Here are 100 books that The Word for World Is Forest fans have personally recommended if you like
The Word for World Is Forest.
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I have been writing for the past 21 years on mystical themes with a good dose of Mother Earth Love tossed in. Fifteen years ago, I launched the spoken word website, offering one ten-minute recorded essay monthly on mystical/philosophical themes. Having published three nonfiction books, I decided to take my love of nature and interest in mysticism and write a novel for young philosophers and Earth-loving elders. My book follows the mystical journey of a rather practical eleven-year-old to an enchanted lake in the high Alps. It contains gentle animals, wise trees, kindred spirits, and healing waters.
This book is the story of a boy who runs away from his chaotic but loving home in New York City to try his hand at living in the wilderness of upstate New York.
I found it totally charming and instructive. He hollows out a tree to make himself a comfortable place to observe and embrace the Winter on the side of a mountain. This book is written more for child philosophers than Earth-Loving elders, but I read it to my husband, and we both enjoyed it greatly.
It is a different take on mother nature love than the others I have recommended, yet it still shines.
"Should appeal to all rugged individualists who dream of escape to the forest."-The New York Times Book Review
Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods-all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever.
"An extraordinary book . . . It will be read year afterâŚ
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the worldâs power begins to fail, the consequences ripple outwardâthrough prophecy, politics,âŚ
I am a cultural historian, film critic, literary critic, editor, and essayistâand a frustrated fiction writerâfascinated by âthe fantasticâ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and Iâve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemaryâs Baby (2020) and Itâs A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford Worldâs Classics.
I recently re-read this book, and it returned me at once to the joy and strangeness of the first time I read it.
Lewis offers up the theory that perhaps what we know in this world as myth and archetype exists in reality on other planets. The book brings that thought to vivid life. It detonates all the power and perplexity of the first chapters of "Genesis" and replays "Paradise Lost" on the floating blissful islands of Venus.
Though the endnote is one of glorious joy, few have been as good at depicting evil as Lewis was. Written at the height of the horrors of the Second World War, the Un-Man has haunted my nightmares for much of my life.
The second novel in Lewis's science fiction trilogy tells of Dr Ransom's voyage to the planet of Perelandra (Venus).
In the second novel in C.S. Lewis's classic science fiction trilogy, Dr Ransom is called to the paradise planet of Perelandra, or Venus, which turns out to be a beautiful Eden-like world. He is horrified to find that his old enemy, Dr Weston, has also arrived and is putting him in grave peril once more. As the mad Weston's body is taken over by the forces of evil, Ransom engages in a desperate struggle to save the innocence of Perelandra...
Growing up at a time when both Monty Python and âalternative comediansâ like Ben Elton were on the telly, I couldnât help but absorb British humor, and coupling that with a love of science fiction and fantasy (Asimov, Heinlein, Moorcock, etc.), I was ripe for an introduction to Douglas Adams and Terry Pratchett⌠And the rest is history. The world is too serious a place, and I find comedy of all kinds, but especially SFF, a welcome escape. My own writing has been inspired by all the books on this list, and while I work in a range of genres, almost everything includes at least some snarky humor.
I first encountered Douglas Adams when I caught The Hitchhikerâs Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.
I absolutely love Arthur Dentâs ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanityâs obsession with money, and a lot more.
For me, the thing that sets this apart from a lot of SFF humor is its âBritishnessââthereâs a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.
This box set contains all five parts of the' trilogy of five' so you can listen to the complete tales of Arthur Dent, Ford Prefect, Zaphod Bebblebrox and Marvin the Paranoid Android! Travel through space, time and parallel universes with the only guide you'll ever need, The Hitchhiker's Guide to the Galaxy.
Read by Stephen Fry, actor, director, author and popular audiobook reader, and Martin Freeman, who played Arthur Dent in film version of The Hitchhiker's Guide to the Galaxy. He is well known as Tim in The Office.
The set also includes a bonus DVD Life, the Universe andâŚ
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the worldâs power begins to fail, the consequences ripple outwardâthrough prophecy, politics,âŚ
When I look at the challenges our world faces, I find myself imagining how things could be better. For years, I've been captivated by the solutions that could bring about a better future. Through science fiction, especially in the books on this list, I seek out visions of better societies and ideas that could help shape a more hopeful world.
This is a captivating and thought-provoking novel set on a multi-generation starship traveling to another star. Robinson skillfully develops the characters' backgrounds and personalities.
I found the meticulous detail Robinson provides about the ship's design and operation particularly fascinating. The rotating artificial gravity, the precarious workings of the ship systems, and the ecological balance required to sustain life on the starship are described with such precision that Aurora feels like a real place.
The story takes unexpected turns, and through the struggles of the characters and the harsh realities of space colonization, he emphasizes that our home planet is irreplaceable and that it's a better choice to preserve it than to depend on the hope of life in outer space.
Growing up, books werenât just something I readâthey were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could beâour potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. Iâll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.Â
I love this book for its poetic, dreamlike quality. Bradburyâs writing pulled me in and didnât let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timelessâeach one was like a snapshot of a moment layered with meaning.
