100 Books Like The Venice Sketchbook

I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”

I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.

From the first page, this story felt intimate and infinite all at once.

It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.

Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.

It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.

Ken Follett’s breakthrough novel is a taut and thrilling wartime espionage tale set during World War II. But there is sufficient naval action to include it in this list. I felt it was a wonderfully atmospheric novel.

It centres on Henry Faber, a ruthless German spy nicknamed “The Needle” for his deadly stiletto. Faber uncovers the Allies’ deception surrounding the D-Day invasion and races to deliver the intelligence to Nazi command. His journey leads him to Storm Island, where he encounters Lucy Rose, a lonely Englishwoman whose emotional entanglement with Faber becomes pivotal. As MI5 closes in, the novel builds to an exciting naval warfare climax.

Follett masterfully blends suspense, romance, and historical intrigue in this compelling tale of loyalty and betrayal.

Related to my love of libraries is my adoration for codes and puzzles and secretive things. This novel is a fictionalized account of World War II codebreakers who race against the clock to break an unbreakable Nazi cipher. The hero’s life is complicated by the arrival of a beautiful MI5 officer...

This was Calvino’s first novel when he was just in his early twenties, and long before he became known for his explorations of fantasy, fable, and magical realism.

He tells the story of a cobbler’s apprentice in a Ligurian town who becomes involved with a band of partisans during WWII. This brotherhood, who take on assumed identities by day and fight for Italy’s freedom up in the mountains by night, provides a story of second family for the protagonist, Pin, as he comes of age during a tumultuous time.

I love how we see the flickerings of who Calvino will become as a writer with this early foray into realism.

As a historian of the Allied bombing of Italy, I read a lot of depressing accounts of the suffering of Italian civilians. It was a relief to discover that fellow historian Erik Linklater, author of the official British history of the Italian campaign, had published a comic novel based on his wartime experiences.

Its hero is Private Angelo, the reluctant soldier who issues forth such gems as: “It has taken us a long time to lose the war, but thank heaven we have lost it at last, and there is no use in denying it.”  Linklater doesn’t hide the war’s devastating toll or sugarcoat the occupation itself. “We are very grateful to you for coming to liberate us,” he has Angelo tell the Americans, “but I hope you will not find it necessary to liberate us out of existence.”

Set in Italy during WWII, Liliana Nicoletti becomes involved in the partisan cause to save her country from the Germans. When her family encounters an escaped POW, she learns what it means to fight the Fascists who are destroying her community and joins the resistance.  

Her mother and sisters shot, mud and blood streaming over her face, she picks up the rifle she hadn’t used in years and vows to find her father. Realistic and horrific, the first half of the tale paints a picture of courage beyond what we imagine possible and of relationships formed from the tangled threads of love and need. After the war, angst mixes with hope as Liliana and James search for the men who slaughtered innocent people. Is justice or revenge driving her?

The author drew me into the story with vivid details and kept me on the edge of my seat with twists and turns. I cared… show more.

Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.

Among the greatest family memoirs of all time. Novelist, Natalia Ginzburg (née Levi) grew up in a big family in Turin between the wars. Her Jewish father was a famous and famously irascible scientist, her mother a charmer from the well-to-do bourgeoisie. The last of five, Natalia gives a sparkling picture of the loves, friendships and conflicts between her older brothers and sisters as Fascist Italy drifted toward war. Impossible not to laugh and cry, while at the same time getting a sense of the deeper forces driving Italian life.

I have read several of Angela Petch’s excellent novels, all set in Tuscany. I lived in Tuscany for two years, and her descriptions not only of the countryside but also the characters that inhabit this special part of the world are spot on. This novel kept my interest, was well-plotted, and a real pleasure to read. Her research into the wartime period is well done, and I love the details about how people lived back then. It really is another world. How our modern world integrates with it, and what we can learn from it, is something I feel she explores really well, by introducing the past to the present through her characters.