100 Books Like The World of Suzie Wong

The Tale of Kieu is an early 19th Century epic poem and the cornerstone of Vietnamese literature. Adapted from a 17th Century Chinese novel, it is the story of a beautiful, well-to-do young woman forced into prostitution to save her family from destitution in a time of great government corruption and civil unrest. The poem is so revered in Vietnam that there is a popular branch of fortune-telling that uses it for predictions, and Kieu’s sacrifice is seen as mirroring the sacrifices Vietnamese have made in times of war and hardship, even across the centuries before the poem was written. The poem is bejewelled with beautiful lines, and presents a unique depiction of a woman who retains her dignity despite the many who try to rob her of it.

Maupassant’s story takes its name from the chubby prostitute at its centre, nicknamed ‘Bowl of Fat’. At the time of Prussian occupation of France, a group of petty bourgeoisie, upper bourgeoisie, noble and religious people encourage her to offer herself to a Prussian officer in return for the freedom to travel through an occupied town to Le Havre. Through this short novel, Maupassant reveals the hypocrisy and moral poverty of those who sit in the layers of society above such outcasts as ‘Boule de suif’ and, by contrast, both the moral solidity and even innocence of the ‘fallen woman’ herself.

Novellas are a perfect place to start for poets who are interested in writing longer, more narrative work. They’re slim, lyrical, and less daunting. I read this novella in college & haven’t stopped thinking about it since. It takes place in what I can only refer to as a “Sleeping Brothel” where elderly men pay to sleep beside young women. The story is haunting, but it doesn’t take cheap horror shots. Instead, it delves into the complexity of loneliness, the shared vulnerability of sleep, and the human need for comfort.

I’m cheating a little here, as technically Kipling’s On the City Wall is a long story rather than a book itself, though I notice it’s recently been published as a standalone, and can be found in both Kipling’s Collected Stories and the original collection it appeared in, Soldiers Three. The story concerns a beautiful Punjabi courtesan called Lalun who welcomes ‘guests’ from all strata of society to her house on the ancient city wall of Lahore. Unlike the commonly depicted ‘fallen woman’, Lalun is a woman of significant wealth, great influence, and, especially, power over men. The story is full of wonderful comic ironies, lavish descriptions of a historical city, and the relationship at the heart of it, between Lalun and a fawning British official, is an enthralling study of matters romantic, spiritual and political.

Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.

Whilst studying in the U.S. in the early-2000s, Tiantian Zheng decided to return to her home city of Dalian, in northeast China, to embed herself for over two years with sex workers at local karaoke parlors. There, she witnessed, and at times personally endured, all manner of customer abuse, police crackdowns, government corruption, and catty relationships between hostesses, while somehow managing to keep copious secret notes for her ethnographic fieldwork (which eventually became Red Lights). It is an eye-opening but purely academic text, not a mass-market page-turner, which will primarily be of interest only to those of us researching socioeconomic conditions in China.

I really enjoyed this bracing and saucy novel as a cheery counterpoint to the many much bleaker artistic works about migrant life. It charts the life and times of the young women who journeyed to the economic heartlands of South China in search of work during the 1990s and early 2000s.

The protagonist is Xiaohong, a young woman so mesmerizingly voluptuous that everyone in the novel, from its narrator down to the most incidental character, is hopelessly distracted by her bosom. At times, I did find this metaphor for personal capital in a precarious era a bit overblown.

But as Xiaohong moves from job to job – hair salon, toy factory, hotel, hospital – I realized that the fixation with her body is a way of marking both her vulnerability and her resilience as a woman on the move, if not necessarily on the up, in a society that has… show more.

The definitive sociological examination of prostitution in contemporary Hong Kong, Yeeshan Yang spent one year – out of plain curiosity – alongside the city’s sex workers, listening to their stories of how they arrived there, how they spend their days/nights, and what becomes of them when they leave the trade. These humanizing case studies provide separate yet occasionally intersecting profiles of female streetwalkers and club hostesses, as well as male prossies and pimps, and their sometimes sad, sometimes funny, tales of the world’s oldest profession in the Orient. Whispers and Moans was also adapted (by Yang) into a 2007 film by the famed Cat-III Hong Kong director Herman Yau.

This brilliantly written memoir is set in Hong Kong in the 1950s and 60s. It was written by an author who had quirky experiences as an expat child in British colonial Hong Kong. It evoked my own experiences growing up in colonial Singapore and triggered a nostalgic roller coaster ride of emotions, humor, and intrigue.

Booth also grew up in a colonial British territory–Hong Kong. He relates all his adventures and experiences as a young child, accessing all aspects of colonial Hong Kong, which were unavailable to other expat children his age. His descriptions made me feel like I was with him, learning local games and partaking in local activities in a colonial-administered country.

That narrative emulates mine in my book, which focuses on my experiences as a child in British colonial Singapore—the same quirky experiences of the 1950s and 1960s.

The setting is Shanghai, China in 1926. A mysterious city full of expatriates. One of the most beautiful is Natasha Medvedev, a former aristocrat in Russia who fled the revolution and now finds herself in the circle of a notorious drug lord. Her neighbor is murdered and suddenly she’s dealing with expats in the local police force like Caprisi, a tough Chicago cop, and a young Englishman named Fields who will fall in love with her, putting both in peril. This is a mystery, a love story, and perhaps most of all, a fresco of words illuminating a place and time that will be forever engraved in the reader’s memory.