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This Book Betrays My Brother.
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When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.
I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.
I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to…
My passion for novels about war with a love-related component is rooted in my upbringing. My father served in the military and suffered from PTSD all his life as a result. He regaled me with stories of his time in the army during World War II, but those stories were wildly comic or compelling tales of adventure in exotic, faraway lands. The darker aspects of his experience came out in his nightmares, and later in life, in the flashbacks he experienced after his diagnosis of Alzheimer’s. My mother’s life was also impacted by war. Her first marriage ended when her husband was killed in battle, and she had her own kind of PTSD as a result.
Sometimes the voice of a narrator captivates me from the beginning to the end of book, and this was the case with How I Live Now.
It’s an unusual novel, and I don’t mean that as a criticism, but as a compliment. Elements of speculative romance/forbidden love infuse the dystopian, near-future setting—pastoral England on the threat of nuclear destruction.
The central character, Daisy, is sent from Manhattan to live with her cousins, and when her aunt heads off on a work-related trip, the kids are left to fend for themselves and navigate what feels like the potential end of the world. Will their relationships survive? Will they? Read and find out.
How I Live Now is an original and poignant book by Meg Rosoff
How I Live Now is the powerful and engaging story of Daisy, the precocious New Yorker and her English cousin Edmond, torn apart as war breaks out in London, from the multi award-winning Meg Rosoff. How I Live Now has been adapted for the big screen by Kevin Macdonald, starring Saoirse Ronan as Daisy and releases in 2013.
Fifteen-year-old Daisy thinks she knows all about love. Her mother died giving birth to her, and now her dad has sent her away for the summer, to live in…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
I bought this book for the title, and happily there are Madonnas galore in this story, including in the apartment of “two motherless dudes,” dying teen Jessie T. Serrano and his dad. This quest novel—before he dies, Jessie sets up a mysterious trip to Europe for his three cousins, best friend and girlfriend—follows five grieving young adults on a doomed pilgrimage in a strange continent. If you have ever been a teen (as I assume you have) you will connect with the six (!!) point of view characters, each flawed but achingly human. "Not all stories are about love," says one of them, but this story most definitely is.
Five teens backpack through Europe to fulfill the mysterious dying wish of their friend in this heartwarming novel from the author of The Vigilante Poets of Selwyn Academy.
Jesse lives with his history professor dad in a house covered with postcards of images of the Madonna from all over the world. They’re gotten used to this life: two motherless dudes living among thousands of Madonnas. But Jesse has a heart condition that will ultimately cut his life tragically short. Before he dies, he arranges a mysterious trip to Europe for his three cousins, his best friend, and his girlfriend to…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
I picked up this book because of its haunting cover—a black-and-white photograph of a girl staring directly into the camera’s lens. From the very first line, I knew I’d encountered something special. Without giving too much away, this book follows a South African family—the Swarts—throughout their lives. What most stuck with me was Galgut’s narration: a slippery voice that fluidly moves between the first and third person. This novel is a masterclass in narrative deftness and possibility. I can’t recommend it highly enough.
WINNER OF THE 2021 BOOKER PRIZE A NEW YORK TIMES EDITORS’ CHOICE
On her deathbed, Rachel Swart makes a promise to Salome, the family’s Black maid. This promise will divide the family—especially her children: Anton, the golden boy; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by feelings of guilt.
Reunited by four funerals over thirty years, the dwindling Swart family remains haunted by the unmet promise, just as their country is haunted by its own failures. The Promise is an epic South African drama that unfurls against the unrelenting march of history, sure…
Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.
Sipho is a young man with nothing to lose. He drops out of high school and joins a car-stealing syndicate. The novel is part thriller and part coming-of-age tale, and the story takes the reader on an emotional journey as Sipho is sucked deeper and deeper into South African township crime. The author grew up in this township, and but for his other talents might have followed the same path as his protagonist. A remarkable look at the reality of township life and its effect on the youth.
Sipho lives in Umlazi, Durban – he is seventeen, has dropped out of school and helps out at his father’s mechanic shop. But odd jobs do not provide the lifestyle his friend Musa has, with his BMW and designer clothes. Soon Sipho’s love for fast cars and money leads him into a life of crime that brings him close to drugs, death and prison time.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
My family moved around a lot when I was younger, which may explain why I’m fascinated by the experience of being an outsider. To me, it’s not a bad thing; being on the outside can sometimes help a person to see things more clearly, to think more critically and creatively. The year I spent living in a country where English wasn’t the main language was one of the most stimulating periods of my life, because I was so attuned to all the tiny details that other people took for granted. Plus, as teenagers, everyone feels like they’re on the outside looking in – which is probably why all of my books have contained some coming-of-age element.
