100 Books Like The Way Back

I loved this book for its blend of suspense, family dynamics, and coming-of-age. Set in 1970s Atlantic City, we meet 13-year-old Joey Goodman, who spends the summer at his family’s hotel on the boardwalk. When he gets caught up with a group of mobsters, Joey faces new challenges and temptations that test his morals and courage.

Nockowitz beautifully captures Joey’s struggle between loyalty to his family and the allure of adventure and independence. He portrays the competing values of family and self-determination, all focused around Ski-Ball as a central metaphor. The novel’s historical setting is vividly brought to life, making Joey’s journey feel like a trip in time—to a nostalgic yesteryear many young readers won’t know but soon will fall in love with.

I love this book for its humor, voice, and vivid and lovable characters. Goldie reminds me of the grandma I never had—determined, dry-witted, and unafraid to get involved in her granddaughter Maxie’s love life. Set in an assisted living facility full of quirky characters, this element of aging—the loneliness and the desperation—is both hilarious and universally tragic.

Maxie’s story, meanwhile, follows a delightful rom-com arc that mirrors and breaks the repetition of her grandmother’s adventure in love as she meets T-Jam, her grandmother’s eccentric driver. This book charmed me—brilliantly balancing comedy with themes of heritage, love, and legacy, l’dor v’dor. 

I loved this book, which made me both cry and laugh. It is a touching exploration of grief, friendship, and coming-of-age. The story follows Noah and his best friend, Dash, two b’nai mitzvah boys obsessed with comedy, especially the classic Three Stooges.

When Dash’s father dies by suicide—presented sensitively and honestly—their friendship faces strain as Dash withdraws and Noah struggles to understand his friend’s pain. Perl’s writing captures the desperate need for friendship characteristic of adolescence.

The book thoughtfully addresses mental illness and death—but also loyalty and friendship, making it relatable to adult and middle-grade readers. Humor becomes both a way of pushing away and engaging, highlighting the essential role of laughter in growth and healing. 

I loved this book for its unique blend of history and adventure. The novel transports readers to three friends in two eras, joined by a mystical radio—connecting the two generations: one before WWII and one many years later. The novel masterfully layers the past and present, weaving together humor and tragedy, secrets that refuse to stay buried.

The atmosphere is haunting and believable, capturing the weight of how few steps it could take to turn our world into a familiar nightmare. Westallen is a beautifully written, thought-provoking story that explores time travel, friendship, courage, and forgiveness. 

The book uses verse to create a modern-day fairy tale, mixing magic with contemporary Prague. This makes magic feel so close and tangible for us as readers.

Because of this, we believe our protagonist Ilana and sympathise with her as she makes friends with the ghost of a Jewish boy from decades ago, and fights the hold of the strange and charismatic Wasserman, who has the ability to make the memory of children disappear.

Despite its magical appearance, this story still tackles compelling real-world issues of racism, war, and diaspora in a compelling way.

A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story. 

I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.

A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.

Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.

Ainsztein’s book heavily influenced me but also honored my parents’ otryad, the Kruk-Max Group, by describing their fighting force (pp. 353-360). He should be more well-known, and his book should be reprinted in paperback to make it more available to a wider audience.

While his opening chapter is a historical survey of the Jews as fighters and soldiers in the Diaspora, most of the book details the rise of partisans and soldiers in the Polish and Soviet armed forces during the Holocaust 1941-1944.

It is extensive and comprehensive, at nearly 980 pages. But that should not deter the reader, especially the lover of military history—Ainsztein writes beautifully. Like Penslar, he addresses the myth of Jewish pacifism and reluctance to fight militarily. 

Dani Shapiro’s Inheritance tells the story of learning late in life that she was conceived by a sperm donor and that her father was not her biological father. It’s a gripping lyrical memoir about loss of identity the author experiences from learning the truth about her conception.

As a single mom by choice who conceived my son through sperm donation, it illustrated the importance of telling my son the truth about his origins from the beginning, and the need for all modern families who conceive children with donor eggs or sperm to be honest with their children about their conception. 

Judaism is sometimes accused of being obsessed with rituals and laws, at the expense of interpersonal relationships. Rabbi Feldman’s insightful book debunks that charge, focusing in psychologically astute ways on human relationships. Topics include revenge, violence, love, and generosity. While scholarly in content, this book has a friendly, informal tone, such as the chapter titled, “One strike and you’re out: hitting and raising a hand in violence.”