Here are 73 books that Thinking About Memoir fans have personally recommended if you like
Thinking About Memoir.
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The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
No frills, this book. Just good stuff. Chapters on the state of nonfiction today and on the ways to end an essay. Essential talk about “the ethics of writing about others” and “the necessity of turning oneself into a character.” Thoughts on the lyric essay and on research as it applies to nonfiction. Lopate blazed many a trail for teachers and writers of nonfiction. He is perennially relevant.
A long-awaited new book on personal writing from Phillip Lopate—celebrated essayist, the director of Columbia University’s nonfiction program, and editor of The Art of the Personal Essay.
Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” (Dallas Morning News).
Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction.
A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities-to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“One of the first discoveries I made when I began to return in a reflective way to earlier parts of my life was that there was often very little connection between events that by rights ought to be capitalized—important trips, moves, friendships, deaths—and the experiences that had in fact left the most vivid deposit in memory,” Birkerts writes in this little book that packs a punch. Focusing on Coming-of-Age Stories, Fathers and Sons, Mothers and Daughters, Trauma and Memory, Birkerts deconstructs well-loved texts to teach us how their writers chose to manage time.
Memoir is, for better and often for worse, the genre of our times,' Birkerts writes. This piece of elegant literary criticism seeks to understand what makes some memoirs memorable and others self-serving. Birkerts argues that the memoirists strategies for presenting the subjective experience of time reveal the power and resonance of the writer's life. By examining Virginia Woolf's A Sketch of the Past, and Mary Karr's The Liars' Club, Birkerts describes the memoirists essential art of assembling patterns of meaning.'
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Sometimes we just want to know how it feels to be someone else living the writer’s life. In this collection, forty-six writers ranging from Roxane Gay and Billy Collins to Edwidge Danticat and Amy Tan answer one single question: What inspires you? My favorite response comes from Marilynne Robinson, who writes “I’m drawn to that movement toward essentials, away from all secondary definitions, all extraneous props, and ornaments.” What about you? What inspires you? Why are you writing in the first place? You’ll ponder that question while you read these short pieces by writers who shine a light in dark places.
A stunning masterclass on the creative process, the craft of writing, and the art of finding inspiration from Stephen King, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and more of the most acclaimed writers at work today
"For artists in need of a creative fix, Light the Dark is as good as a visit from the divine muse." -Bookpage
What inspires you? That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK. Each writer begins with a favorite passage from a novel, a song, a poem—something that gets them started and keeps…
I love to write about crime. I have no idea why. I don’t have any real-life experience of crime. Honest. I enjoy setting books in the places that I love to visit. So Edinburgh, Amsterdam, Barcelona, and Nice all feature strongly here. And so far, the two novels I’ve written of which one is available on Amazon, have had strong female protagonists. I guess I find it interesting for a woman to take on a bunch of nasty men. And I studied art and the history of art at college, so everything I have written in terms of novels has been in the world of stolen art.
Apply Tree Yard is along the lines of The Girl On The Train. A deeply flawed main character. Someone who’s done something she shouldn’t have. As her life hangs in the balance in a courtroom, everything depends on her remembering how and why she had sex with a random man.
Soon To Be a STARZ Mini-Series, Starring Emily Watson
Yvonne Carmichael sits in the witness box. The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she is a suspect, squirming under florescent lights and the penetrating gaze of the alleged accomplice who is sitting across from her, watching: a man who is also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. It is a tale of sexual intrigue and ruthless urges—and…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
As a new inductee to midlife, I was excited to read the funny tales of this book. As I age, I feel like a new member of a club that I didn’t necessarily want to be a part of. I didn’t mean to register or apply, but here I am. The author of this book would certainly commiserate because here she is, too.
We are both navigating what it’s like to be in a body that’s older in years than we feel. Likewise, we understand what it means to have a new generation become the louder voice in the room. Navigating aging is a wild ride, and it’s nice to have bedfellows as messy as me punching tickets for the seat next to me.
If nothing else, we can swap stories about creaking knees and complain about gas prices until we reach our destination. I love the humor and naked…
A laugh-out-loud spin on the realities, perks, opportunities, and inevitable courses of midlife.
Laurie Notaro has proved everyone wrong: she didn't end up in rehab, prison, or cremated at a tender age. She just went gray. At past fifty, every hair's root is a symbol of knowledge (she knows how to use a landline), experience (she rode in a car with no seat belts), and superpowers (a gray-haired lady can get away with anything).
