Books like The Watchers — picked by fans

This novel's compelling cover reeled in this reader straightaway and, indeed, delivers with a plot that captures the gothic folk horror genre in a tidy and well-written package.

As I read it, it felt like Harvest Home and The Wicker Man were seated on either shoulder. Overarching the story is also a "morality play" at work, expertly woven in. Bonus points for historical roots and an English village setting.

So original, so folky horror, so good and, simply put, a treat.

This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.

Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.

This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.

This is a great book that you cannot put down. It reminds me of my favorite series, Outlander. Going back through time is something that a lot of us dream about, but never experience. I love a good love story, but this book also has mystery, intrigue, and pulls at your heartstrings. I consider it Historical Fiction because even though we cannot travel through time, there were a lot of women that had the same feelings and trauma in the 1920s that the main character went through. 

Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.

In contrast to earlier works on the Garda history, Conway frames policing experience in Ireland by examining its history and development in the context of post-colonialism, its impact, and lived experiences. As Ireland achieved independence, she shows, ‘time constraints and lack of alternative experience led to the retention of many core features of colonial policing’, resulting in an organisation ideologically different but practically similar to the Irish forces of the preceding century. In 1925, the new police of the Irish Free State absorbed the Dublin Metropolitan Police, the Civic Guards, who filled the niche left vacant by the disbanded Constabulary, and contentiously, many ex-RIC men. Conway skillfully weaves gardaí interviews into this varied contemporary history of policing the Republic of Ireland.

I am deeply interested in the heyday of spiritualism in Europe and America in the 19th and 20th centuries, so I wanted to read this book as soon as I saw the synopsis. I wasn’t disappointed. 

Set in Belfast in 1914, the novel is based upon the real-life attempts of engineering professor William Jackson Crawford to prove the existence of spirits by the use of technology. The intensity of this story, of Crawford’s unrelenting obsession to prove himself, grabbed me and wouldn’t let go. I took the book with me on the train every morning and found it hard to put down when I reached my stop. This is an amazing novel.

Grace O’Malley was my first pirate love and will forever hold a special place in my heart. This is the seminal biography of her by the woman who basically singlehandedly brought her whole story to the world. Anne Chambers is one of my women pirate researcher heroines and her depth of knowledge on Grace is unmatched. This book reads like a novel and is packed with amazing tales. I have read this one many times!

At the end of the 19th century, Ireland made more whiskey than any other nation. Then came an economic downturn, political trouble, and Prohibition, which devastated the country’s storied whiskey industry. Until recently, only a handful of Irish distilleries remained. Not any more—Irish whiskey is roaring, with new, small producers (like Teeling) joining the likes of the hulking, ancient producers (like Midleton). Muldoon and his colleagues share with readers a bit of the old and new on Irish whiskey. From Barley to Blarney is structured like a travelogue, with chapters devoted to the provinces where Irish whiskey is made, and its colorful coverage may induce the reader to book a flight to the Emerald Island. 

Dervla Murphy (1931-2022) was queen of the road when I started out. I learnt a lot from her.

Visiting Rwanda is probably my top pick among her many travelogues but her best book by far, in my opinion, is the autobiographical Wheels within Wheels. "I had been brought up to understand," Murphy writes, "that material possessions and physical comfort should never be confused with success, achievement and security."

I had been brought up to understand the opposite, and this book showed me, as I tackled a travel memoir of my own, that like Murphy I must take those crucial lessons as a starting point. 

I felt a powerful sense of tragic history and increasing pity and fear as this story progressed with its brooding, fateful, gothic atmosphere and hints of the supernatural in a gloomy, coastal house in Ireland. I became swept up by the gathering intensity and intrigue and the multiple shocks that arise from the main protagonist’s discoveries. I was absorbed in this compelling, thought-provoking story and captivated by its ingenious plot.