Here are 100 books that Themes and Conclusions fans have personally recommended if you like
Themes and Conclusions.
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I have taught writing to adults for over half of my life—starting in my twenties, when I looked so young that my students once mistook me for a confused kid having wandered into the wrong room! I love love love seeing writers find their writing voice—and the only way to do so is simply to do it. Writing and communicating well is an art, a delight, a form of self-expression, and a way of being in the world—and it is VERY easy to learn with a good teacher. All of these books inspire me because their writers are excellent, encouraging, practical teachers.
Impossible to omit this one from a list for writers!
A perennial classic that keeps coming back in new forms—even illustrated! Even if the advice is often dry (as my first writing teacher used to say, its authors tend to “strunk you on the head”), The Elements of Style is solid. No minced words here.
In any century, in any genre, for any class or any project, this book teaches writing well.
You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always been fascinated by the power of language to propel everything we think—from our values and beliefs, to political views, to what we take for absolute truth. Once I learned there’s a whole field devoted to studying language called “rhetoric”—the field in which I’m now an expert—there was no turning back. Rhetoric has been around for more than 2,000 years, and since its inception, it has taught people to step back from language and appraise it with a more critical eye to identify how it works, why it’s persuasive, and what makes people prone to believe it. By studying rhetoric, we become less easily swayed and more comfortable with disagreement.
I love Ted Chiang’s short stories. Chiang’s background is in computer science, and he’s drawn to questions concerning the relationship between language, technology, cognition, and the physical universe.
His stories are fascinating thought experiments: They depict how a change in the medium or format of language transforms meaning and opens new possibilities for what language can be and do, what humans can think and know, and what it means to be a thinking, speaking human against the backdrop of a vast, infinitely complex universe. His stories are often backed by years of detailed research.
When I read Chiang, I find myself entangled in a strong emotional bond with his characters even as I ruminate on larger questions about what it means to be a language-using human.
'Lean, relentless, and incandescent.' Colson Whitehead, Pulitzer Prize winning author of The Underground Railroad and The Nickel Boys
This much-anticipated second collection of stories is signature Ted Chiang, full of revelatory ideas and deeply sympathetic characters. In 'The Merchant and the Alchemist's Gate,' a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and the temptation of second chances. In the epistolary 'Exhalation,' an alien scientist makes a shocking discovery with ramifications not just for his own people, but for all of reality. And in 'The Lifecycle of Software Objects,' a woman cares for…
I am an associate professor of neuroscience at the Donders Institute in the Netherlands. My research lab focuses on discovering how the brain uses electrical signaling to compute information, and transfer information across different regions of the brain. I also have a few decades of experience teaching scientific coding, data analysis, statistics, and related topics, and have authored several online courses and textbooks. I have a suspiciously dry sense of humor and insufficient patience to read five books on the same topic.
“Are we alone?” An age-old question that we may never answer. Andrew May walks us through the scientific study of whether there might be life elsewhere in the universe, and how we might identify it. And by “scientific study,” I mean actual scientific investigations, not wishy-washy sci-fi fluff. The book is both inspiring and terrifying, because the immense distances in space and time make you realize that intelligent life is both incredibly insignificant and incredibly precious.
Extraterrestrial life is a common theme in science fiction, but is it a serious prospect in the real world? Astrobiology is the emerging field of science that seeks to answer this question.
The possibility of life elsewhere in the cosmos is one of the most profound subjects that human beings can ponder. Astrophysicist Andrew May gives an expert overview of our current state of knowledge, looking at how life started on Earth, the tell-tale 'signatures' it produces, and how such signatures might be detected elsewhere in the Solar System or on the many 'exoplanets' now being discovered by the Kepler…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am an associate professor of neuroscience at the Donders Institute in the Netherlands. My research lab focuses on discovering how the brain uses electrical signaling to compute information, and transfer information across different regions of the brain. I also have a few decades of experience teaching scientific coding, data analysis, statistics, and related topics, and have authored several online courses and textbooks. I have a suspiciously dry sense of humor and insufficient patience to read five books on the same topic.
Sand (yes, that grainy stuff at the beach that never fully gets out of your shoes) is a ubiquitous feature of dream-vacations, and yet is a really obscure topic to study. Michael Welland managed to present a fascinating and thought-provoking story of where sand comes from and where it goes. But this book isn’t only about sand; it is about the unimaginable timescales of geology and how a countless number of tiny grains can fill nearly 400,000 miles of beaches, not to mention deserts, ocean floors, and volcanos. Welland’s writing style is poetic and flowing, and overall a joy to read.
From individual grains to desert dunes, from the bottom of the sea to the landscapes of Mars, and from billions of years in the past to the future, this is the extraordinary story of one of nature's humblest, most powerful, and most ubiquitous materials. Told by a geologist with a novelist's sense of language and narrative, "Sand" examines the science - sand forensics, the physics of granular materials, sedimentology, paleontology and archaeology, planetary exploration - and at the same time explores the rich human context of sand.Interwoven with tales of artists, mathematicians, explorers, and even a vampire, the story of…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
Julian Barnes dramatizes the tortured inner life of the Soviet Union’s greatest composer.
Dmitri Shostakovich was by all accounts a nervous wreck: a twitching, blinking, sweating mess. He lived in the glare of Stalin himself as the most prominent Russian composer in the 1930s and ‘40s, during the Great Terror.
