Here are 100 books that The Wolf Gift fans have personally recommended if you like
The Wolf Gift.
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My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories.
This is part of a book series, and as soon as I plucked the first one off the shelf at the British Council Library, I was hooked. This was the first series of books I was able to start and finish since I gave birth. Having been such a voracious reader before, it was a relief to get back to it.
But the Prisoner of Azkaban held my heart because the boy who lived finally met someone who could be just his person. His grown up. And Sirius Black was just so cool. Magic counts as supernatural, right?
It's time to PASS THE MAGIC ON - with brand new children's editions of the classic and internationally bestselling series
The third book in the global phenomenon series that changed the world of books forever
When the Knight Bus crashes through the darkness and screeches to a halt in front of him, it's the start of another far from ordinary year at Hogwarts for Harry Potter. Sirius Black, escaped mass-murderer and follower of Lord Voldemort, is on the run - and they say he is coming after Harry.
In his first ever Divination class, Professor Trelawney sees an omen of…
This is the part of the Bible they don't want you to read. Lucifer is God’s attempt at perfection. But Lucifer betrays God to live among the mortals on Earth, making enemies of God and God’s many followers.
Lucifer is just like you and me, looking for love in all…
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
This book is at the top of my list because it’s one of my very favorites. Dunkle spins a gripping, atmospheric story with memorable characters, and you can tell she’s done her research on medieval Scotland. I love the old Celtic tales woven in, and the sweet romance between Maddie and the woodcarver. But what I like most of all is the theme of redemption. Maddie is a true hero, brave in the face of an unimaginably powerful, ancient evil. She showed me that you don’t have to be big or strong or rich or “somebody” to make a difference. You just have to be willing, have faith, and do your part.
There’s hidden places all over this land-old, old places. Places with a chain for them to chain up the wolf when it’s time. A mysterious young man has come to a small Highland town. His talent for wood carving soon wins the admiration of the weaver’s daughter, Maddie. Fascinated by the silent carver, she sets out to gain his trust, only to find herself drawn into a terrifying secret that threatens everything she loves. There is an evil presence in the carver’s life that cannot be controlled, and Maddie watches her town fall under a shadow. One by one, people…
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
Werewolf Cop is a hard-boiled noir quite unlike the other books on my list, but Klavan’s powerful voice drew me in and never let go. The book wasn’t entirely hard and gritty like I assumed at first. I especially like the way Klavan portrays the relationship between the main character and his wife. My favorite quote from the book is: “Bloody hard to know who the good guys are, isn’t it?” “It is,” said Zach. “I’m not even sure that’s how it works... It’s more like—messed-up guys, some fighting for the good, some for the bad, and the rest just wandering around bumping into the furniture.”
Zach Adams is one of the best detectives in the country. Nicknamed Cowboy, he's a soft-spoken homicide detective known for his integrity and courage under fire. He serves on a federal task force that has a single mission: to hunt down Dominic Abend, a European gangster who has taken over the American underworld.
In a centuries-old forest under a full moon, a beast assaults Zach, cursing him forever. In the aftermath, he is transformed into something horrible-something deadly.
Now, the good cop has innocent blood on his hands. He has killed-and will kill again-in the form of a beast who…
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
I saw the 2010 movie first and then later found the book version in a thrift store and had to grab it. Both book and movie deftly create a gloomy, gothic, Romantic atmosphere; the book develops the characters and relationships further. It’s the age-old story of a man seeking to rid himself of a curse, pursued by the law and betrayed by someone who was supposed to protect him—I’m a sucker for that kind of tale! If you enjoy the classics like Dracula and Frankenstein, but find it harder to get through them or connect with them emotionally because of the older language and style, give this book a try.
Inspired by the Universal Pictures' classic horror film, "The Wolfman" tells the story of Lawrence Talbot, a man haunted by dark, disturbing memories. When his brother mysteriously disappears, Talbot returns to the village of his childhood to investigate. In the process he discovers both a terrifying secret about men cursed as werewolves and the truth about this tortured past. This movie tie-in edition is written by Bram Stoker Award-winning author Jonathan Maberry ("Patient Zero"). The film is directed by Joe Johnston Oscar(copyright)-winning director of "Jumanji", "October Sky", and "Jurassic Park III", and will star Oscar(copyright)-winning actors Benicio Del Toro and…
As a police psychologist and mystery writer—I call myself a shrink with ink—I love to read how other authors portray therapists in their novels.It’s challenging to bring tension, action, and conflict to a 50-minute session that primarily involves quiet conversation, perhaps salted with tears. I started out writing non-fiction. Then I got tired of reality and began writing mysteries inspired by real police officers and their families. Writing fiction was harder, but more fun. Sometimes it’s been therapeutic. I especially enjoy the opportunity to take potshots at cops who treated me poorly, incompetent psychologists, and two of my ex-husbands.
I absolutely loved this novel, not just for the craft (the writing is beautiful), but for the suspense created when a troubled man eavesdrops on a psychologist’s sessions.
Fascinated with one particular client, he gets deeply and actively involved in her search for identity and her ties to Nazi Germany. As a practicing psychologist, I tried, unsuccessfully I might add, to imagine how I would handle a similar situation.
Set in my town, 1970’s San Francisco during a tumultuous era marked by psychedelics, feminism, and the Zodiac killer, I even recognized the building where Ullman’s fictional psychologist practices because some of my colleagues have offices there.
From the acclaimed American novelist and memoirist Ellen Ullman, By Blood is a gothic noir novel that explores questions about fate, identity and genetics in the guise of a gripping psychological thriller.
