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The Wolves of Leninsky Prospekt.
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Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
Not one but two superlative women across two timelines, from the 1950s at the height of the Cold War to the 1980s, in this twisty tale of espionage under the noses of the KGB in Moscow.
I really appreciated the depth of historical research and the human insights as this evocation of Cold War tradecraft gripped my imagination. These are women of the highest courage: Anya’s role working in a military research lab prompts her to pass vital Soviet designs to the CIA in an effort to end the 1980s arms race.
This clearly draws on “the billion dollar spy” Adolf Tolkachev’s spying for the West and highlights Reay’s use of real-life events and historical accuracy while giving us a fascinating feminine twist.
In the thick of the Cold War, a betrayal at the highest level risks the lives of two courageous female spies: MI6's best Soviet agent and the CIA's newest Moscow recruit.
Vienna, 1954
After losing everyone she loves in the final days of World War II, Ingrid Bauer agrees to a hasty marriage with a gentle Soviet embassy worker and follows him home to Moscow. But nothing within the Soviet Union's totalitarian regime is what it seems, including her new husband, whom Ingrid suspects works for the KGB. Inspired by her daughter's birth, Ingrid risks everything and reaches out in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
Love, loyalty, and betrayal combine in a chillingly real early-1960s Cold War nightmare for Lily, the wife of a civil servant inadvertently caught up in a no-win situation after helping a friend, then accused of passing papers to the Russians in London.
What resonates with me is the terrible aftermath and the effect on his family of political intrigue more powerful than any of them knows. Or does Lily’s husband know exactly what he has done? What I love about this novel is the quiet way the tension grips until the marriage and family are no longer ordinary.
The writing, as always from Helen Dunmore, is lyrical, elegant, and restrained, adding another dimension of pleasure.
“A spy novel but one that has been quietly and ingeniously deepened well beyond the ambitions of genre . . . [it] is one of those books that you read with your heart in your mouth, your mind fully engaged, and with a sense of desolation as you note the dwindling number of pages left before it comes to an end.”—Chicago Tribune
“Dunmore has always been fantastic on the complexity of people's motivations and the secret reasons they act as they do. This book is no exception . . . a page turner...as much a surprising love story as it…
Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
This meticulously researched history of the unsung women of the British intelligence services is like a master key that will unlock a vault of quiet heroines who were never known in their lifetimes. Dr Hubbard-Hall explores the world of ‘secretaries’ and administrators who almost always knew as much, if more, as the men of the Secret Service.
I particularly enjoyed learning about Kathleen Pettigrew, who inspired Ian Fleming’s Miss Moneypenny, and the intrepid Rita Winsor and Ena Molesworth, who set up an extraordinary ‘travel agency’ to gain access to Russia, China, and other restricted countries in the 1950s. What makes this book shine is Hubbard-Hall’s ability to tell a rip-roaring story so that the lady spies, with all their quirks and daring, come to glorious life on the page.
Drawing on private and previously classified documents, this definitive history of women's contributions to the intelligence services is the first authoritative account of the hidden female army of clerks, typists, telephonists, and secretaries who were the cornerstone of the British secret state across two world wars and beyond.
A must read for fans of A WOMAN OF NO IMPORTANCE by Sonia Purnell and THE SISTERHOOD by Liza Mundy.
To the undiscerning eye, they were secretaries, typists, personal assistants, and telephonists. But those innocuous job titles provided the perfect cover for what were in reality a range of complex technical, clerical,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
This Martha is the real deal! Her autobiographical account begins in Laos during the Vietnam War when her husband, a CIA officer, is killed. Back in the USA, she puts heartache to one side and joins the CIA herself. Her first posting was in Moscow in 1975.
I was riveted by the raw details of her lonely arrival: the grim airport and grimy hotel room, her awareness of being watched. She plays an integral part in the running of Soviet agent Aleksandr Ogorodnik in Moscow, under cover of being an ‘unimportant’ embassy woman and using old-style tradecraft for hours to make sure she is not being followed. Eventually, she is arrested by the KGB and detained in the infamous Lubyanka Prison.
It’s utterly gripping, not least for Martha Peterson’s amazing courage.
The Widow Spy is the first hand account of a true Cold War spy operation in Moscow, told exclusively by the CIA case offiicer who lived this experience. She was one of the first women to be assigned to Moscow, a very difficult operational environment. Her story begins in Laos during the Vietnam War where she accompanied her husband, a CIA officer. She describes their life in a small city in Laos, ending with the tragic death of her husband. Then her own thirty year career begins in Moscow, where she walks the dark streets alone, placing dead-drops and escaping…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
An extraordinary, high-pitched, Munchausenesque account of a visit to only-just-post-Soviet Leningrad during an especially overheated period of recent history. Not at all like the genteel memories of champagne receptions at the Mariinsky Theatre followed by strolls down the Moika during the White Nights that one gets in other travelogues.
An account of Fallowell's time spent in St Petersburg during the summer of 1992. He was there to write a novel, but was seduced away from his work by the world of clubs, bars and restaurants, and the extraordinary architecture. He also fell in love with Dima, a 17-year-old naval cadet.