Though navigating midlife is initially upsetting-the cracking noises coming from her new old body, receiving regular junk mail from mortuaries-Laurie accepts it. And then some. With…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I’m Andy Marx and I am definitely a child of Hollywood. My paternal grandfather was the comic icon, Groucho Marx, and my maternal grandfather was the legendary songwriter, Gus Kahn, who wrote such classic songs as “It Had To Be You,” “Makin’ Whoopee!” and “Dream a Little Dream of Me.” After working as a film publicist on a number of films including, Terminator and Red Dragon, I launched my journalism career writing about Hollywood for such publications as The Los Angeles Times, and Daily Variety. I also co-founded the satirical website, Hollywood & Swine, which poked fun of Hollywood, not a terribly hard thing to do.
This is the third book in the Trip Callaway Gig mystery series written by Phil Swann. While I’ve enjoyed all the Trip Callaway books, I especially like this one because it takes place in 1966 Hollywood. In this story, musician and undercover agent Trip Callaway takes us into the world of Los Angeles studio musicians, who played on all those memorable recordings and variety shows of the time. On top of spending some quality time in great, but sadly long gone, Hollywood hotspots like Shelly’s Manne Hole, The Palomino, and Martoni’s – places I went growing up in Los Angeles – Tinseltown Tango is also a ripping good yarn. If you enjoy a good murder mystery with a dash of music and no shortage of laughs, check out this book. You won’t be disappointed.
Lights, camera, Trip! Los Angeles, 1966. Hot off the heels of his last adventure in Mekong Delta Blues, Trip Callaway, the young, wise-cracking musician with dreams as big as The Golden State itself, takes a break from his steady gig on the Vegas Strip to do some easy undercover work in Hollywood for his secret agency benefactors. It’s Hollywood; how dangerous could it be? But as Trip quickly discovers, The Dream Factory can also be a nightmare. A ruthless gangster, a dubious district attorney, a cantankerous tango band, and a sexy singer from Argentina who elevates the word diva to…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.
"[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." ―Geoff Dyer, author of Out of Sheer Rage
Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment.
In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood…
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
The Alvarados are an unhealthy family with a very big communication problem. The patriarch turns into a shell of himself obsessed only with rainfall, the matriarch is hiding her own secrets, and their adult children are all in varying stages of trouble in their own relationships.
I loved that this book was set in 2016, in California, centered around a Mexican-American family, and did not explicitly address immigration issues or Donald Trump—even if that was very much hinted at towards the end of the novel.
Aside from the family’s journey to healthier relationships with themselves and each other, it was refreshing to see another perspective of that moment in time. It was a good reminder to me that we all contain multitudes, and that no single story is the whole story.
FORECAST: Storm clouds are on the horizon in L.A. Weather, a fun, fast-paced novel of a Mexican-American family from the author of the #1 Los Angeles Times bestseller Esperanza's Box of Saints
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He's harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters-Claudia, a television chef…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
My father estranged himself from his sister because she was an alcoholic. I never met my aunt. However, when looking for a strong character for my Lilian Dove Mystery Series, I decided this aunt was a good mentoring character. Fictionally, I gave my aunt sobriety, but her recovery is not so much from drinking as it is recovering from the past to take on life anew. The mysteries Lillian Dove becomes involved her help her see how to do this. And first, she needs to learn to admit life is full of mayhem. Small-town Iowa amateur sleuth who ends up owning a liquor store.
Joyce Carol Oates is genuinely an extraordinary author, known for her prolific output. While some writers focus on series, Oats dedicates her time to crafting numerous standalone books, each a gem in its own right.
The plot may appear simple at first glance—a missing sister, and a protagonist who must piece together the clues to find her. However, as the story unfolds, the reader becomes immersed in a web of subtle evidence that gradually weaves together, resulting in a rich and suspenseful novel. Put the book down.
When a woman mysteriously vanishes from her small town home, her sister must tally up the clues to uncover the truth behind the mystery. Beautiful sculptor Marguerite has disappeared from her small town in upstate New York. But was foul play involved? Did she merely get away for some fun? Or did she finally make the decision to leave behind her claustrophobic life of limited opportunities? Younger sister Gigi wonders if the flimsy silk Dior dress, so casually abandoned on the floor, is a clue to Marguerite's vanishing. The police puzzle over the footprints made by her Ferragamo boots, which…