"Delicious and intriguing" Daily Telegraph
A professor is on leave from his post a leave that may have been forced upon him. He may or may not be of sound mind. To steady himself, he rents an office in San Francisco. It is 1974, a time when free love and psychedelic ecstasy have given way to drug violence and serial killings. Through the thin office walls, the professor…
I was born and raised on the beautiful Canadian prairies and prefer to spend my time outdoors with my family, kayaking, skating, fishing, and hunting. I love to read and write about vampires, witches, fae, and zombies that get to find their own version of happily ever after.
I love books that are told from a first-person point of view by a main character that is flawed yet lovable. Sam is easy to relate to. Throw in a sexy vampire love interest, and it was impossible to stop reading. Just the right ratio of mystery, suspense and romance. This is easily my favorite book to date.
A “master class in storytelling and survival.” —Publisher’s Weekly (starred review)
Welcome to The Slaughtered Lamb Bookstore and Bar. I’m Sam Quinn, the werewolf book nerd in charge. I run my business by one simple rule: Everyone needs a good book and a stiff drink, be they vampire, wicche, demon, or fae. No wolves, though. Ever. I have my reasons.
I serve the supernatural community of San Francisco. We’ve been having some problems lately. Okay, I’m the one with the problems. The broken body of a female werewolf washed up on my doorstep. What makes sweat pool at the base…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.
Geographer Tim Cresswell’s work has helped me convince architectural historians that examining how we move through spaces is vital to understanding the full range of the built environment’s cultural meanings. He states the obvious: we all live in physical bodies. And yet historians emphasize the written word and architects emphasize visualization. What about the other senses? Cresswell argues that mobility is a socially-constructed movement much like place is a socially-constructed space. We can learn so much by paying attention to the ways society controls movement: Who is allowed to occupy which spaces? When? With whom? And how has that changed over time? Cresswell’s ideas helped me analyze the lived experiences of multiple people in the same domestic spaces, and ultimately connect the manipulation of architecture and landscape to modernity’s regulation of bodies and ideas.
On the Move presents a rich history of one of the key concepts of modern life: mobility. Increasing mobility has been a constant throughout the modern era, evident in mass car ownership, plane travel, and the rise of the Internet. Typically, people have equated increasing mobility with increasing freedom. However, as Cresswell shows, while mobility has certainly increased in modern times, attempts to control and restrict mobility are just as characteristic of modernity. Through a series of fascinating historical episodes Cresswell shows how mobility and its regulation have been central to the experience of modernity.
I’ve always been fascinated by our creative urges and ambitions, and by what makes us who we are and why we make the choices we do. While I’m interested in many aspects of human experience and psychology, from the mundane to the murderous, I’m especially drawn to narratives that probe our deeper psyches and look, particularly with a grain of humor, at our efforts to expand our understanding and create great works—or simply to become wiser and more enlightened beings. What is our place in the universe? Why are we here? Who are we? The books I’ve listed explore some of these matters in ways both heartfelt and humorous.
Lady Oracle was one of the novels I read in the several years after first having the vague notion that I might like to write a novel akin to Steppenwolfbut that would be set in the approximate present day and have a female protagonist. As Lady Oracle’s main character is a writer who, after periodically reinventing herself, now fakes her own death, flees her intellectual, non-dancing husband, and holes up in an Italian village, I saw possible avenues for my own husband-leaving Kari. Would Kari flee to another country? Would she have secret lovers or a history of being fat? Would she, too, fake her own death? Kari ultimately didn’t follow many of Joan Foster’s paths, but she might have.
By the author of The Handmaid's Tale and Alias Grace
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The trick was to disappear without a trace, leaving behind me the shadow of a corpse, a shadow everyone would mistake for solid reality. At first I thought I'd managed it.
Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life.
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
Where Are You From?boasts breathtakingly gorgeous text and expansive illustrations. I love this book because it first draws attention to how our world wants to simplify a person’s story. The book then counters with the beautiful reality that we are complex. As the child of immigrants, I could relate to this little girl seeking answers to the narrow question people keep asking her. She turns to Abuelo, who refuses to answer in ways that might categorize her. Instead, his poetic words sweep her up in a triumphant story rooted in deep ties to generations past and ongoing connections with place. Ultimately, this story transforms that feeling of not belonging into a celebration of who you are. What a joy!
This resonant and award-winning picture book tells the story of one girl who constantly gets asked a simple question that doesn't have a simple answer. A great conversation starter in the home or classroom-a book to share, in the spirit of I Am Enough by Grace Byers and Keturah A. Bobo.
When a girl is asked where she's from-where she's really from-none of her answers seems to be the right one.
Unsure about how to reply, she turns to her loving abuelo for help. He doesn't give her the response she expects. She gets an even better one.
Wolf Magick is a contemporary Gothic dark-fantasy tale of wild darkness and haunted love.
Marc Sexton, charismatic and bold, refuses to accept his supernatural destiny—his spiritual calling of wolf magick. This man harbors olde secrets: he denies the shapeshifting “gift” he inherited from his father, a powerful Celtic realm walker…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
The Waves is a beautifully written and constructed book. Subjective voices rise and fall interspersed by moments of dispassionate clarity. It had a big effect on me and I continue to dip into it to remind me of what words can do. It was the first book I read where the novel’s form was as essential a part of the book’s meaning as its story and where the form had been considered and created rather than simply copied from convention. Surely every book should be written in that way, no? To make every aspect of what you are creating a conscious choice rather than a compulsive reaction is the artistic goal, and one that can make art a true force for change.
“I am made and remade continually. Different people draw different words from me.”
Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf’s masterpiece. It begins with six children—three boys and three girls—playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.