What I return to is the way Barnes takes us inside Shostakovich’s mind as he tried to balance writing music with life-or-death politics. Some of the compromises he made, like denouncing Igor Stravinsky’s modern compositions, haunted him. "He had betrayed Stravinsky, and in doing so, he had betrayed music. Later, he told Mravinsky that it had been the worst moment of his life."
A Daily Telegraph / Financial Times / Guardian / Sunday Times / The Times / New Statesman / Observer Book of the Year
'BARNES'S MASTERPIECE.' - OBSERVER
In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.
I have studied creativity for 40 years and, along with the textbook I wrote, I am continually teaching my marketing students how to become more creative. I have unequivocally demonstrated that everyone who wants to become more creative can do so with the appropriate tutelage. This is why I get so much satisfaction from teaching creativity and it is why I wrote my book that I am highlighting here.
This book fascinated me because it looks at creative accomplishments through the eyes and behaviors of many of the truly creative people who have graced our planet. The book discusses what made Albert Einstein so creative and how Sigmund Freud became the father of modern psychology. I came to realize that artists like Pablo Picasso, dancers like Martha Graham, and musicians like Igor Stravinsky broke the molds as they ventured forth into novel domains and areas where others had not yet dared to tread. I also learned that personalities are very relevant to many of these creative accomplishments and that many of these personalities do not fit kindly into what societies expect. It’s not that we should attempt to emulate these personalities but that we should feel comfortable leading with our most creative thoughts and actions.
Since it was first published in 1993, Creating Minds has served as a peerless guide to the creative self. Now available as a paperback reissue with a new introduction by the author, the book uses portraits of seven extraordinary individuals to reveal the patterns that drive the creative process,and to demonstrate how circumstance also plays an indispensable role in creative success.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Whilst not strictly a book about popular music, but rather two separate but related essays on the modern composers Igor Stravinsky and Arnold Schoenberg, Adorno’s study has been utterly formative for how I understand music and its relationship to its social conditions.
I can’t even fathom how I could think about music without Adorno, and this book is by far his most concerted and concise statement on the subject.
An indispensable key to Adorno's influential oeuvre-now in paperback
In 1949, Theodor W. Adorno's Philosophy of New Music was published, coinciding with the prominent philosopher's return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it.
Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.
Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.
Named "One of the 100 best books ever published in Canada" (Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.
A rare and remarkable cultural history of World War I that unearths the roots of modernism.
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945.
Recognizing that “[t]he Great War was the psychological turning point . .…
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kipling’s Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
While not technically a fast-paced thriller, The Master Executioner is the compelling story of a young Civil War veteran who evolves into a methodical, professional hangman in the old West. After completing a carpentry apprenticeship, Oscar Stone goes west to seek his fortunes in the frontier. Finding construction work scarce, he accepts a commission to build the gallows for a hanging and his career plans find a new trajectory. Stone is as exacting as a hangman as he was a carpentry, from the quality of the rope to the length of the drop he strives to provide the condemned a quick and painless death. Estleman’s prose is exceptional, his dialog crisp, and his storytelling lean and well-paced. The pages of The Master Executionerfly.
Ordinary people do not understand Oscar Stone. Everything he does, he does impeccably. He is a profound student of his art, completely versed in its traditions over the centuries. He is a student of ropes and their properties, a master of the latest scientific knowledge about the human neck, a careful calculator of weights and drops, and an exacting observer of results. Far more than a quarter of a century he has worked to create a reputation as a man peerless in his craft: the master executioner. Yet he is utterly alone: His devotion to his work costs him his…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
For most of my life no one guessed I could fall for a dog, much less write a book about one. I associated dogs with drool on the floor and fur all over everything. One of those “just a dog” people, I thought the marriage bed should be strictly for humans. It crossed my mind that an eager dog would keep me from working into the night at the office where I ran Chatelaine, Canada’s premier magazine for women, but I chose a treadmill at the Y over rambles with a dog. At 65 I discovered my inner dog person. A ragged-eared mutt is now my joy and my muse.
Pete the Irish Wheaten was supposed to comfort the children as their father lay dying of cancer. But it was their mother, author/illustrator Maira Kalman, who became his inseparable companion, following the pup into a whole new world of humor, heart, and inspiration.
Through Pete, she discovered the dogs of Franz Kafka, Gertrude Stein, and E.B. White—all captured in these pages with her customary wit and radiance. You’re never too old for a picture book, and if you have a soft spot for dogs, this one deserves a permanent spot on your nightstand.
Beloved Dog shows that “the most tender, uncomplicated, most generous part of our being blossoms, without any effort, when it comes to the love of a dog.”
Maira Kalman, with wit and great sensitivity, reveals why dogs bring out the best in us
Maira Kalman + Dogs = Bliss
Dogs have lessons for us all. In Beloved Dog, renowned artist and author Maira Kalman illuminates our cherished companions as only she can. From the dogs lovingly illustrated in her acclaimed children's books to the real-life pets who inspire her still, Kalman's Beloved Dog is joyful, beautifully illustrated, and, as always, deeply philosophical.
Here is Max Stravinsky, the dog poet of Oh-La-La (Max in Love)-fame, and her own Irish Wheaton Pete (almost named Einstein, until he revealed himself…