I’ve been a longtime reader of romantic historical and fantasy fiction, and I love to see positive queer representation in those genres. Regardless of who we love, we all need a little escapism in our lives, and it’s even better when it has heart and depth as well as romance and humor and happy ever afters (and plenty of plot). My favorite relationship dynamic is not quite enemies-to-lovers and not quite opposites-attract…it’s more direct-vs-sneaky. I hope you enjoy my five favorites in this very specific niche!
This book is fast-paced: within the first chapter, the titular captive prince, Damon, is enslaved, stripped of his royal identity, and gifted to Laurent, the young prince of a decadent foreign court. Damon, yet another straightforward soldier type (they pair so well with the slippery types), is immediately caught up in the byzantine machinations of Laurent and his uncle and is hilariously out of his depth without ever seeming to realize it.
I appreciate Damon, but I adore Laurent. He is so snarky and cool-headed, running absolute rings around Damon and playing the game like a champion despite the very poor hand his uncle has dealt him. It’s a slow-burn romance, and I loved watching their relationship evolve slowly.
From global phenomenon C. S. Pacat comes the first novel in her critically acclaimed Captive Prince romance trilogy—includes an exclusive bonus story!
Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos. But when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave.
Beautiful, manipulative, and deadly, his new master, Prince Laurent, epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
This brave thriller set in Mexico follows a reporter covering the grand schemes of collusion between government officials, government institutions, police and military forces, as well as United States agencies and foreign militias involved in the Mexican drug trade and the various levels of riches it has to offer.
It paints a realistic journalistic picture of the conflict and guides us with the pace of a crime novel into the very real dangers faced by journalists throughout a Mexican social landscape of violence.
'A wild ride' Ian Rankin 'Tough and uncompromising: you'll be glad you read it' Lee Child 'Hilarious, gripping, poetic. I loved it' Adrian McKinty, author of The Chain 'Gripping from beginning to end' Independent 'Intoxicating and chilling' Observer 'Pacy and exciting' Daily Telegraph 'Vivid and lyrical' Guardian 'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish Independent
Nobody asked us to look. Every day, every since, I still wish we hadn't. Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of…
I love puzzles. I’ve made a career of tackling hard puzzles—from aerospace engineering to climate change policy (and now novel writing). A good mystery that keeps me turning pages is a joy, but a good mystery with an unusual investigator is awesome. I think seeing through the eyes of someone unexpected can let us appreciate new perspectives and see the world afresh. I wrote a climate fiction mystery with an amnesiac main character investigating because, in the context of adapting to climate change, perhaps it’s helpful to be less attached to the way things used to be; perhaps an investigator with no memory is just what we need.
As an aerospace engineer, I have a soft spot for aviation-related tales. The idea of a pilot crashing a commercial flight (with some cryptic final words caught on the flight recorder) terrified and intrigued me. The investigator for this one is the heartbroken fiance of the pilot who has to navigate the mystery while processing his own grief.
This intriguing queer story is the type I love where one mystery solved begets a bunch more, and the author expertly unfolds answers when the time is right. This isn’t an action-packed thriller; it’s a quiet, perfectly paced story about guilt, grief, and finding the courage to seek the truth.
2021 Edmund White Award for Debut Fiction - Finalist
A modern queer tragedy about a pilot's last words, an interrupted celebration, and the fear of losing everything.
"Utterly engrossing. Coen is a hero for our era, darkly struggling amid the aftershocks of loss, but doing so with dignity, humanity, and passion." - Timothy Taylor, author of The Rule of Stephens
When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is…
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.
Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.
Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long…
As Maurice Hall makes his way through a traditional English education, he projects an outer confidence that masks troubling questions about his own identity. Frustrated and unfulfilled, a product of the bourgeoisie he will grow to despise, he has difficulty acknowledging his nascent attraction to men.
At Cambridge he meets Clive, who opens his eyes to a less conventional view of the nature of love. Yet when Maurice is confronted by the societal pressures of life beyond university, self-doubt and heartbreak threaten his quest for happiness.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Two people (or more!) who find a home in each other when they don't have a home in the world make my heart leap. I love romance, and I've been writing and drawing them professionally for over 20 years. I got my start writing and drawing sexy comics when I was out of college, my work has been featured in the Museum of Sex in NYC and various anthologies focused on queer and intersectional feminist stories about love and sex. I love stories about queer people, or outcasts, or people who don't quite understand themselves yet.
I love stories about outcasts, persistent f*ck-ups, people who’ve been told a story about themselves their whole lives that somewhere along the line they started to believe. I love when they find someone who’s been told a similar story, and they help each other to not believe in those stories anymore.
Lawrence Browne, the Earl of Radnor, is mad. At least, that’s what he and most of the village believes. A brilliant scientist, he hides himself away in his family’s crumbling estate, unwilling to venture into the outside world. When an annoyingly handsome man arrives at Penkellis, claiming to be Lawrence’s new secretary, his carefully planned world is turned upside down.
A swindler haunted by his past . . .
Georgie Turner has made his life pretending to be anyone but himself. A swindler and con man, he can slip into an…