Here are 95 books that The Watchers fans have personally recommended if you like
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I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.
Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.
This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.
Fade to Black is the newest hit ghost hunting reality TV show. Led by husband and wife team Matt and Claire Kirklin, it delivers weekly hauntings investigated by a dedicated team of ghost hunting experts.
Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might…
Waking up on the beach in Greece after a midnight party, Cleo, a British-Greek tourist, sees a stranger sitting next to her. The stranger has a giant spider on his forearm.
So begins an incredible odyssey through the nine levels of the mysterious mountain populated by an odd assortment of…
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
Lots of men write women in middle and older age well – Jim Harrison’s short story called "The Woman Lit by Fireflies" is incredible, and of course, there’s Shakespeare. I’d like to point you to the Irish writer William Trevor, though. His collected stories begin with one called "A Meeting in Middle Age" in which the character of Mrs. da Tanka (who is seeking grounds for her second husband to divorce her by paying a man to spend a sexless night with her in a hotel bed) crackles with dissatisfaction. Trevor writes aging people with a tenderness that isn’t always immediately evident. You learn to wait for it, if you can stand the tension while you do and the heartache when it arrives.
The Collected Stories - a stunning volume of William Trevor's unforgettable short stories
William Trevor is one of the most renowned figures in contemporary literature, described as 'the greatest living writer of short stories in the English language' by the New Yorker and acclaimed for his haunting and profound insights into the human heart. Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
Anita Walsh, still reeling from her husband's sudden death, finds herself haunted not only by grief, but his Negative Image, a new phenomenon where the deceased prey on those they loved in life, turning intimate memories into nightmares. This spectral figure uses their shared past as a weapon, systematically dismantling…
I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.
This is a great book that you cannot put down. It reminds me of my favorite series, Outlander. Going back through time is something that a lot of us dream about, but never experience. I love a good love story, but this book also has mystery, intrigue, and pulls at your heartstrings. I consider it Historical Fiction because even though we cannot travel through time, there were a lot of women that had the same feelings and trauma in the 1920s that the main character went through.
In an unforgettable love story, a woman's impossible journey through the ages could change everything...
Anne Gallagher grew up enchanted by her grandfather's stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.
The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of…
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
Still the best introductory text for students covering all major events in the Wars of the Three Kingdoms in a concise and accessible manner. This book steps away from the more Anglo-centric analyses of the conflict, looking at events in Ireland, Scotland and Wales in some detail. In contrast with the books above, Bennett also steps away from the experience of political elites and examines the experiences of ordinary soldiers and civilians during the conflict.
This book provides a fresh perspective on one of the most complex and turbulent periods in the history of the British Isles. Setting the experience of Wales, Scotland and Ireland alongside England, the author examines the interplay of politics, societies and culture both within and between each of the four nations involved in the political struggles of the mid--seventeenth century.
Nancy Blanton is an American author of Irish descent. She’s written three award-winning Irish historical novels and has a fourth underway. A former journalist, her focus on the 17th century derives from a history lesson about Oliver Cromwell, weariness of Tudor stories, decades of enlightening research, and a little help from supportive friends in County Cork.
Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.
This book examines one of the bloodiest epochs in Irish history. Part one covers the 16th century, revealing how efforts by the Tudor monarchy to curb the powers of the autonomous Irish lords degenerated into a bitter cultural and sectarian conflict characterized by summary killings and massacres. The second part pays particular attention to the 1641Ërebellion and the Confederate Wars.
As a UK nature writer and amateur naturalist, I have a fascination with the natural world. If it squeaks, buzzes, croaks, hisses, or tweets, I want to know more about it. I enjoy books that are both captivating and easy to understand, and I’m at my happiest when uncovering unusual facts and exploring the rich folklore surrounding our wildlife. As a writer, I contribute to magazines focusing on nature and wildlife-friendly gardening. I also teach creative writing and have authored a book celebrating the wonders of our UK wildlife. I live in Dorset and find endless joy in observing and nurturing whatever wanders or flies into my overgrown garden.
This was the first wildlife reference book I ever owned, and I’ve never regretted buying it.
I still use it most days to identify birds on the bird feeder or bats flying over my house. It also includes great photos, which I personally prefer to drawings. This is a little gem that I have spent hours flicking through.
A comprehensive and heavily illustrated guide to every species of British wildlife, this book is the definitive photographic reference guide for nature enthusiasts.
Collins Complete Guide to British Wildlife allows everyone to identify the wildlife found in Britain and Ireland. The book is illustrated with beautiful photographs throughout, featuring the mammals, birds, fish, reptiles, amphibians and invertebrates you are most likely to see, as well as all the common plants.
By only covering Britain and Ireland, fewer species are included than in many broader European guides, making it quicker and easier for the reader to accurately identify what they have…
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
Edna O’Brien’s work makes me laugh and cry at the same time!
The Country Girls is a rollicking tale of two girls from rural Ireland in the 1950s, convent-educated, who leave home after their secondary school graduation to seek freedom and fun in the big city of Dublin.
Not quite Sex in the City, but a reader will laugh with the girls and sympathize with their troubles with men and work.
The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.
Edna O'Brien's wonderful, wild and moving novel shocked the nation on its publication in 1960. Adapted for the stage by the author, The Country Girls, the play, is a highly theatrical and free-flowing telling of this classic coming of age story.
This new edition of The Country Girls was published to coincide with its UK premiere at Chichester Festival Theatre in June 2017.
Edna O'Brien's stunning new novel Girl will be published by Faber in September 2019, available to pre-order now.
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In contrast to earlier works on the Garda history, Conway frames policing experience in Ireland by examining its history and development in the context of post-colonialism, its impact, and lived experiences. As Ireland achieved independence, she shows, ‘time constraints and lack of alternative experience led to the retention of many core features of colonial policing’, resulting in an organisation ideologically different but practically similar to the Irish forces of the preceding century. In 1925, the new police of the Irish Free State absorbed the Dublin Metropolitan Police, the Civic Guards, who filled the niche left vacant by the disbanded Constabulary, and contentiously, many ex-RIC men. Conway skillfully weaves gardaí interviews into this varied contemporary history of policing the Republic of Ireland.
The twentieth century was a time of rapid social change in Ireland: from colonial rule to independence, civil war and later the Troubles; from poverty to globalisation and the Celtic Tiger; and from the rise to the fall of the Catholic Church. Policing in Ireland has been shaped by all of these changes. This book critically evaluates the creation of the new police force, an Garda Siochana, in the 1920s and analyses how this institution was influenced by and responded to these substantial changes.
Beginning with an overview of policing in pre-independence Ireland, this book chronologically charts the history of…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
Miranda Doyle makes sense of her life through a series of lies told to her and by her. It’s a fabulously original and shocking approach.
One of several siblings at the mercy of an explosive father and passive mother, her truth, as she admits, is also unreliable. I enjoyed how the writer breaks free to question the idea of truthfulness in memoir and her astute observations made me look a little closer at her family photos for the subtext, and to question their veracity. Terrifying episodes are recounted with verve and urgency, akin to a rollercoaster ride.
In an age of post-truth, fake news, and false narratives, the science behind lying sheds further light on the dynamics of this family and the narrator’s quest for closure.
A Book of Untruths is a family story told through a series of lies. Each short chapter features one of these lies and each lie builds to form a picture of a life-Miranda Doyle's life as she struggles to understand her complicated family and her own place within it.
This is a book about love, family and marriage. It is about the fallibility of human beings and the terrible things we do to one another. It is about the ways we get at-or avoid-the truth. And it is about storytelling itself: how we build a sense of ourselves and our…
