Here are 72 books that Thinking About Memoir fans have personally recommended if you like
Thinking About Memoir.
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The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
No frills, this book. Just good stuff. Chapters on the state of nonfiction today and on the ways to end an essay. Essential talk about “the ethics of writing about others” and “the necessity of turning oneself into a character.” Thoughts on the lyric essay and on research as it applies to nonfiction. Lopate blazed many a trail for teachers and writers of nonfiction. He is perennially relevant.
A long-awaited new book on personal writing from Phillip Lopate—celebrated essayist, the director of Columbia University’s nonfiction program, and editor of The Art of the Personal Essay.
Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” (Dallas Morning News).
Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction.
A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities-to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“One of the first discoveries I made when I began to return in a reflective way to earlier parts of my life was that there was often very little connection between events that by rights ought to be capitalized—important trips, moves, friendships, deaths—and the experiences that had in fact left the most vivid deposit in memory,” Birkerts writes in this little book that packs a punch. Focusing on Coming-of-Age Stories, Fathers and Sons, Mothers and Daughters, Trauma and Memory, Birkerts deconstructs well-loved texts to teach us how their writers chose to manage time.
Memoir is, for better and often for worse, the genre of our times,' Birkerts writes. This piece of elegant literary criticism seeks to understand what makes some memoirs memorable and others self-serving. Birkerts argues that the memoirists strategies for presenting the subjective experience of time reveal the power and resonance of the writer's life. By examining Virginia Woolf's A Sketch of the Past, and Mary Karr's The Liars' Club, Birkerts describes the memoirists essential art of assembling patterns of meaning.'
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Sometimes we just want to know how it feels to be someone else living the writer’s life. In this collection, forty-six writers ranging from Roxane Gay and Billy Collins to Edwidge Danticat and Amy Tan answer one single question: What inspires you? My favorite response comes from Marilynne Robinson, who writes “I’m drawn to that movement toward essentials, away from all secondary definitions, all extraneous props, and ornaments.” What about you? What inspires you? Why are you writing in the first place? You’ll ponder that question while you read these short pieces by writers who shine a light in dark places.
A stunning masterclass on the creative process, the craft of writing, and the art of finding inspiration from Stephen King, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and more of the most acclaimed writers at work today
"For artists in need of a creative fix, Light the Dark is as good as a visit from the divine muse." -Bookpage
What inspires you? That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK. Each writer begins with a favorite passage from a novel, a song, a poem—something that gets them started and keeps…
I love to write about crime. I have no idea why. I don’t have any real-life experience of crime. Honest. I enjoy setting books in the places that I love to visit. So Edinburgh, Amsterdam, Barcelona, and Nice all feature strongly here. And so far, the two novels I’ve written of which one is available on Amazon, have had strong female protagonists. I guess I find it interesting for a woman to take on a bunch of nasty men. And I studied art and the history of art at college, so everything I have written in terms of novels has been in the world of stolen art.
Apply Tree Yard is along the lines of The Girl On The Train. A deeply flawed main character. Someone who’s done something she shouldn’t have. As her life hangs in the balance in a courtroom, everything depends on her remembering how and why she had sex with a random man.
Soon To Be a STARZ Mini-Series, Starring Emily Watson
Yvonne Carmichael sits in the witness box. The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she is a suspect, squirming under florescent lights and the penetrating gaze of the alleged accomplice who is sitting across from her, watching: a man who is also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. It is a tale of sexual intrigue and ruthless urges—and…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
As a new inductee to midlife, I was excited to read the funny tales of this book. As I age, I feel like a new member of a club that I didn’t necessarily want to be a part of. I didn’t mean to register or apply, but here I am. The author of this book would certainly commiserate because here she is, too.
We are both navigating what it’s like to be in a body that’s older in years than we feel. Likewise, we understand what it means to have a new generation become the louder voice in the room. Navigating aging is a wild ride, and it’s nice to have bedfellows as messy as me punching tickets for the seat next to me.
If nothing else, we can swap stories about creaking knees and complain about gas prices until we reach our destination. I love the humor and naked…
A laugh-out-loud spin on the realities, perks, opportunities, and inevitable courses of midlife.
Laurie Notaro has proved everyone wrong: she didn't end up in rehab, prison, or cremated at a tender age. She just went gray. At past fifty, every hair's root is a symbol of knowledge (she knows how to use a landline), experience (she rode in a car with no seat belts), and superpowers (a gray-haired lady can get away with anything).
Though navigating midlife is initially upsetting-the cracking noises coming from her new old body, receiving regular junk mail from mortuaries-Laurie accepts it. And then some. With…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
Born in Los Angeles and with profound connection to this city’s psyche, Wendy Ortiz delivers a map of Los Angeles transformed into words, a fragmented memoir of hurt, love, loss, and reinvention. What does a young writer (one of thousands) living in this city and trying to make it worry about? Joblessness. Rent. Bills. Riding the metro. Alcohol. And yes, sex and publishing too, of course. This book proves that it’s not always 72 and sunny in Los Angeles.
Hollywood Notebook is a prose poem-ish memoir of fragments. Ortiz takes us through the streets of Los Angeles and the internal maps she's charting as she moves from her twenties to her thirties in a studio apartment in Hollywood. A cartography of love, loss, and transformation, Hollywood Notebook is a portrait of the author's psyche overlaid on a map of the city she makes her home.
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
This book is laugh-out-loud funny. The rich socialite heroine is quite
intelligent in some things and ridiculously stupid in others. The whole
book is absolutely unbelievable, but utterly delightful – and way beyond
society's terms of approval for women in 1907 Los Angeles. Sometimes a
book doesn’t have to be anything but a joy to read. This one delivers.
It's 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels—but must disguise them behind covers of more domestically-appropriate reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.
Determined to break free of the era's rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her…
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.
I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns.
Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.
Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into…
No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been fascinated by cities—in all their glorious, polyglot, and all-too-human complexity—for more than 25 years. I’m a writer, community planner, and urban revitalization consultant who works to activate the potential of distressed places, and create strategies that support social, ecological, and economic vitality. Exploring the often overlooked ways we’ve unbuilt our cities has helped me see their powerful potential.
Great writing on cities is rarer than it should be. The late Mike Davis, using Los Angeles as his muse, showed me—and so many others—new ways of thinking about cities through his vividly and passionately argued prose. Weaving together strands of architecture, urban history, social justice, and ecology, Davis has inspired me like no other author to examine cities critically, from unexpected perspectives and with a fierce point of view. Underlying his outrage at the injustices of the unravelling metropolis is a mordant sense of humor—making him an unbeatable guide as we all ride shotgun through desperate times.
'Courageously broad in its scope, City of Quartz changes intellectual gear - from history to sociology to urban theory - often with consummate ease, and fits its diverse threads together in a sort of 'history noir' as gripping as any Chandler. ' Listener.
In this taut and compulsive exploration, Mike Davis recounts the story of Los Angeles with passion, wit and an acute eye for the absurd, the unjust and, often the dangerous. He tells a lurid tale of greed, manipulation, power and prejudice that has made Los Angeles one of the most cosmopolitan and most class-divided cities in the…
