Here are 93 books that The Whitechapel Virgin fans have personally recommended if you like
The Whitechapel Virgin.
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Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
There is a "realness" and melancholic quality to this story that immediately drew me in because every element, even the more fantastical ones, felt immensely believable.
Set in the richly detailed and lived-in world of Osten Ard, this first volume in the Memory, Sorrow, and Thorn series by Williams took its time to get the main plot moving, but I want to stress just how much I found that to be a good thing. It truly afforded me an opportunity to get to know the setting and characters intimately, so that by the time the plot kicked into high gear, I was well and truly committed to caring about what happens.
Despite its hefty length, this was one of the fastest page-turners I’ve ever laid my eyes on.
The first book of the trilogy "Memory, Sorrow and Thorn" tells the story of Simon, a kitchen boy and sorceror's apprentice, who must find the solution to the riddle of the long-lost swords of power, in order to combat the evil of the undead Sithi Ruler, the Storm King.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
Silent Fear is a stunning mystery novel, scary because it is set in an institute for the blind during a lockdown. There is a serial killer on the loose and no inmates have the ability to see their persecutor. Yes, this one gets right inside your mind and I felt privileged to read it.
Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at a university for the Deaf in London, England. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world.
When more Deaf students are murdered, it becomes clear there is a serial killer operating within the sealed-off university. A chilling cat-and-mouse game evolves as the unknown killer targets Valerie and the virus claims more lives.
A stunning, claustrophobic, "whodunit" murder mystery, Silent Fear (A novel inspired by true crimes) is…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Retired FBI profiler Terry McCaleb is recovering from a heart transplant he required after a heart attack he suffered while hunting a serial killer. When a woman urges him to help investigate the murder of her sister who was shot dead during a robbery, Terry discovers it is her heart he received. Possibly the killer wanted McCaleb to recover so he could resume his pursuit. This is one of the finest stories I have ever read; deeply moving, and a very exciting read.
Terry McCaleb, one of the most effective serial-killer investigators in the history of the FBI, hunts down his heart donor's killer. An unputdownable story from the award-winning No. 1 bestselling author.
'Blood Work' - that's what Terry McCaleb used to call his job at the FBI. Eight weeks ago he was a dead man, but now someone else's heart is keeping him alive. Then a newspaper report of his brush with death brings him an unwanted visitor. Graciela Rivers reveals to McCaleb that the anonymous donor of his heart was her murdered sister, and that the police investigation into the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This guy writes great Westerns and detective novels, this book being an excellent place to begin. I’ve followed his works online and remain impressed with the characters he creates and the detail plus development of his works. But mostly, I can lose myself in his stories, grab a buzz of ‘feel-good,’ and forget about the outside world for a while.
An experienced genealogist, I became fascinated by true historical crime reports when I found murderers in my family tree. Since then, I have written ten historical mystery books featuring true unsolved crimes. My novels re-imagine what might have happened had the killers been brought to justice. My background in genealogy and vast experience trawling through historical newspaper reports has given me a passion for the past and a desire to resolve the unknown.
No true crime list would be complete without reference to the infamous Jack the Ripper, and of the many books I have read, this one stands out. True, the subject is gory, and for that reason, some might think that humour is out of place, but I like the bumbling detective Lestrade, and the author clearly knows his stuff. The detailed historical research accurately portrays the setting and times of the novel. Trow brings a different approach to a Sherlock Holmes-type story with an easy-to-read and witty style in a book well worth trying.
In the year 1888, London was horrified by a series of brutal killings. All the victims were discovered in the same district, Whitechapel, and they were all prostitutes. But they weren’t the only murders to perplex the brains of Scotland Yard. In Brighton, the body of one Edmund Gurney was also found.
Foremost among the Yard’s top men was the young Inspector Sholto Lestrade and it was to his lot that the un-solved cases of a deceased colleague fell. Cases that included the murder of Martha Tabram, formerly a prostitute from Whitechapel, and…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
Victorian serial killer Jack the Ripper and fictional detective Sherlock Holmes have squared off countless times on screen and in various novels to varying degrees of success, but for me, this is the best story pitting the still unidentified serial killer against the most famous of fictional detectives.
