Here are 7 books that The Way of Bach fans have personally recommended if you like
The Way of Bach.
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I loved this book because it forced me to reflect on pleasure, pain, and self-control in a way that felt honest and uncomfortable. As I read, I kept recognizing patterns from my own routines and digital habits, which made the experience surprisingly intimate. What stayed with me most was how clearly the book connected modern overstimulation with emotional numbness. I appreciated how it made me more aware of balance rather than excess, restraint rather than constant reward. This book reshaped how I think about motivation and well-being, especially in a culture that quietly trains us to chase the next hit of satisfaction.
INSTANT NEW YORK TIMES and LOS ANGELES TIMES BESTSELLER “Brilliant . . . riveting, scary, cogent, and cleverly argued.”—Beth Macy, author of Dopesick, as heard on Fresh Air
This book is about pleasure. It’s also about pain. Most important, it’s about how to find the delicate balance between the two, and why now more than ever finding balance is essential. We’re living in a time of unprecedented access to high-reward, high-dopamine stimuli: drugs, food, news, gambling, shopping, gaming, texting, sexting, Facebooking, Instagramming, YouTubing, tweeting . . . The increased numbers, variety, and potency is staggering. The smartphone is the modern-day…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English. Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin's childhood and youth in Poland, which are brought into line with Walker's latest scholarly findings, and Chopin's romantic…
The art of computer programming is a lot like the art of writing: It's not just about what your program says but about how it says it. One of the reasons I like the C and C++ languages—which I picked up in the late 1990s and haven't put down since—is that, as compiled, non-sandboxed languages, they promise total control over the machine. Show me where you want each byte of data to go in memory; show me the machine instructions you want; and I can make C++ do that for you.
Every "computer person" should read GEB at least once. Preferably in high school, when you still have the free time to dive deep into all the recreational math exercises. If you're already working 40-hour weeks and wonder who has time for Hofstadter's 750-page "metaphorical fugue on minds and machines," all I can say is: Better late than never!
Douglas Hofstadter's book is concerned directly with the nature of maps" or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Goedel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
I came to the piano as an adult and felt pretty sorry for myself–how am I supposed to do all this torturous practicing before and after work?
Then I read Zhu Xiao-Mei’s account of studying the piano during the Cultural Revolution, and realized what real commitment looks like. Zhu is a brilliant concert pianist who had to master Bach while practicing in a labor camp freezer. Read this tragi-comedy of China, politics, and Bach, and surmount your (room-temperature) challenges.
Zhu Xiao-Mei was born to middle-class parents in post-war China, and her musical proficiency became clear at an early age. Taught to play the piano by her mother, she developed quickly into a prodigy, immersing herself in the work of classical masters like Bach and Brahms. She was just eleven years old when she began a rigorous course of study at the Beijing Conservatory, laying the groundwork for what was sure to be an extraordinary career. But in 1966, when Xiao-Mei was seventeen, the Cultural Revolution began, and life as she knew it changed forever. One by one, her family…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
Most people think of Bach as a church composer, but the broader political context was that of Frederick the Great and the Enlightenment.
Bach was rationalizing music as much as he was putting it to liturgical use. The great cycles of the Well-Tempered Clavier and the Art of the Fugue are science as well as art. This book explores that idea by focusing on a bizarre encounter between Frederick and Bach, when he was invited to play for the king, in what may have been an early attempt at trolling.
In one corner, a godless young warrior, Voltaire's heralded 'philosopher-king', the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of 'outdated' music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age.
Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged "old Bach" to a musical duel, asking him to improvise…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
I’ve always had mixed feelings about the great Glenn Gould, one of the outstanding Bach pianists.
This book captures what I love and hate about him, through the lens of his pianos and his blind piano technician. Gould actually hated the piano in a sense, always pushing it toward something it wasn’t, thinning out its sound like a harpsichord, while also trying to make its hammers more continuous-sounding, like an orchestra.
He’s also insufferable in the way that most great artists are, and this book documents that, including his imagined injuries, senseless lawsuits, and the abuse his technicians endured, who kept his pianos alive until they were inevitably smashed.
A grand tale of obsession about the brilliant Glenn Gould and the unique, temperamental instrument he came to love beyond all others, by a top New York Times writer. Glenn Gould was one of the most complex, brilliant artists of the twentieth century, a musician famous for bizarre habits: he wore a hat and gloves even on the warmest summer day; refused to shake hands for fear of germs or damaged fingers; hummed and conducted himself while he played; and traveled the world with a battered old chair, refusing to perform while sitting on anything else. But perhaps Gould’s greatest…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
Bach the church mouse and Wagner the megalomaniac had more in common than people imagine.
They both favored dense, contrapuntal textures with central themes and motifs, and both had an irrepressible personal energy, albeit manifested differently. This book digests the philosophical aspects of music in unpretentious language that saves you from having to read Schopenhauer (phew!).
It makes you more interested in both philosophy and music by showing how to two are connected in Wagner.
Richard Wagner's devotees have ranged from the subtlest minds (Proust) to the most brutal (Hitler). The enduring fascination with his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy. In this radically clarifying book, Bryan Magee traces Wagner's intellectual quests, from his youthful embrace of revolutionary socialism to the near-Buddhist resignation of his final years. Magee shows how abstract thought can permeate music and stimulate creations of great power and beauty. And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and…
