Here are 100 books that Time Lived, Without Its Flow fans have personally recommended if you like
Time Lived, Without Its Flow.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.
Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world.
"Grealy has turned her misfortune into a book that is engaging and engrossing, a story of grace as well as cruelty, and a demonstration of her own wit and style and class."—Washington Post Book World
“It is impossible to read Autobiography of a Face without having your consciousness raised forever.” – Mirabella
In this celebrated memoir and exploration of identity, cancer transforms the author’s face, childhood, and the rest of her life.
At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Though I am not religious, I have been aesthetically moved and spiritually stirred by these deeply personal, profoundly philosophical, and poetically enigmatic essays, which I find myself returning to when faced with the most fundamental questions about our spiritual lives.
Written by a French Jewish convert to Christianity whose own suffering is exquisitely attuned to the suffering of others, these essays have continued to inspire readers from across a broad spectrum of religious and philosophical orientations—including the most secular among us.
Gravity and Grace was the first ever publication by the remarkable thinker and activist, Simone Weil. In it Gustave Thibon, the farmer to whom she had entrusted her notebooks before her untimely death, compiled in one remarkable volume a compendium of her writings that have become a source of spiritual guidance and wisdom for countless individuals. On the fiftieth anniversary of the first English edition - by Routledge & Kegan Paul in 1952 - this Routledge Classics edition offers English readers the complete text of this landmark work for the first time ever, by incorporating a specially commissioned translation of…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
I have never read a more profoundly sad but philosophically wise novel about the complex bonds of friendship and how the betrayal of those bonds and of one’s own authentic feelings leads to loneliness and even anguish.
I first read this great Japanese masterwork, written by Japan's greatest writer of fiction, over forty years ago, and I revisit it every year, both for the life lessons it continues to teach and for its literary beauty—which only deepens with time.
"The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight. The translation, by Edwin McClellan, is extremely good." —Anthony West, The New Yorker
Kokoro, which means "the heart of things," explores emotions familiar to everyone—love and hate, hope and despair, companionship and loneliness.
Sensei, a man seen against the rich background of old Japan entering the modern era, is outwardly successful. He has position, wealth, a charming wife. But deep in the heart of things, he is harried with a profound sense of isolation whose cure lies only in "faith, madness, or death."…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Reading these messages in a bottle discovered buried under a Nazi concentration camp in 1945, I am staggered and amazed at the indomitable human capacity for resilience and creativity.
I read these harrowing literary masterworks, which report on the most hellish degradations, and I am stunned that Zalmen Gradowski, from deep within his suffering, could wrest from the horrors before him and from his own despair, a literary art that is beautiful and solacing. I am reminded of the human capacity, which we all must certainly share, to snatch shreds of beauty from the darkest of circumstances and of the human hope that somewhere beyond one’s own hell lives a sympathetic ear.
A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz.
On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner's powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III.
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
Generally speaking, I hate anything that hints at theory. But this slim volume, which investigates the relationship between states of war and how we understand time, is grounded solidly in reality and does not require mental gymnastics to understand.
Using the examples of World War II, the Cold War, and the Global War on Terror, Dudziak made me rethink how we define when it’s “wartime” vs. when it’s “peacetime” and why that matters. Her argument is about how war has not been a time out of time or aberration, so treating war as a period when different rules apply has real consequences.
The book pushed me to rethink how and when I silo ideas, time, and events and how dangerous silo’ing can be.
When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," when it is no longer easy to distinguish between wartime and peacetime. In this inventive meditation on war, time, and the law, Mary Dudziak argues that wartime is not as discrete a time period as we like to think. Instead, America has been engaged in some form of ongoing overseas armed conflict for over a century. Meanwhile policy makers and the American public continue to view…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
How do we master trauma? Some books say that I should repeat what I already did, and other books say that I should choose something new. But this small book explains that both decisions are bad.
This book has taught me that neither repetition nor choosing the new heals. I should choose the recollection over the repetition. I already have all the knowledge I need to overcome it, which is already within me.
'The love of repetition is in truth the only happy love'
So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, playful work Constantius explores the nature of love and happiness, the passing of time and the importance of moving forward (and backward). The ironically entitled Philosophical Crumbs pursues the investigation of faith and love and their tense relationship with reason.
