Here are 100 books that The Unstrung Harp; or, Mr. Earbrass Writes a Novel fans have personally recommended if you like
The Unstrung Harp; or, Mr. Earbrass Writes a Novel.
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Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
Steve Huston is one of my heroes. I love his art and I love how he talks about art. Steve walks with his feet firmly on the ground and lavishes the feel of the dirt between his toes. He talks about the lofty goals of being human and creating art in the most down-to-earth, practical ways.
And that's not a side-note to his how-to-draw book, that's the central message of this how-to-draw book. See the world, be in the world, trust and love your own senses, make contributions to the world. This book is filled with gorgeous drawings and a warm invitation to ways of seeing and drawing and conceptualizing the human figure.
Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney.
Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method.
That changes now!
In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This book really “clicks” with how I imagine the figure and how I draw. There are a hundred ways to learn to draw, and you need to find the one that clicks with how your brain works. But ways that don't click still strengthen you. Even if Hampton's approach isn't the right one for you in the long run, learning it and trying it out will only make you a better artist. There's great stuff here about visualizing form, and simplifying form while keeping everything living and breathing instead of stiff and posed. This is a great book for people who want to draw from imagination as well as from observation.
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced artist alike. This book emphasizes a simplified understanding of surface anatomy, in order to clarify the mechanics of the figure, facilitate invention, and ultimately create a skill-set that can be successfully applied to other media. In addition, this book focuses very strongly on practical usage, making sure the artist is able to assimilate the steps presented here into a cohesive working process. (Fourth printing, September 2011)
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
You gotta know your sacrum from your humerus, and you've gotta know what your sterno-cleido-mastoid attaches to. Even if you forget the names, you've got to learn the shapes and the jobs. This book is pretty awesome for that. And it's pretty, too. I love the mix of photos and drawings. The transparency overlays of muscle over bone are crazy fun and might be that experience that triggers your flash of insight. This book isn't an art-school classic like, say Fritz Schider's Atlas of Anatomy for Artists, but it's good solid material. Drawing from a live model, with this book on your knee for reference? That's a good time.
Unlock your inner artist and learn how to draw the human body in this beautifully illustrated art book by celebrated artist and teacher Sarah Simblet.
This visually striking guide takes a fresh approach to drawing the human body. A combination of innovative photography and drawings, practical life-drawing lessons, and in-depth explorations of the body's surface and underlying structure are used to reveal and celebrate the human form.
Combining specially-commissioned photographs of models with historical and contemporary works of art and her own dynamic life drawing, Sarah leads us inside the human body to map its skeleton, muscle groups, and body…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This is my list so I wanted to include this book that was so key to me. This is an art book, but it's a very math-y art book with very few illustrations and almost no how-to step-by-step illustrations. It has pages and pages of “to draw a line from 30 degrees above the horizon and 15 degrees to the left of center etc. etc. etc.” text. It's a dense read, but it was the book that solved six-point perspective for me, which was a topic I'd been working feverishly on for a solid year and couldn't quite nail on my own. It really opened up my understanding of perspective, especially curvilinear perspective drawing. I owe this book (and Flocon and Barre) a lot.
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
The film adaptations make True Grit look like a Western. It is not.
It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.
Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I should start by saying that Thiong'o has recently been accused, by his son, of beating his former wife, claims I take very seriously (and which has put my reading of Thiong'o’s female characters in a new light).
In this book, I found a sharp, cunning satire of despotic post-colonial governments working with and shaped by international funders and Western policymakers. Having worked in NGOs, I found Thiong'o’s characterization of “development” to be darkly funny and cringe-worthily accurate.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
I started drawing comics in the first grade and have never stopped. My syndicated comic strip, Cow & Boy, ran for eight years, and now I write and draw the middle-grade fantasy series Quest Kids. I am so fortunate to have cobbled together my love of comics into a career and to have been inspired by so many talented people along the way. Below is a collection of some of the best.
My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.
The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books.
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star…
I’ve loved animals for as long as I can remember. When I was young, girls my age were seeking out babies to admire. I was around the corner looking for puppies, frogs, or any other animal I could get my hands on. I’ve spent decades seeking out animals, and the more I learn about them, the more I realize how much they can teach us, point out what we otherwise might have missed, or offer a startlingly different (and often more helpful) perspective on things. The following books are some of my favorites that bring to light the unique and profound truths animals reveal to us.
In most stories, animals don’t exist for their own reasons—their purpose is simply to serve the needs of the main characters or the machinations of the plot. In Barn 8, however, chickens not only have agency and their own raison d’etre, but they catalyze every single major turn of events.
I love the premise—a group of unlikely activists decides to free the million-plus chickens suffering on an egg farm—and its quirky, clever style. But the best part is the chickens at the heart of the tale. Unferth gets inside their heads, showing their loyalty and love, their distinctive personalities, and their undeniable, fierce intelligence.
It's a captivating glimpse into the inner world of extraordinary animals who deserve to be the heroes of their own stories.
One disaffected administrator, one disenchanted teenager, four hundred and twenty-one vegan extremists, sixty trucks, and nine hundred thousand grumpy layer hens awaiting liberation. In barns. Six barns. No, wait, seven. No, wait ...
Two auditors for the US egg industry conceive a plot to liberate an entire egg farm's worth of animals, with catastrophic results. This wildly inventive but utterly plausible novel about a heist of a very unusual kind swirls with a rich array of voices: a farmer's daughter, hundreds of activists, a forest ranger who stumbles upon forty thousand hens, and a security guard abandoned for years on…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This novel follows a famous Hollywood director called Boris Adrian but known as "King B" who is shooting a big-budget arthouse porn film.
The auteur was allegedly based on Kubrick, with whom Southern collaborated on Dr. Strangelove, and the book is dedicated to "the great Stanley K" whom Southern alleges wanted to make such a film. As Southern also had screenwriting credits for Easy Rider and Casino Royale, it offers a first-hand account, albeit fictionalized, of someone who worked with the director but also with others in Hollywood.
“Terry Southern writes a mean, coolly deliberate, and murderous prose.” ―Norman Mailer
King B., an Oscar-winning director, is now determined to shoot the dirtiest and most expensive X-rated movie ever made. Displaced to Liechtenstein (which, in order to boost tourism, has negotiated the exclusive rights to show the film for ten years) and fueled by suspiciously rejuvenating vitamin B-12 injections, the set of The Faces of Love is fraught with monstrous egos and enormous libidos ― the kind of situation that could only come from the imagination of the irrepressible Terry Southern.
