Books like The Unstrung Harp; or, Mr. Earbrass Writes a Novel — picked by fans

Steve Huston is one of my heroes. I love his art and I love how he talks about art. Steve walks with his feet firmly on the ground and lavishes the feel of the dirt between his toes. He talks about the lofty goals of being human and creating art in the most down-to-earth, practical ways.

And that's not a side-note to his how-to-draw book, that's the central message of this how-to-draw book. See the world, be in the world, trust and love your own senses, make contributions to the world. This book is filled with gorgeous drawings and a warm invitation to ways of seeing and drawing and conceptualizing the human figure.

This book really “clicks” with how I imagine the figure and how I draw. There are a hundred ways to learn to draw, and you need to find the one that clicks with how your brain works. But ways that don't click still strengthen you. Even if Hampton's approach isn't the right one for you in the long run, learning it and trying it out will only make you a better artist. There's great stuff here about visualizing form, and simplifying form while keeping everything living and breathing instead of stiff and posed. This is a great book for people who want to draw from imagination as well as from observation.

You gotta know your sacrum from your humerus, and you've gotta know what your sterno-cleido-mastoid attaches to. Even if you forget the names, you've got to learn the shapes and the jobs. This book is pretty awesome for that. And it's pretty, too. I love the mix of photos and drawings. The transparency overlays of muscle over bone are crazy fun and might be that experience that triggers your flash of insight. This book isn't an art-school classic like, say Fritz Schider's Atlas of Anatomy for Artists, but it's good solid material. Drawing from a live model, with this book on your knee for reference? That's a good time.

This is my list so I wanted to include this book that was so key to me. This is an art book, but it's a very math-y art book with very few illustrations and almost no how-to step-by-step illustrations. It has pages and pages of “to draw a line from 30 degrees above the horizon and 15 degrees to the left of center etc. etc. etc.” text. It's a dense read, but it was the book that solved six-point perspective for me, which was a topic I'd been working feverishly on for a solid year and couldn't quite nail on my own. It really opened up my understanding of perspective, especially curvilinear perspective drawing. I owe this book (and Flocon and Barre) a lot.

Barbara is a deliciously deceptive, vicious character wrapped in a seemingly mild-mannered 60-year-old woman. I loved how she both hated being overlooked and used her almost invisibility as an older woman, taking advantage of it to manipulate the object of her obsession–the foolish Sheba. When Sheba, a teacher, embarks on an affair with a pupil, it’s the opportunity Barbara has been waiting for. 

Reading this book is a little like the cliché about watching a car crash in slow motion because there is an undeniable inevitability about Sheba’s fall from grace and destruction. Yet I couldn’t look away; I was too fascinated. Ultimately, they are two characters who are unpleasant in their unique ways, but they create an irresistible story when combined.

I’ve selected this title as it’s one of the first Jeeves and Wooster books but, to be honest, you could choose any one; they’re all brilliant.

That goes for pretty much all of Wodehouse’s stories. I realise everyone knows these two characters from the various TV series produced over the years. But they may not have read the books. They should. It’s a great credit to the author that whichever actors portray this pair, and others such as Lord Emsworth of Blandings, the characters are instantly recognisable.

I think PG Wodehouse’s characterisation is superb. I admire his eye for details, not only in appearance but in mannerisms and speech. Wooster – the young gentleman – is wealthy, foppish, dapper, scatterbrained and idle. Jeeves – the gentleman’s gentleman – is someone who “from the collar upwards, stands alone.” That phrase alone tells the reader everything they need to know about the… show more.

First of all, it’s funny. The Stephanie Plum character is the main protagonist in many Janet Evanovich Books. She doesn’t have a brilliant mind or an amazing education. She doesn’t have a slick job or incredible physical skills. She could be any woman anywhere, and this is what makes her an unlikely hero.

Her adventures as a bail bonds enforcement officer are so silly that they make you laugh. She constantly wiggles out of dangerous situations that defy logic or common sense—of which she has none. You know this as a reader, but you must keep reading to see how she will do it. I have read previous Stephanie Plum books and am still amazed at how Evanovich weaves the stories to make them enjoyable.

I love quirky characters like Nick Fox, a witty and sexy-as-sin thief and con artist. I lap up the sparks that fly when Kate O’Hare, an attractive, dedicated FBI agent, gets paired up with Fox, the criminal she’s determined to catch.

The stage is set for a dash of romance, which is, of course, taboo, and I’m always wondering how long Kate will hold out. I’ve read this book twice and will probably read it again, just for the fun. 

Okay, I may enjoy this book more than my kids at times and can more than likely recite it from memory. I find the story and character of Floyd delightful and funny, and I laughed out loud at parts.

I believe this is an excellent book that every age can love. Go ahead and add this to your library; I guarantee you won't regret it.

We have both been huge fans of Adelle Waldman since she came out with her whip-smart romantic satire, The Love Affairs of Nathaniel P, around a decade ago. Her follow-up, our last pick, was stunning to us, not only because it's so good but because it's inspiring to see how a writer doesn't have to get cornered in by the "brand" she unwittingly establishes when she publishes her debut.

This book is set a world away from the Brooklyn coffee shops and house parties that the Nathaniel P. literary hipsters frequent; it all takes place in a big box store in upstate New York called Town Square, which may as well be Target. 

It makes you chuckle, think, and feel, largely due to its well-researched content. Waldman immersed herself in the world in which her new book is set, taking a job at Target while she was writing it.… show more.