100 Books Like The Wrong End of the Telescope

Connecting nation, migration, and narration, Stacy’s debut is a corrective to what we know about Arabs in the Americas at a time when their homeland transitioned from the Ottoman regime to the European mandate. It strikes with global strokes and fine details whether it is about women at a Brooklyn factory, a French consulate spy chasing an anti-German diplomat-turned-traitor, or some mysteriously disappearing witnesses on sight.

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

A rich historical account of the experiences of Afghans living in urban Pakistan from the 1970s to the post-2001 ‘War on Terror’ period, this book provides a fascinating discussion of urban informality, what it means to belong, the role of citizenship, and the engagement and absence of the state in cities.

The book utilises ethnographic observations and interviews but also valuable archival data–raising important considerations of who gets remembered, as well as underscoring that urban refugees are not a new phenomenon. 

Jana Lipman examines the Vietnamese refugee camps in Guam, Malaysia, the Philippines, and Hong Kong in the decades after the fall of Saigon. She asks us to consider how camps function as liminal social and legal spaces where refugees forfeit rights with the hope of eventually securing membership (and rights) in a resettlement society. It is in the camps that refugees try to prove their ‘worthiness’ for admission to society, and where they navigate a cumbersome—and often hostile—bureaucracy that ignores their humanity, often with dire consequences. 

The book examines the implementation of refugee policy at the local level by local actors, as well as the role of Vietnamese activism—in the camps and in the diaspora—in asserting refugee rights.

Stormy Seas is a compelling collection of true stories about the child refugees who had to take to the water throughout history. With a diverse cast and engaging visual design, this book is a great introduction to the topic for middle-grade readers. Even adults might be surprised by some of the stories. 

The story of Najeeba, fleeing from Afghanistan, particularly spoke to me during my research for The Eleventh Trade. Though my main character only speaks briefly of his journey across the Mediterranean, stories like Najeeba’s helped make the dangers of that voyage real for me. A quick but intense read that opens the door to important conversations with children. 

Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.

Wildman’s obsession made me keep turning the pages long past when I should have been sleeping. She is a journalist, so when she discovers the mystery of a secret folder of letters from her grandfather’s old girlfriend, she sets out to discover why they were separated and what happened to his first love. 

My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.

Imagine if war forced you to suddenly leave your home, taking only what you could carry - would you bring your cat? This Syrian family transports their cat Kunkush in a basket with them, all the way across the Mediterranean Sea, only to lose him on the beach in Greece. Would they ever see Kunkush again? Reading this gripping, true tale of how the white kitty was reunited with his immigrant family, I was especially moved to see that photos of the real family, Kunkush and their epic journey were included too!  

Laura Madokoro offers a fascinating discussion of Chinese refugees during the Cold War as they sought protection in the United States, Canada, Australia, New Zealand, and South Africa. These historically white settler societies had long restricted or barred Chinese migration for racist reasons, so the accommodation of Chinese refugees fleeing war and persecution was never guaranteed. Indeed, even their refugee status was questioned.

The book examines the governmental, humanitarian, and faith-based actors who shaped national responses to this migration and, ultimately, determined the fates of millions of displaced people.