98 Books Like The Winter of Our Discontent

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible. 

Ever since we were kids, we associated the summer with voracious reading. We loved competing in those Summer Reading Challenges to see who could read the most while school was out. (Lauren often won; Rachel was a slower but equally enthusiastic reader.) As we grew up, we realized that a specific type of book exists that aligns with the summer mood–like a bikini, but make it literature. Summer reads can be emotional but not too heavy and contain moments of sadness without dragging us into the abyss. (For winter, we recommend the collected works of the Nobel Prize-winning Icelandic novelist Halldór Laxness.) 

Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli (Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.

I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives. 

Atmosphere can play a critical role in crime fiction, and I always find the most satisfying and memorable stories convey a strong sense of place. My own mysteries are set in the Thousand Islands, where many residents live in island homes built by gilded age titans of industry, and this setting is integral to Death in the Family and the entire Shana Merchant series. For twenty years I’ve been a regular visitor to the area, which extends from Upstate New York to Ontario, Canada. The human dangers in my books may be imagined, but the remote and rugged nature of the region always contributes to my contemporary, Agatha Christie-style plots. 

I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.