Books like The Yearling — picked by fans

I know…another Bill Bryson book? But hear me out. In this outing, Bryson doesn’t just take us readers on a trip to foreign land (he is, after all, the world’s foremost travel writer). He takes us on a trip to a foreign time—our own past!

Specifically, the 1950’s. Lots of books cover famous events from a long time ago. Few cover the mundane daily life of the more recent past—and in the process, inform us just how much has changed about how Americans live in just a few short decades.

What’s more, Bryson makes it personal—using his own childhood adventures and recollections to make the history relatable, comical, and fun. I like books that tickle my brain as well as my funny bone—and no one does it better than Bryson.

Annie Dillard, probably best known for her book Pilgrim at Tinker Creek, is masterful with words and brings all of her writing abilities to this memoir of growing up in Pittsburgh. For a city girl, she is especially entranced by nature as she gathers in her bedroom a rock collection that seems to foretell a career as a geologist that never happened. But it’s her tales of her father that are the most striking to me because as a child I didn’t know any fathers quite like him. He once set off alone on a long-planned river trip from Pittsburgh to New Orleans. Most wonderful of all, he had a role in the 1968 cult classic Night of the Living Dead. Finally, think of the title Dillard chose for her memoir: An American Childhood. In many ways, her childhood was no more unique than any other… show more.

Gary Paulsen is best known for his novels for young people, such as the popular Hatchet, but this R-rated memoir is aimed at an adult audience. Of my five recommendations, this one is far and away the most representative of the miseries of a dysfunctional childhood. Paulsen’s parents were both alcoholics, and his mother had affairs that she could have done a much better job of hiding from her young son. Somehow, despite the trauma (or maybe because of it), Paulsen emerged as a successful and extraordinarily prolific writer. For those of us with wonderful childhood memories, this book serves as a reminder that not everyone is so lucky.

I was a huge bookworm as a boy, so I identified greatly with Ann Hood’s memoir that focuses on her own love of reading, which she developed as a child growing up in Rhode Island. While I still enjoy reading as an adult, nothing matches the way I could lose myself in a Hardy Boys adventure or a Doctor Dolittle tale as a youngster. Hood captures this total-book-immersion experience as she recalls reading Little Women, one of the first books to whisk her away to a different world. The title of this memoir refers to another of Hood’s beloved books, Marjorie Morningstar by Herman Wouk.

This graphic novel is based on Lucy’s real life. It’s about a girl who begrudgingly moves from her home in the city to the country to live with her mom’s new boyfriend and share a bedroom with his daughters. I love this one because when you’re a kid, so many things are out of your control, and grown-ups are the ones making decisions for you. Sometimes, kids are forced to learn a whole new way of life. Stepping Stones is a great depiction of that experience—an experience I can relate to as someone whose mom remarried and then had to move towns and schools. I love how the main character, Jen, is terrible at math but has to handle money at the farmer’s market. She spends the summer persevering through her math troubles, her embarrassment related to it, and her new family and farm work expectations. 

No matter how young or old, everyone needs a timeless picture book about the best of hearth and home. The illustrations by Mike Wimmer are breathtaking and inviting. Patricia MacLachlan’s carefully chosen words reflect the relationship glue that creates connecting and belonging within families. No matter how old you are, All the Places to Love is a touch point for the heart.

I loved this book because it shows how class disparity still exists, how it complicates a teenage love affair and transcends family secrets.

As a reader, I found myself rooting for all of the main characters, though they are facing impossible choices, working against each other and their own best interests, which are mercurial and contradictory.

Fast-moving and propulsive storytelling.

Writing on a theme that is near and dear to my heart, that being Old Florida, the author of the award-winning, The Yearling, accurately portrays her life living on Cross Creek in rural Central Florida. After buying an old orange grove, sight unseen, this divorced Washington, DC writer brought it back to life, and made a life for herself living among the shy and suspicious people on the creek. Rawlings’ accurate use of local dialect and effective nuances in this beautiful vignette of stories is almost poetic, and magically transports the reader to the creek’s mossy banks. Though the writing and her viewpoints are antiquated in places, Cross Creek remains a classic, and a true work of art to be treasured. 

Sometimes the voice of a narrator captivates me from the beginning to the end of book, and this was the case with How I Live Now.

It’s an unusual novel, and I don’t mean that as a criticism, but as a compliment. Elements of speculative romance/forbidden love infuse the dystopian, near-future setting—pastoral England on the threat of nuclear destruction.

The central character, Daisy, is sent from Manhattan to live with her cousins, and when her aunt heads off on a work-related trip, the kids are left to fend for themselves and navigate what feels like the potential end of the world. Will their relationships survive? Will they? Read and find out.

Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.

It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book