Here are 100 books that The Widow's Children fans have personally recommended if you like
The Widow's Children.
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My mother, father, and I were each born in different countries, and into different languages. In my childhood, we were a hybridized wonder—one part jetsam, one part flotsam—and a country unto ourselves. Our house was filled with all kinds of books, our dinnertimes with lively conversation (and occasional shouting), our plates with food cooked according to the recipes of family ghosts. I can honestly say that no other family was like ours, especially not in the American suburbs of the 1980s. As a writer, I have always been fascinated by the tug-and-pull of intergenerational trauma, and by the dislocation of immigration and exile.
When August’s grandfather—the bedrock of a multi-generational Wiradjuri family—dies, she must return to Australia, and to the town of Prosperous. There, she comes face-to-face with the things that have driven her out, a process that began long before her birth. The book’s three narrators chart the casualties of colonialism: the loss of indigenous culture, the stamping out of language, the land that is taken and forever altered. But the book is so much more than a catalogue of losses, and Winch’s song is ultimately one of identity—and history—reclaimed.
"A beautifully written novel that puts language at the heart of remembering the past and understanding the present."-Kate Morton
"A groundbreaking novel for black and white Australia."-Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North
A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.
Knowing that he will soon die, Albert "Poppy" Gondiwindi…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
If I were a supermarket pie, my label would say, ‘Made in the UK with Chinese ingredients.’ Born in Wales to parents from Guangzhou and Hong Kong, my Cantonese is appalling, I’m bad at maths, and I can barely ride a bike without falling off. In short, I am an example of a real-life person and not a cliché or stereotype from the sorts of books we used to have to read if we wanted to see diverse characters. It’s about time the stories we read and the shows we watch become so effortlessly diverse that we don’t even notice. I hope my novels are playing a part in making that commonplace.
This is another book I read that made me think that the story of immigration into a provincial, rather than big city, setting was something people would read. It also made me think, that all parents, immigrants or not, have a massive calling to be deeply embarrassing.
Marina’s story to publication is an inspiring one, too. She was fifty-eight when this, her debut novel, was published.
Concealed inside this comic tale of an octogenarian newly widowed father, finding romance with a much younger Ukrainian barmaid is a lesson that all immigrants must one day learn. Just because someone else is from the old country too, it does not necessarily mean they have your best interests at heart.
A Short History of Tractors in Ukrainianis bestselling author Marina Lewycka's hilarious and award winning debut novel.
'Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcee. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.'
Sisters Vera and Nadezhda must aside a lifetime of feuding to save their emigre engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin…
My mother, father, and I were each born in different countries, and into different languages. In my childhood, we were a hybridized wonder—one part jetsam, one part flotsam—and a country unto ourselves. Our house was filled with all kinds of books, our dinnertimes with lively conversation (and occasional shouting), our plates with food cooked according to the recipes of family ghosts. I can honestly say that no other family was like ours, especially not in the American suburbs of the 1980s. As a writer, I have always been fascinated by the tug-and-pull of intergenerational trauma, and by the dislocation of immigration and exile.
Pramesh, a hostel manager, lives a quiet life with his wife and daughter. His job is to help guests who have traveled to the city of Banares in the hope of good deaths. But when a body is pulled from the Ganges, a complicated family history surfaces alongside it, one that threatens the joyful stability of the present. Champaneri’s prose is stunning. Reviewers have aptly called the book “transcendent”, and I found myself entirely transported by this meditation of life, death, and things past.
Winner of the Restless Books Prize for New Immigrant Writing, Priyanka Champaneri’s transcendent debut novel brings us inside India’s holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go.
Banaras, Varanasi, Kashi: India’s holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire. As the dutiful manager of a…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Math reigned supreme in the USSR. I was never particularly good at it. I had to immigrate to the United States to marry an American nuclear engineer turned math and physics teacher. In Divide Me By Zero the heroine’s widowed mother describes love in mathematical terms. The passage reminded me of my husband. I forced him to listen to me read it out loud to him. “Wow,” he said. "That’s hot." Read this book for the heart-wrenching story—and the hot math.
As a young girl, Katya Geller learned from her mother that math was the answer to everything. Now, approaching forty, she finds this wisdom tested: she has lost the love of her life, she is in the middle of a divorce, and has just found out that her mother is dying. Nothing is adding up.
With humor, intelligence, and unfailing honesty, Katya traces back her life’s journey: her childhood in Soviet Russia, her parents’ great love, the death of her father, her mother’s career as a renowned mathematician, and their immigration to the United…
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
I love a soft sci-fi and Adam Silvera knows how to deliver.
What makes his world different from ours is a technology that can let people know the day they are going to die, on that day, so they have a chance to say goodbye. It provides such potential for deep introspection (for his readers as much as his characters) and heartbreak.
From the author of the INTERNATIONAL NO. 1 BESTSELLER THEY BOTH DIE AT THE END comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past.
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You're still alive in alternate universes, Theo, but I live in the real world where this morning you're having an open casket funeral. I know you're out there, listening. And you should know I'm really pissed because you swore you would never die and yet here we are. It hurts even more because this isn't the first promise you've…
When I was a young girl, I was lucky to have friends from all over the world, so learning about a new country or a new city always fascinated me, and it still does. I’m always trying to learn new things, meet new people and whenever I can I like to travel the world. As a writer and illustrator, it’s always nice to experience new things, it helps to expand my imagination. I hope this list inspires you not only to read but to learn a few things here and there.
Anyone who is curious about other cities and cultures will love the complete series of the This Is… books by Miroslav Sasek. They are filled with exciting facts and the colorful illustrations are truly delightful. From New York, to London, to Hong Kong, and many more, these books will inspire you to travel the world!
With the same wit and perception that distinguished his stylish books on Paris, London, and Rome, M. Sasek pictures fabulous, big-hearted New York City in This Is New York, first published in 1960 and now updated for the 21st century. The Dutchman who bought the island of Manhattan from the Native Americnas in 1626 for twenty-four dollars' worth of handy housewares little knew that his was the biggest bargain in American history. For everything about New York is big -- the buildings, the traffic jams, the cars, the stories, the Sunday papers. Here is the Staten Island Ferry, the Statute…
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.
2018 HONORABLE Mention for Romance Forward INDIES Winners Gracie Miller is a small-town girl who has landed her dream job in New York City. As jewelry designer for one of the most prestigious jewelers in the world, she completed a particularly stunning piece, a custom setting for a large pink diamond. But when her billionaire client Mrs. Katsaros comes to repair a minor issue with the setting, Gracie is horrified to realize it is not the ring she created. Someone has forged her design, and the priceless diamond is gone.
Mrs. Katsaros has no desire to bring media attention to…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a “green goods” con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described “good fellow.”
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose as…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
If you want to understand the struggle Jews like me face in modern America, read this classic novel.
Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.
A coming-of-age classic about two Jewish boys growing up in Brooklyn in the 1940s, this “profound and universal” (The Wall Street Journal) story of faith, family, tradition, and assimilation remains deeply pertinent today.
“Works of this caliber should be occasion for singing in the streets and shouting from the rooftops.” —Chicago Tribune
It’s the spring of 1944 and fifteen-year-olds Reuven Malter and Danny Saunders have lived five blocks apart all their lives. But they’ve never met, not until the day an accident at a softball game sparks an unlikely friendship. Soon these two boys—one expected to become a Hasidic rebbe,…