I felt like I wasnât just reading a book about colonizing Mars; I was exploring humanityâs deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.
Bradburyâs work made me think about the consequences of explorationâhow, in our quest to conquerâŚ
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, Americaâs preeminent storyteller, imagines a place of hope, dreams, and metaphorâ of crystal pillars and fossil seasâwhere a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic workâŚ
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, Iâve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. Iâve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
A fable about forest creatures coming together and putting differences aside to save their home from the Smashbasher. This book is an early chapter book for 7-9-year-olds and includes beautiful illustrations. The trees have names and are inhabited by various creatures. Heartwood will bring children closer to the magic of the forest and nature.Â
I recommend this book because I live in the redwood forest and love trees myself. The book captures the essence of the magic we feel when we enter an unspoiled forest, and how important it is to protect these sacred and life-giving places. The fact that the only way for the forest creatures to save their home is to find their similarities and work together strikes me as particularly relevant today.
"Quarrelling erupted. The faeries bickered amongst themselves. The magpies and squirrels tossed spiteful comments at each other across the clearing. The mushrooms started to wilt in the nasty atmosphere created by the squabbling. And the Smashbasher crept closer, gobbling up the forest, chomping the old ones, crushing and crunching its way toward The Linney."
Will the forest creatures find a way to save their homes? Can they put their squabbles aside and come up with a plan to stop the Smashbasher? You can find out by sitting down somewhere comfortable and reading this book.
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, Iâve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. Iâve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
Soon to be a musical, this enchanting story is about an eleven-year-old girl who doesnât know she can sing until she gets to know an oak tree in her garden, Annie Oakly, who becomes her best friend and is actually a tree spirit. As the story unfolds, and Emma is confronted with family troubles, she learns of her own vital role in saving the trees; Emma must sing!Â
Iâm recommending this book because of my own love for both trees and music. In fact, I often sing to the redwoods where I live and sometimes imagine they are singing along with their rustling squeaks and creaks. The author tells a story grounded in everyday problems, such as living with a grandmother with dementia, while bringing the fantastical and magical world of nature vividly alive.
Eleven-year-old Emma doesn't know that she comes from generations of tree singers, passed from mother to daughter. She doesn't believe she can sing. Her ailing grandmother has just come to live with the family. Her father is hardly ever at home. Her mother has been acting strange. To add to Emma's troubles, her mother's great uncle from England is coming to stay. Then, a strange old woman wearing a hat full of feathers appears mysteriously in her garden. She gives Emma a white swan feather that emits a haunting melody. Emma's only solace is the oak tree in her garden,âŚ
I have no wilderness survival skills and certainly no wish to be thrown into any of the scenarios in the books Iâve recommended. What I do have is great empathy for those who struggle to survive lossâin whatever form it might comeâbe it loss of home, or security, or family. I know what it is to struggle through darkness and survive what I would have previously thought âunsurvivable.â Thatâs why two of my middle grade books, but especially MacKenzieâs Last Run, are about speaking up when youâre hurting or frightened. Lost in the dark woods or lost in griefâitâs all ultimately about survival.
I love the way A Long Walk to Waterfollows two characters in two different timelines to reinforce the importance of water to survival. Itâs an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her familyâs survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.
This is more than a story, although it is a wonderful one. It is an eye-opener to theâŚ
Cherished by millions of readers, this #1 New York Times bestselling novel is a powerful tale of perseverance and hope. Newbery Medalist Linda Sue Park interweaves the stories of two Sudanese children who overcome mortal dangers to improve their lives and the lives of others.
A Long Walk to Water begins as two stories, told in alternating sections, about two eleven-year-olds in Sudan, a girl in 2008 and a boy in 1985. The girl, Nya, is fetching water from a pond that is two hoursâ walk from her home: she makes two trips to the pond every day. The boy,âŚ
Growing up, I was exposed to the same influences as most other SF writers of my generation â Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. Itâs an approach thatâs carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, itâs easily one of the darkest takes on the subject as the protagonist, a âstar-class copysmithâ is given the job of selling people on the idea of emigrating to VenusâŚwhile carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have toâŚ
Growing up, I was exposed to the same influences as most other SF writers of my generation â Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. Itâs an approach thatâs carried over into my own writing ever since.
I first read Pohlâs Jem when I was a kid, and his fatalistic, even cynical take on first contact and interstellar colonization, along with the works of Harlan Ellison, Philip K. Dick, and Ursula LeGuin, greatly informed my developing views on politics and society. A near-future Earth divided into three major power blocs discovers a world ripe for exploitation and populated by not one, but three, sentient species, Itâs not long before each bloc is currying the favor of different species in order to set each against the other, with absolutely no one thinking beyond their own immediate needs or with any concern about the consequences of their actions.
A cynical and compelling tale of politics, exploitation and colonisation on another planet
The discovery of another habitable world might spell salvation to the three bitterly competing power blocs of the resource-starved 21st century; but when their representatives arrive on Jem, with its multiple intelligent species, they discover instead the perfect situation into which to export their rivalries.
Subtitled, with savage irony, 'The Making of a Utopia', JEM is one of Frederik Pohl's most powerful novels.
