Here are 100 books that The Winter Knight fans have personally recommended if you like
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Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
I started this book on a plane, continued to read in my seat after the plane landed, and was seriously annoyed at the flight attendant when forced to deplane. This is one of those books with a simple twist on the fantasy genre I wish I’d thought of—a race of beings who subsist on eating books.
Dean’s world building is superb, the protagonist is a badass, and the portrayal of the fractured relationships among characters—especially with her son—complicated and relatable. I finished it (in a chair at the airport) in one sitting, and it was worth it.
THE NO. 2 SUNDAY TIMES BESTSELLER 'I devoured this' V.E. Schwab 'A vampire-themed Handmaid's Tale, with effective thrills that are intensified by social commentary' Guardian
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
Hidden across England and Scotland live six old Book Eater families.
The last of their lines, they exist on the fringes of society and subsist on a diet of stories…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
As someone who struggles with the relentless “Family is everything!” of the holidays—a reality I share in common with a lot of queer people—I’ve been a lover of queer holiday stories that work to counterbalance and center the chosen families so many of us queer people create. As a queer reader, I’m always looking for more immersive stories about people like me, and during the holidays, I’m all the more ready for happy stories of queer holiday joy. I also own a rescued husky, and queer holiday audiobooks help get me through those frosty Canadian winter walks.
Holiday Fauxmance—i.e., fake dating for the holidays—is a peppermint-scented novella catnip for me. Sasha’s family can be a bit much over her being single, which she knows comes from a good place but is relentless, so she makes up a girlfriend, which works until her eldest sister tries to call her bluff and dares her to bring her “girlfriend” home for the holidays.
Enter neighbor Kennedy, who is beautiful, available, and—bonus—she’s also an actress and in need of a gig. This book is sweet and cute and the couple drew me in from the start, and I can’t express how much I loved the low-angst content. Their connections came from genuine emotions coming out of the pretending and the scene where they eventually come clean about the deception. I could not stop laughing.
Sasha Wolfe has been talking up her new girlfriend to her overbearing mother for months, and when her skeptical sister dares her to invite this new squeeze over for family Christmas, Sasha accepts the challenge. After all, how hard can it be to bring your nonexistent girlfriend home for the holidays?
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
Okay, first of all, one lead starts off hating the other. Sign me up, right? I like how they’re both lesfic writers but the first two chapters immediately juxtapose where they are in their processes – one is a nobody who can’t write fast enough and the other is a big name with writer’s block. They get roomed together at a writing retreat and then snowed in, so double the forced proximity. We love to see it. For me, this book is a lovely balance of Christmassiness (let me have this word, okay?) and writerliness. It helps me remember why I enjoy writing my queer romances – for the love of storytelling, not for money or fame. (But note: I don’t condone most of the writing opinions put forth in this story.)
Samantha Evans, popular lesbian romance author, has writer’s block and a book due by New Year’s Eve. When she signs up for a writing retreat in an attempt to overcome her lack of creativity, she expects a single-occupancy cabin and plenty of silence for crafting her new book.
What she doesn’t expect is a roommate. A gorgeous, woman roommate.
Gia Torres is an aspiring novelist eager to break into the publishing world and leave her horrible day job as a barista behind. She travels to a Colorado retreat to finish her very first novel, not expecting to find beautiful Samantha…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
Ezra was just such a sweet, introverted grump (and those are my weaknesses). I adored this book so much! The magic of this world snuck up on me when I started it.
Everything is very grounded in the real world, with Ezra struggling to get by until suddenly, we’re tossed into the deep end of vampires, werewolves, witches (sort of?), and other demonic elements. I really liked how this one seemed sort of rambly with the fantasy building until it all tied together in this creepy, intricate web.
Ezra Santos is tired of running. Of burning bridge after bridge and going through new names like used matches. He desperately wants something he was never destined to have—a future all his own. Having escaped his hell of a home two years ago, he can’t go a day without looking over his shoulder. Putting down roots was never in the cards when the family that raised Ezra relentlessly hunts him across the country. Right as he’s about to restart the cycle—new name, new life, the whole nine yards—his plans come to a screeching halt when he crosses paths with a…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This book is a fricken gut punch. At least the first few chapters. Dang, they hit me hard and heavy. I definitely almost set the book down. It was just sad and a reminder of how awful my teen years were.
However, once we got to the wonderful world of magic and space tech, the theme lightened up, and I found myself falling in love with this mysterious, magical planet far, far away. I’m very patiently awaiting book two in the duology.
All Casper Bell has ever wanted is to belong. But now, abandoned by his friends and family after being outed, he has nothing left to lose when the people of Novilem abduct him.
Except Earth.
Teleported to a world where stars grant humans magic, Casper discovers he has the rare ability to draw power from all twelve astrological signs — a gift that makes him a political pawn for the Estellar Council.
But Novilem’s inhabitants seem as hard and cold as the stone their city is carved from, and Casper’s new…
