Travis McGee is visited by Arthur Wilkinson, a friend from days gone by. In terrible health, McGee nurses him back to health only to find that Wilkinson has been bankrupted inâŚ
From a beloved master of crime fiction, Bright Orange for the Shroud is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.  Travis McGee is looking forward to a âslob summer,â spending his days as far away from danger as possible. But trouble has a way of finding him, no matter where he hides. An old friend, conned out of his life savings by his ex-wife, has tracked him down and is desperate for help. To get the money back and earn his usual fee, McGee will have to penetrate the Evergladesâand theâŚ
Do you freeze up when your characters drift into the bedroom? Are you puzzled about how much to say and how to say it? What to call the body parts that bring us so much pleasure and so much anguish?
If youâre writing a novel and thereâs a sexual encounterâŚ
When I was nine years old, I joined a book club. The members were me and my dad. Heâd throw detective books into my room when he was done with them, and Iâd read them. Weâd never discuss them. But thatâs why hard-boiled detective fiction is comfort food for me and how I know it so well. Iâve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
Early Autumn made me cry from two directions. As a tween, reading about Spenserâs rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as âan unlovely little bastardâ, I cried in sympathy and relief for Paul.
Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.
Really helping someone in a lasting way is rarely so easy as it was in this book, but itâs a worthwhile dream and this Cinderella story gets me every time.
â[Robert B.] Parker's brilliance is in his simple dialogue, and in Spenser.ââThe Philadelphia Inquirer
A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.
With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.
Iâve worked and taught in the field of human services for over 40 years. Helping people and creating nurturing communities isnât always what it appears. It is mired in hypocrisy, inefficiency, and neglect and the people looking for help are often their own worst enemies. Still, there is something inherently good just in trying to reach out to the vulnerable and fight the injustice that surrounds us. Sometimes that fight is figurative and sometimes it is literal. I am also a black belt-trained martial artist, a boxer, and a world championship professional boxing official. I love the dichotomy of helping people and knowing how to fight.
Moe Prager is a thinking and feeling manâs PI. Sure, Coleman, gives the twisty-turny plots and leaves you wondering who dunnit but, for me, thatâs not what makes him great. His characters speak to you about whatâs going on with people but not in a hit-you-over-the-head manner. Prager is real and feels like a guy you would know and like.
In this Prager story, Moe is determined to find out who and what someone is mistreating people he loves. He relentlessly pursues the case, sacrificing his own safety and well-being. Along the way, we meet his Holocaust-surviving neighbor and other characters that make the book outstandingly different.
MessageâFriends make life worth living even when it means risking your own life
From the author of the New York Times bestselling Robert B. Parker's Blind Spot comes a Moe Prager Mystery.
It's 1967 and Moe Prager is wandering aimlessly through his college career and his life. All that changes when his girlfriend Mindy is viciously beaten into a coma and left to die on the snow-covered streets of Brooklyn. Suddenly, Moe has purpose. He is determined to find out who's done this to Mindy and why. But Mindy is not the only person in Moe's life who's in danger. Someone is also trying to kill his best and oldest friend, Bobby Friedman.âŚ
Do you freeze up when your characters drift into the bedroom? Are you puzzled about how much to say and how to say it? What to call the body parts that bring us so much pleasure and so much anguish?
If youâre writing a novel and thereâs a sexual encounterâŚ
Iâve worked and taught in the field of human services for over 40 years. Helping people and creating nurturing communities isnât always what it appears. It is mired in hypocrisy, inefficiency, and neglect and the people looking for help are often their own worst enemies. Still, there is something inherently good just in trying to reach out to the vulnerable and fight the injustice that surrounds us. Sometimes that fight is figurative and sometimes it is literal. I am also a black belt-trained martial artist, a boxer, and a world championship professional boxing official. I love the dichotomy of helping people and knowing how to fight.
This is a fun series. It starts off in the 50s in small-town Iowa with most of the small-time innocence that youâd imagine but Gorman likes to take a different look. He leads us through the eraâs less-than-shining moments while we get to relive the 50s and early sixties.
In this one, a young Black civil rights worker turns up dead. Along the way, we learn about racism and the subtle forms it can take and how it can poison a whole community.
In the end, things are not what they seemed but it doesnât change the facts about America during this era.
MessageâPeople are people and fighting ignorance and hate is all our responsibility.
In America's heartland, Sam seeks justice for a black college student who's found dead in a car trunk at the drive-in, while thousands gather in the nation's capital for the March on Washington with civil rights leader Martin Luther King Jr.
I began reading mystery novels while I was still a young boy, thanks to the influence of my parents who were both fans of crime fiction. Early on, I was drawn toward the hard-boiled school of crime fiction and Iâve always particularly enjoyed reading novels about both private detectives and police department detectives. Several years ago, I began writing my own series featuring a Phoenix, Arizona homicide detective, Sean Richardson, and his partner, Maggie McClinton. Iâve also written two fairly traditional mysteries, one set in Montana and the other in South Dakota as well as a standalone suspense novel and one nonfiction book.
This novel introduced Matthew Scudder, an ex-New York City cop turned unlicensed private investigator. In this case, a young woman has been brutally murdered and the police believe they have solved the crime. But the victimâs father hires Scudder to look deeper into the case which will produce more than its share of surprises. The beauty of this series, though, lies in the development of the Matthew Scudder character, who remains one of the most fascinating and compelling figures in all of crime fiction. The first chapter, which introduces Scudder, is one of the best opening chapters of any crime novel.
