74 Books Like There Are No Saints

I was shaken to my core not only by Capote’s character study of two different yet partnered killers but also by his behind-the-scenes depiction of the death penalty process. For the first time, I began to see how capital punishment affects all those involved in its machinations.

I am in awe of this book! I think it’s close to perfect, if not perfect. The detective here is Meyer Landsman, who “only has two moods: working and dead.” The novel is set in an alternate history that imagines Sitka, Alaska as a sprawling, Yiddish-speaking metropolis where all the Jews have fled after World War II.

The dead body is a mysterious young drug addict with connections to Sitka’s seedy underbelly. The story is a page-turner, but the sentences are truly incredible. It’s also very funny. I keep returning to this book year after year and every time it blows me away.

This book was given to me as a gift, and the lessons it taught me as I read those ancient pages.

It had me clutching my pearls, and it disgusted me at other parts, but at the same time, I wanted/needed to read that book in order to write a book in that style. 

You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.

There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition. 

Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.

As always, Estleman brings his characters and settings to life in a way few others can.

He’s heir to a violent legacy. She’s on the hunt for a story that’ll launch her career from Page Six to the six o’clock hour. When their paths cross, she knows she’ll follow this lead anywhere. I love it because Miller’s really good at writing dark romance. It’s a tricky genre to get right because of the subject matter, but if you can nail it you get a sort of grim satisfaction from the underworld justice. But then one has to ask: what happens when someone comes around asking questions? What happens when emotions get in the way of objectivity or professionalism? And what do you do when someone you’re falling for is revealed to be a monster amongst monsters?

I had to throw this series in because it ties in with the author’s Dark & Dirty Sinners MC Series and is sooo frickin’ good!

It revolves around three crime families and the women they will do anything to keep, all while trying to take each other out.

It’s so damned good, and when read in tandem with my first recommendation, the world-building and intrigue are incredible.

This is one of the wildest crime thrillers I have ever read. It is a fantastic, hectic, thrill-a-page story in which author Ian Ludlow finds himself in the middle of the plot of one of his best action novels. 

Except this time, it’s not fiction; the madness is really happening to him. Here’s the plot: Chinese intelligence agents have devised a plan to wreck the United States. The CIA figures nobody, but Ludlow can stop them because he’s already done it in one of his books.

Killer Thriller is an excellent example of how an author can take a real-life scenario and, by asking, “what if,” turn the world on its head with the answer and create an incredible story.

When all is not as it seems, and you fall in love with what you don’t know. Faced with a choice, what will you choose?

I chose Ruthless Creatures because it is a crime fiction about love, desire, and growth. Our first choice is not always our best. We sometimes fail to understand why. The more you read, the deeper your understanding grows. 

Personally, I love the thrill of an idea, of loving someone who is dark and mysterious. Kage was that for Nat, and he hid a big secret, whether they overcame it or not. Well, you would need to find out for yourself.

This book taught me that we don’t really know to who we open our hearts to until it’s too late.

About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.

As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.

Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the… show more.

Hannibal Lecter’s silky smooth menace still chills me like no other villain on my shelf.

Silence of the Lambs taught me how to write a terrifying villain with more than enough charisma to start a devoted cult. Every reread of this book hooks me with that hypnotic voice. Hannibal’s character is so persuasive and razor-sharp, I catch myself sympathizing before the dread slams back in.

I love how Thomas Harris forces me to straddle the line between fascination and horror, then shoves me into Clarice Starling’s head for that heart-hammering showdown with Buffalo Bill.

Decades later, for me, no thriller matches its psychological intrigue. It’s a timeless classic that keeps my lights blazing and my imagination deliciously unsettled.