Steeped in an immersive Victorian atmosphere and detail that drew me in, Hanna also effectively breathes life into several historical figures associated with the notorious case while remaining faithful to Arthur Conan Doyle's overall spirit.
In my opinion, Hanna’s version of Holmes subtly suggests inspiration was drawn from the late great Jeremy Brett, arguably the finest screen Holmes, while also giving Dr. Watson his intellectual due.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in Edinburgh, an amazingly atmospheric city riddled with tales of murder, mayhem, and spooky happenings. As a child, I spent many hours wandering around the closes, alleys, and graveyards. When at University, my Master's Thesis was on the influence of City Improvement on Crime in Victorian Dundee. The subject reawakened my interest in the subject and led directly to me writing a series of nonfiction Victorian crime books. These books led to me writing the Detective Watters fictional series, based mainly in Dundee.
I read this book in a single sitting, on a stormy Winter’s day and night, which is quite appropriate. I have read many of Porter’s books and loved Porter's take on the Jack the Ripper story, which was impressively different, with textual similarities to Conan Doyle and, perhaps more significantly, to RLS' approach to Jekyll and Hyde, another favorite book, although in a slightly different genre. I loved Porter’s method of conveying atmosphere–without which no murder or historical novel is worth reading.
Central to the book is Jack the Ripper's journal, whose violent outbursts reach out on two levels—the images contained within the journal and the impact of the evil on the modern reader. I loved the connection between the 19th century and the reader, which was too powerful to deny.
I found the historical background fascinating, the embedded message intriguing, and the book itself compelling. A masterpiece.
On the table of psychiatrist Robert Cavendish lay a strange set of papers, claimed to be the journal of the infamous Whitechapel murderer whose crimes instilled terror on the streets of Victorian London.
Delving deeper into the journal, Robert is convinced of its authenticity, and finds that the words of the Ripper have a strange and compelling effect on him. Unable to cast the pages aside, he is drawn into the dark, sinister world of Jack The Ripper.
Robert is about to find out just how thin the line between sanity and madness really is. But can he distinguish fact…
I grew up surrounded by a library of dusty vintage novels, so perhaps it wasn’t that surprising that I went on to write my own gaslamp fantasy influenced by English folklore and Victorian heroines. I love historical novels that provoke wonder, and magical novels that are rich with history, and (blame it on being an only child?) most of all I love a female protagonist I’d want to have tea with.
I love how Rowntree riffs on real history while keeping the tone thrilling and funny. The "Miss Sharp’s Monsters" series is set in the Bete Epoque (a late Victorian Europe ruled by monsters), and Liz Sharp is a lovably reckless amnesiac bodyguard to an English princess.
I would absolutely want Liz on my side if our tea party were attacked. I’d pour the tea and let her take care of the monsters.
Murder, monsters…and a disreputable Victorian lady’s maid.
A killer stalks the grimy streets of Whitechapel—but Scotland Yard seems determined to turn a blind eye. With one look at her best friend's corpse, Liz Sharp already knows the truth: the killer is a werewolf.
No one important will hold a werewolf accountable—after all, the monsters rule Europe. Certainly, no one will believe a werewolf victim like Liz: the very scars that make her determined to investigate Sal’s death also condemn her as the sort of female who’d sell her blood for easy money.
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in Edinburgh, an amazingly atmospheric city riddled with tales of murder, mayhem, and spooky happenings. As a child, I spent many hours wandering around the closes, alleys, and graveyards. When at University, my Master's Thesis was on the influence of City Improvement on Crime in Victorian Dundee. The subject reawakened my interest in the subject and led directly to me writing a series of nonfiction Victorian crime books. These books led to me writing the Detective Watters fictional series, based mainly in Dundee.
I loved this book, which presented a suspect for the Jack the Ripper murders with a first-person approach that puts the reader inside the Ripper’s mind. I must admit I had never considered Dr Cream as a serious contender until I read this book, but Griffith-Jones removes all doubt with her immaculately researched account. I do like the amount of genuine research the author has put into writing her book.
I liked the atmosphere–vital in any historical novel–and the small details that always add to the feeling.
Griffith-Jones introduced us to the underbelly of Victorian London through Cream’s eyes in a delicious manner. One felt as if one was there: I loved that.