The first novel in the explosive Matthew Scudder Series. The tenth novel in the series - A WALK AMONG THE TOMBSTONES - is set to be a major Hollywood film, starring Liam Neeson.
A pretty young girl is butchered in her Greenwich Village apartment.
The prime suspect, a minister's son, is found dead in his jail cell.
As far as the NYPD is concerned, the case is closed.
But ex-cop Matt Scudder, is persuaded to look into the case by the dead girl's father. And suddenly he's up to his neck in sleaze and corruption, phoney religious cults and murderousâŚ
I am an old movie fan and a novelist who has been writing historical fiction about show business since 2010. As a stickler for detail, I use oodles of old Hollywood biographies and other research sources to learn everything I can about my subjects and weave as accurate a tale as I can. My Forgotten Actresses series is up to four books, with plenty more under construction.
Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl . . . until she discovers she's a suspect in the murder of her former roommate, Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head.
Edith has yet to win the first of her eight Academy Awards; right now she's barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian's name and save Edith's career, the two women join forces.
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Detective RenĂŠe Ballard is a woman I hate to love. She sleeps during the day in a tent on the beachâwho needs a solid roof over your head when youâre working graveyard for the L.A.P.D.âand occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. Whatâs not to like?
This book got pretty scary. I like to be scared, and there are three more in the series.
In this first installment of the RenĂŠe Ballard series, #1 bestselling author Michael Connelly introduces a "complicated and driven" young detective fighting to prove herself on the LAPD's toughest beat (The New York Times). RenĂŠe Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to partâŚ
With a Ph.D. in pharmacology, I worked in drug development for many years. Now a published author, mysteries are my passion. I love to laugh and enjoy the humor of Steve Martin and Mel Brooks, so Iâve written a medical comedy mystery series. This dysfunctional detective series, starting with Pleasuria: Take as Directed, takes place in the pharmaceutical industry, a surprisingly fertile ground for humor, and murder. Iâve also written a dark mystery series,The Guardian Angel series. This includes a serial killer, a cult leader, and a touch of vigilante justice. With my overactive imagination youâll enjoy engaging characters and unique plots.
In A Dance at the Slaughterhouse, Lawrence Blockâs alcoholic and unlicensed PI, Matthew Scudder, investigates two cases. Scudder is introduced to the first when shown a copy of the movie The Dirty Dozen,over which someone has taped a gruesome crime involving a child. The second involves sex games and a potential murder for hire. Scudder is a PI who often skirts the law, and sometimes strays into brutality. His friend Mick Ballou, churchgoing butcher and Irish mobster, and his lover call-girl Elaine, help him sort things out. This book includes superb characterizations, interesting insight into the world of alcoholism, and a very dark nature. The book also delves into the world of vigilante justice. In this arena, the worse the bad guy, the more satisfying the justice, and in this case, Block is spot on.â Â
The 9th breakneck thriller in the Matt Scudder series, from a master of the genre.
To Matt Scudder, no one can rise above the law.
But when the ex-cop is privately hired to investigate the murder of a beautiful pregnant woman, he finds himself pushed to the limits of his beliefs. With every step he takes, Scudder discovers darker and more depraved secrets. Human trafficking, snuff films, murderous fetishes: the light of humanity seems all but extinguished.
In the seedy underworld of New York City, nothing is sacred and anything can be bought.
I spent a career as a television film editor, crafting other writersâ words and directorsâ visions to help tell a story. Iâve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added itâs even better. Thatâs what Iâve tried to do with my writing.
This book is one of a series of Mathew Scudder stories by Block. I enjoy his books because his main character is as flawed as we are. Matt is a hard-drinking former cop who goes about helping friends out of their troubles. And his friends are in a lot of trouble. Action and close calls, as well as humor, abound in this well-crafted story.
A superb thriller from the writer of A WALK AMONG THE TOMBSTONES.
Scudder is a witness to a heist in an illegal drinking den, and the owners would like him to find the culprits, while another witness wants him to investigate the murder of his wife.
I can say in truth and with humor, that Iâm overqualified on this topic. My parents are both alcoholics, I followed suit along with two siblings and married into the club, not once but twice. Thank God my second marriage was to a recovering alcoholic. Today Iâm approaching 30 years of sobriety while hubby remains in the lead with 34 years. Knowing what itâs like to live with another alcoholic, practice the art yourself and find a way through it, should be the equivalent of a doctorate on addiction. I know the pain, denial, struggle, and all the lies. Most importantly, I have the heart to help others who, like myself, march on the front line of this battle.
The most valuable lesson I received is that sometimes you have to let loved ones make bad choices. Thereâs nothing you can do beyond prayer and hope.
This book and the movie portray the good in people who do bad or stupid things. You end up loving the characters no matter how bad their choices. Sadly, many can relate to the story through family, friends, or even themself. The characters are believable and I would wager the author based the story on real life. Itâs also an excellent book for anyone needing an introduction to recovery programs like Alanon, ACOA, or Alcoholics Anonymous. The storyâs message is important: You have to be willing to change and trust in a power higher than yourself.