Written only a year apart, these two works complement each other and give the reader a unique insight into the breadth…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
I was struck by the ease with which Hodges moves from her own experience learning the violin to the scientific underpinnings of her subject: from math, physics, and neurology to quantum mechanics, biology, and entanglement theory, always in search of a clue to how music informs our experience of time.
Complex topics are suddenly eased by an anecdote from her personal life and practice: a bow dropping during Paganini or the story of her mother buying her “a red dress, bright as D major.” There’s a quality of searching that runs through these essays, both for scientific meaning in music as well a deeper understanding of the dynamics of her own life.
NATIONAL BOOK AWARD LONGLIST NPR "BEST BOOKS OF THE YEAR" SELECTION NEW YORK TIMES EDITORS' CHOICE
A virtuosic debut from a gifted violinist searching for a new mode of artistic becoming
How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time?
Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert…
I love books. All kinds of books. Growing up, I didn’t have many friends outside of books. It’s no wonder that as an adult reader/writer/editor/book coach, I still read widely and voraciously. I believe all stories are magical, but I’m especially drawn to books that contain emotionally engaging characters and fun magical elements. I’m also a huge fan of good KidLit and getting a chance to see and explore other cultures and worlds, both real and imagined. (I even co-host a podcast: Coaching KidLit.) So, I read a ton of magical stories and a lot of KidLit. That’s how I discovered the books on this recommended reading list.
This is such a fun book, filled with fascinating characters, unusual creatures, and a camera that can freeze time. I loved hanging out with the main characters, Otto and Sheed. They are smart, fun, and relatable. Their adventure is both exciting and humorous, and their relationship is realistic and heartwarming. I love a good adventure, especially one where the characters are forced to set aside their differences to work together toward a single goal.
The Hardy Boys meets The Phantom Tollbooth, in the new century! When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected. Otto and Sheed are the local sleuths in their zany Virginia town, masters of unravelling mischief using their unmatched powers of deduction. And as the summer winds down and the first day of school looms, the boys are craving just a little bit more time for fun, even as they bicker over what kind of fun…
Writer, broadcaster, speaker. I used to be stuck in fast forward, rushing through life instead of living it. I finally realised I needed to slow down when I started speed reading bedtime stories to my son: my version of Snow White had just three dwarves in it! I went on to slow down – and became, in the words of CBC Radio, “the world's leading evangelist for the Slow Movement.”
The first book I read to research the cult of speed. It's an exhaustive and chilling catalogue of our chronic impatience: how long we wait on hold before hanging up; how soon we start stabbing the Close Door button in an elevator. The book itself is a little breathless, and it confirmed my suspicion that everything was speeding up – with diminishing returns.
Time is the datum that rules our lives. The frenetic purpose - more than we want to admit - is to save time. Think of one of those conveniences that best conveys the most elemental feeling of power over the passing seconds: the microwave oven. In your "hurry sickness" you may find yourself punching 88 seconds instead of 90 because it is faster to tap the same digit twice. Do you stand at the microwave for that minute and a half? Or is that long enough to make a quick call or run in the next room to finish paying…
Mario Livio is an astrophysicist and author of seven popular science books, including the bestsellers The Golden Ratio and Brilliant Blunders. He worked for 24 years (till 2015) with the Hubble Space Telescope, and published more than 500 scientific papers. He lectures regularly to the general public, and has appeared on television programs ranging from 60 Minutes to NOVA to The Daily Show.
An enthralling, fictional description of a young scientist (Einstein) and his dreams/thoughts about space, time, relativity, and the nature of reality. The book fictionalizes Einstein’s dreams in 1905, his “Annus Mirabilis” (“Miracle Year”), in which he wrote four fundamental papers, including one on his theory of Special Relativity. While this is a work of fiction, the physics concepts are beautifully explained.
It is ten minutes past six by the invisible clock on the wall. The young patents clerk sprawls in his chair, dreaming about time. He is Albert Einstein, and in his dreams he imagines new worlds, in which time can be circular, or flow backwards, or slow down at higher altitudes.