Books like The Wheelwright's Daughter

This book was published in 2018 and yet it already feels like a true classic.

It is the beautiful, poignant, and often poetic story of a rural community as one world war ends but the threat of an unsettled nation still lies heavily in the air.

Told through the eyes of a child on the brink of adulthood, there are moments of such naïve tenderness it pulled hard at my maternal senses. 

The early part of the twentieth century saw so much change in the lives of small communities and I found this investigation of how the shifting world affected the way farmers lived and worked deeply fascinating. This resonated with me and the research I’ve done into the current issues of change farmers are facing now. 

I first read this classic story in my teens and was instantly besotted by Hardy’s farming world and the characters he filled it with. It is still the one I would take with me to my desert island if I was only allowed a single book to keep me company.

And what company I’d be in. Bathsheba Everdene is the ultimate in strong female protagonists and she was carving her path as a farmer in a man’s world long before she inspired me to write about my own feisty heroine, Jude Gray. 

As a student I fell in love with Bathsheba’s steady shepherd, Gabriel Oak, and their pitted, frustrating but ultimately wonderful relationship is still one of the best love stories I’ve lost myself in.

Having watched shepherdess Emma Gray on the BBC, I was so taken by her farming passion and charismatic personality that I was keen to read her memoirs.

One Girl and Her Dogs is the first of two installments and it’s a wonderful mix of wit, grit, and refreshing honesty. Whilst reading it I was totally immersed in her world and found myself in awe of her gumption and determination to make the best out of whatever her farm, her animals, and Mother Nature decided to throw at her.

When casting characters for my own murder series, I decided to lend Jude, my female farmer, Emma’s surname to try and channel some of her tenacity and drive.

This autobiography of perhaps one of Britain’s most loved television personalities is a sheer joy to read. 

I was initially drawn to it as I am a magpie for books about farming written by farmers and this element was a fantastic window into his experiences of growing up on the family sheep farm in Yorkshire, as well as his current role within that world. 

The joy of this book is that as well as being an ode to rural life and nature, it is also interwoven with plenty of extra layers as we find out more about his life in front of the camera and the many, often hilarious, always entertaining stories he shares.

I have always enjoyed Victorian mystery novels, and the Malvern Mystery ticks all my boxes: mystery, intrigue, a dash of humor, atmosphere, and some quirky historical facts. I liked the fact it was set in a specific area–Malvern in Herefordshire–and had stunning descriptions of the town and the area, and included aspects of the supernatural as well as contemporary events.

I l liked the fact the characters were well defined, with a strong female lead without diminishing the male characters. I especially liked the emphasis on the unusual angles of history and the interwoven superstition and Victorian modernity. 

In Midwinter of the Spirit, Rickman’s excellent prose superbly evokes Herefordshire settings as a backdrop to his protagonist’s, (parish priest, rooky exorcist, and single mum Merrily Watkins), foray into a twilight world. Merrily’s character is painted by Rickman as vulnerable but driven, qualities that eventually lead her into mortal danger, with evil pursuing her in the most personal way through her daughter, and also manifesting itself at the heart of the religious establishment that should be her ultimate protector. Midwinter of the Spirit was subsequently made into an excellent TV serial, and the cathedral scenes were coincidentally filmed at Chester Cathedral, which features in my novel (and is where I was standing when the mug shot shown on this page was taken!). 

Mythago Wood is the kind of book that pulls you in and settles you down for a great, blanket-comfy, rainy-day read.

Concerning Ryhope Wood, an ancient, primeval forest in England that seems bigger the deeper in you go, it explores human psychology, both personal and collective, particularly the ideas of Carl Jung.

The forest somehow uses human psychology to create “mythagos,” complex unconscious creations built upon human memories and myths, and our hero Stephen Huxley is compelled to learn the secrets of the wood, whether or not he makes it back out alive.

As psychologically astute as it is thrilling, Holdstock’s book won the World Fantasy Award in 1985 and launched a successful series of fantasies that’s even more widely respected today.

I love this book because it is like a gentle meander through the woods with the author. You get a real sense of what details draw him in, what his fascinations are, and his discoveries through the turning seasons.

It is often said that in order to really get to know a place, it is good to walk the same route in nature every day, and that was the sense I got with this book. The author knows the landscape of the woods so well, it is like he is visiting an old friend.

When I was stuck indoors a lot during the COVID lockdown, it really helped me to remember why nature is so healing, and also inspired my own walks at this time which were spent in a small area of woodland in London.

I love a good page-turning thriller, but to keep my interest, there has to be more than thrills and spills – I want characters I care about too.

The heroine here, unusually, is a teenage girl, who’s funny, smart, and stroppy, but at the same time vulnerable and scared. She teams up with a nosy elderly lady who proves to have hidden depths and as they find themselves in a terrifying situation and tackle some seriously bad villains, I was rooting for them all the way.  

A man is driving to some oceanside cliffs to end his life. On the way, he stops for a night at a B&B in a small fishing village. He meets a girl, who has disappeared in the morning, and the man thinks, “What the heck. I’ll just stick around here and pretend I’m the girl’s boyfriend (who no one in the village has met before) and wait until she returns.” The villagers grow increasingly suspicious (about everything, it seems) and the man is soon caught in an uncontrollable deception of his own making.

This is a really odd, really well-written Gothic tale by an author I’d never heard of (who doesn’t seem to have written anything before or since), but I picked it up because its vagueness intrigued me. It’s the interplay of the main character trying his best to pretend he’s someone he’s not, for reasons even he’s… show more.