I stumbled across this coming-of-age story by one of my favourite South African writers in a second-hand bookshop in Oxford when I was an undergraduate. I hadn’t been able to lose myself in fiction for a couple of years because I was so immersed in academic reading (history, mostly) – but this novel got me back on the wagon. It was the first novel I’d read in a long time that really made me want to write, to tell a story that could move a reader in the same way. In it, a white, middle-class girl growing up in a small colonial town in 1940s South Africa starts to see the world around her as it really is. Definitely one of those books that deserves a much wider audience.
Nadine Gordimer's first novel, published in 1953, tells the story of Helen Shaw, daughter of white middle-class parents in a small gold-mining town in South Africa. As Helen comes of age, so does her awareness grow of the African life around her. Her involvement, as a bohemian student, with young blacks leads her into complex relationships of emotion and action in a culture of dissension.
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
This is at heart a coming-of-age novel, unshrinkingly autobiographical in its depiction of what is clearly the author’s own family and background: the privileged upbringing on a prosperous farm in the centre of South Africa, the elite schools she and her beloved brother, Paul, attend, the tensions between her stern father and the rebellious brother. All recounted in a deadpan faux-naïve voice, which is often hilarious but also needle-sharp in its puncturing of the posturings and pretensions of upper-middle-class white South Africans. But at the centre of the largely satirical account is the tragic story of the decline and fall of the beautiful, talented, hyper-sensitive Paul and his early death from a drug overdose. A masterpiece of controlled perspective and flexible tone.
“You are too close to the water,” Paul whispered. “There are barbels in the mud. They will wake up if you step on them.” When Paul and Dominique are sent to boarding schools in Natal, their idyllic childhood on a Free State farm is over. Their parents’ leftist politics has made life impossible in the local dorp school. Angry schoolboy Paul is a promising poet, his sister his confidant. But his literary awakening turns into a descent. He flees the oppression of South Africa, only to meet his death in London. Dominique Botha’s poignant debut is an elegy to a…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights.
On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.
I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and…
When expatriate Afrikaner Kristien Müller hears of her grandmother's impending death, she ends her self-imposed exile in London and returns to the South Africa she thought she'd escaped. But irrevocable change is sweeping the land, and reality itself seems to be in flux as the country stages its first democratic elections. Kristien's Ouma Kristina herself is dying because of the upheavals: a terrorist attack on her isolated mansion has terminally injured her. As Kristien keeps vigil by her grandmother's sickbed, Ouma tells Kristien stories of nine generations of women in the family, stories in which myth and reality blur, in…
"A haunting YA mystery. Touching on everything from police ineptitude and community solidarity to the endless frustration of being patronized as a young person, this paranormal thriller confidently combines timely and relatable themes within a page-turning storyline." - Self-Publishing Review
"Biel's writing is fast-paced and sharp!" - author Christy Wopat…
I’m a penguin expert, TED speaker, and lifelong animal lover. After getting a BS degree in Animal Science, I became a Penguin Aquarist at Boston’s New England Aquarium. For 9 years, I took care of the penguins there and educated visitors during daily talks. In 2000, I helped manage the rescue of 40,000 penguins from an oil spill in South Africa. (With the help of 12,500 volunteers, we saved most of them!) I founded my educational company The Penguin Lady in 2005, and speak at schools, universities, libraries, for TED-Ed and TEDx, and on National Geographic’s ships in Antarctica. I love sharing my knowledge, and passion for penguins with others!
I’m sure I’m biased, but I love that this book picks up where my book with the same title (for adults) leaves off. I’m very pleased that the author has highlighted the important conservation story of the African penguin (an endangered species), and the efforts to save it, including the hand-raising of African penguin chicks. The author discusses in detail the many ways that humans have impacted this species - both negatively and positively. This is definitely a book for older children, as it talks about the various threats to penguins, which could be upsetting information for younger children. But, for older children wanting to understand how a species becomes endangered, and how humans can help save those animals, this is a highly informative book. Best for ages 9-12.
African penguins waddle around nesting colonies in lower numbers than ever before. Despite South African government efforts to protect the penguin colonies and their ocean fish supply, young penguins still struggle to survive. Fuzzy chicks waiting for food in open nests may overheat in the sun or become prey. Others simply may not get enough food to survive on their own once their parents leave. But new conservation methods, including rescuing and hand-feeding vulnerable chicks, are giving experts hope. Can volunteers and scientists help save Africa's only penguins before it's too late?