100 Books Like The Year's Best Science Fiction

Reading this book reminded me that understanding another person is a continuous struggle, and that we lose the most when we mistake appearances for truth. Even for someone like Genly, an emissary whose role is to bridge cultures, truly understanding Estraven proves painfully difficult.

What stayed with me was the tragedy of that gap: how insight often arrives too late.

Estraven’s sacrifice, made so that Genly could reach safety, and Genly’s decision to visit Estraven’s family afterward, left me with a lingering sense that remembrance itself carries moral weight. Sometimes understanding cannot undo loss, but memory—how the living choose to carry it—can still salvage a trace of good from tragedy.

Le Guin’s novel taught me that empathy is not a destination, but an act that must be fought for, again and again.

This brilliant collection of interlinked urban fantasy short stories makes use of a variety of magical devices to change the lives of the featured characters. Each story is from a different character viewpoint, each character connected with the others in some way, and each story moves the narrative forwards to its heartfelt and dramatic conclusion.

Turner brings together a group of young, and young-at-heart, individuals all attempting to find themselves, and struggling with the circumstances they are in. Gradually, as the narrative progresses, they discover each other and help each other towards a powerful and profound intervention that showcases the best of human kindness, community, and acceptance.

This book moved me. After going through the different character stories building towards the end, the finale with an assemble moment of courage between many of the characters is such an empowering and cathartic moment. When I read it, I was listening in… show more.

Tangle’s Game is a clever examination of the near future with an exploration of prejudice that is massively relevant in today’s society. The very best science fiction offers us a mirror to our own circumstances and situations. In the world of Tangle’s Game, we see the cultural behemoths of blockchain technology and social media as even more dominant forces than they are today.

Hotston uses this story to offer an informed and nuanced perspective on the world. Amanda’s descent from conformity highlights the ways in which we are measured and judged.

I was hooked from the first pages and couldn’t put the book down. The story is set in a cyberpunk world, where advanced technology permeates every aspect of human life, making life easier at the cost of privacy and independence. 

I loved the world-building and the protagonist, raged at the injustices with him, and hated the antagonist. The mystery kept me invested and intrigued, and I reached for the book whenever I had a moment. I didn't expect the ending and was a bit heartbroken. I also loved the way it was written—it was so clear and easy to read that I was completely immersed in the narrative with nothing to pull my attention away.

This is book 2 of the Planetfall series, but it’s perfect as a standalone. I started the series with it.

If you’re looking for cyberpunk sci-fi on steroids, this is the book for you. The depth of imagination that went into the world-building here is phenomenal.

Not only are you treated to a well-fleshed-out futuristic cyberpunk setting, there’s also some serious tech in play. Once you look past the norms of the social structure of the day – which is nothing short of brilliant – you realize this is also a good, old-fashioned police crime drama. Entertaining, mesmerizing, surprising, shocking.

This book has it all. I really loved the quirks of the language that the characters use. Not only has society changed drastically in Dae D. Shields’ world, but so has the English language. You have to read it to fully appreciate the talent of the author behind it.

Swipe Right for Murder is a thriller with LGBT themes that will gobble up every moment you can spare for reading. Set in 2019, the book nonetheless has a raucous, cyberpunk feel. Main character Aidan, through the use of a Grindr-style hook-up app on his senior Spring Break, stumbles into an unfortunate series of events that lead him into close contact with a domestic terrorist organization bent on killing homophobes. Swipe Right for Murder is a page-turner if there ever was one, and it’s fucking funny. Seriously, there are some legit laugh-out-loud moments in this book—generally a tough order for a written medium. If you’re looking for a smart thriller that is turned up to eleven at all points, then this book is an absolute must-read.

Bubbles in Space couldn’t be more different than the two books above. It features a humoristic approach to the genre and doesn’t take itself too seriously. We follow Bubbles, a pink-haired detective on her adventures in Holo City. Like me, S.C. Jensen is one of the very few female authors in the cyberpunk genre. I recommend checking her books out if you’re looking for something not as grim and dramatic as most cyberpunk books.

This is a cyberpunk novel, and while most books in that genre focus more on characters like criminals or rebels, this one narrows in on a former police detective and private security contractor. This is one of the few books in the genre that looks at the working stiffs of the cyberpunk future, instead of the punks with mohawks & machine guns or the corporate suits with their android bodyguards and elegant penthouses.

For the last book on our list, we look at Hardwired, by Walter John Williams because, in my humble opinion, it marks the completion of cyberpunk’s subgenre formation. 

Published in 1986, Hardwired follows a protagonist named Cowboy as he connects his brain to various machines through a hardwire and fights the evil orbital corporations that own the world.  Awesome. It stands out to me in the history of golden-age cyberpunk novels in that it calls upon elements from previous cyberpunk works more-so than its predecessors, solidifying the subgenre’s obligations. 

To say it another way, Hardwired alludes to earlier cyberpunk works to effectively place the story within the reader’s literary experience. And that presupposed cyberpunk experience demarcates the subgenre, a clarion signal that the subgenre was here to stay.”

William Gibson’s latest novel Agency is as prophetic as his establishment of cyberspace and cyberpunk culture in the 80s and 90s. His latest novel chronicles reality-busting skirmishes among gangsterish multi-generational families based in a glitzy post-apocalyptic 22nd century London. In this future, nano-machines conjure luxuries from nothing while sky-high scrubbers struggle to restore a ravaged atmosphere after the jackpot, a global environmental catastrophe. Agency tells a heist-type story about the emergence of Eunice, a sentient AI born in our stub out of American special operations research. Leading a cross-dimensional band of techies, publicists, hipsters, and hackers, ace software designer Verity fights to introduce Eunice to her world in order to save it. Yet Gibson is telling us about today's ecological and technological forces. He writes of pre-jackpot life in our era: “‘Did we ever come to terms with the sheer cluelessness of it?’