Books like The Woman in Me — picked by fans

I must have been around thirteen or fourteen when I first read Brain on Fire. It changed me completely, giving me a new appreciation for life, health, and memory.

Cahalan’s account of her month of hospitalizations, diagnosis, and stigma sparked my passion for reading life stories, writing with empathy, and being more open about my own mental health struggles.

Didion's inability to make sense of America in the fracturing, turbulent mid-century years struck me as spookily familiar.

Many of the essays in this collection are personal, about herself; she was a cool and incisive observer, not a participant. But the pervasive atmosphere of disaffection and alarm she depicts drove many, including me, to take enormous risks for ill-conceived reasons.

She profiles one dreamer who found it shockingly easy to abdicate responsibility for making delusional choices: Linda Kasabian, who joined the murderous Manson Family, conned by its leader's charisma, and his promises of love and some vague idyllic future, into forgetting that actions can have fatal consequences.

This book not only inspired me to explore the world of memoirs but also pushed me to confront my own fear of honesty on the page.

It is easy to hide behind fiction, yet confronting the culture tied to your own trauma is another challenge entirely. This book left me shocked, tearful, joyous, and empowered, and I returned to it often during my writing process for its sheer bravery.

This book was a staple reference for me.

Its descriptions of places, people, and events are rich with specifics and vivid with detail, perfect Floridian fodder. There is a sincere love for the locations in this book that I relished. It feels uniquely local, yet the themes of belonging are universal.

I like to think of my memoir and this collection as long-lost siblings, this book the older one that paved the way.

I have known the amazing author Danyel Smith for over 15 years. At first, I only knew her through her incredible writing, but I grew to know her personally when she hired me as a Managing Editor at Vibe magazine when she was the Editor-in-Chief. During that time, I was able to personally witness her knowledge of music and the entertainment industry, as well as her unwavering passion for storytelling behind the music. 

Her new book, Shine Bright, which she has been writing for more than five years, seems so fitting as part of her journey. Described as “a weave of biography, criticism, and memoir” it’s a history of Black women’s music as the foundational story of American pop.

There’s a reason why so many books set in Venice revolve around death, heaven (aka Paradise), mystery, and love lost & found. There’s a story lying in wait around every alley corner, under every bridge, and at the bottom of every canal. It’s no surprise that Anne Rice, the queen of Vampire lit, set Cry to Heaven in Venice. Her novel is impeccably researched and written, bringing to life the castriti of the 18th century—men who were castrated to become sopranos for the opera houses and royal courts. Beneath the decadence of the surface of Anne Rice’s Venice lies a dark underbelly.

I’ve been a tremendous fan of Lucinda Williams since seeing her perform on nearly a weekly basis back at the Barndance at the Palomino in the late 80’s and early 90’s–she’s an incredibly talented singer and musician, and it turned out she’s a great memoir writer too, able to describe how she came up from traumatic childhood in the Deep South, to her years of being overlooked in the music industry, to her eventual successful country and pop music career which includes being a three-time Grammy winner!

A tender meditation on all the disparate threads, sounds, loves, conversations, and lessons that meld together to create an artist. Watching Bob trying to throw off the accolades and labels that want to pin him down like butterfly and explore whatever takes his fancy is my favorite part of this trip, weaving through all the stolen records and ghosts and signposts and colored lights beckoning. 

Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.

The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.” 

“Wow” was the reaction in my mind more times than I can count as I was reading this book. I have always loved Jewel’s music and have seen her in concert a couple of times. When I saw she had a memoir on audiobook, I immediately started listening, and I am so glad I did. This book is a MUST LISTEN because she infuses her stories with live renditions of music she references in the chapters.

I received her story about her life the same way I received her music, brimming with raw emotion and spirit. Her life was so unique, growing up in backcountry Alaska, a third-generation product of pioneering grandparents who settled the wild frontier. There is never a dull moment in Jewel’s story, her life seemed to almost magically flow from one extreme to the next. Hearing the stories behind her songs made me connect with them… show more.