Books like The Unicorn Sonata — picked by fans

The books I recommend here have inspired me and shaped my work. You see, I have always been a writer, but for a long time I viewed it as just a hobby. I did a lot of fan writing (Pern, especially) that allowed me to follow my heart and just have fun writing. My current work questions some of the underlying assumptions in fantasy. Must every problem be solved at the point of a sword? Does magical power always corrupt? And is it truly possible for evildoers to be redeemed? I hope you'll visit my land of Skaythe and find it as magical as Estcarp, Earthsea, and Eld Mountain!

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us. 

I’ve always loved fantasy novels, which is why I write them, though I tend more toward epic fantasy. My father had a great love of nature. It wasn’t unusual for him to stop in the middle of building a fence or walking across a pasture in order to examine a bug or watch a hawk in flight. He taught me the value of animals and the wonder of the world we live in. Because of it, I’m especially drawn to stories where the animals act and think like animals really might, so I can imagine their unique perspectives. Every species is unique, a miracle that they exist at all.

After reading The Princess Bride, I fell in love with William Goldman’s style of narration, with his frequent interjections, clarifications, and asides. The feel I got from the author speaking directly to me transformed simple third-person narration into engaging storytelling. From then on, I sought out books using this style and have built a small library in all genres deploying this unique voice. I’ve found it most common (and most effectively deployed) in fantasy, but there are also numerous examples elsewhere in the literary world.

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

When I was writing my first novel, The Garden at the Roof of the World, I tried hard to accurately represent how the unicorn was understood in the medieval world. As my characters transversed Europe, the near east, India, and Nepal, they encountered many people with a strong and abiding love for unicorns. To portray how people understood unicorns, I had to do a lot of research. These books taught me the myths and legends of unicorns that my characters would encounter on their journey. Fans of the novel encouraged the publisher to put out a companion book about unicorns, where I decided to explore the history of the idea of the unicorn from the very real beast that inspired the myths, through the evolution of the myths over time to the present day. I became fascinated, learning how the unicorn was once thought to be the servant of the devil, dragging people to hell. Learning how the Great Khan halted his invasion of India when he was stopped by a unicorn who he believed to be a messenger from the Gods. I even learned that the Sumerian Goddess of Love likened her clitoris to a unicorn’s horn. A far cry from the meek beast that would seek out a virgin.

When I was writing my first novel, The Garden at the Roof of the World, I tried hard to accurately represent how the unicorn was understood in the medieval world. As my characters transversed Europe, the near east, India, and Nepal, they encountered many people with a strong and abiding love for unicorns. To portray how people understood unicorns, I had to do a lot of research. These books taught me the myths and legends of unicorns that my characters would encounter on their journey. Fans of the novel encouraged the publisher to put out a companion book about unicorns, where I decided to explore the history of the idea of the unicorn from the very real beast that inspired the myths, through the evolution of the myths over time to the present day. I became fascinated, learning how the unicorn was once thought to be the servant of the devil, dragging people to hell. Learning how the Great Khan halted his invasion of India when he was stopped by a unicorn who he believed to be a messenger from the Gods. I even learned that the Sumerian Goddess of Love likened her clitoris to a unicorn’s horn. A far cry from the meek beast that would seek out a virgin.

When I was writing my first novel, The Garden at the Roof of the World, I tried hard to accurately represent how the unicorn was understood in the medieval world. As my characters transversed Europe, the near east, India, and Nepal, they encountered many people with a strong and abiding love for unicorns. To portray how people understood unicorns, I had to do a lot of research. These books taught me the myths and legends of unicorns that my characters would encounter on their journey. Fans of the novel encouraged the publisher to put out a companion book about unicorns, where I decided to explore the history of the idea of the unicorn from the very real beast that inspired the myths, through the evolution of the myths over time to the present day. I became fascinated, learning how the unicorn was once thought to be the servant of the devil, dragging people to hell. Learning how the Great Khan halted his invasion of India when he was stopped by a unicorn who he believed to be a messenger from the Gods. I even learned that the Sumerian Goddess of Love likened her clitoris to a unicorn’s horn. A far cry from the meek beast that would seek out a virgin.

I have always loved unicorns because they are magical and mysterious. They also represent individuality and uniqueness that makes them different. I love the different takes we see now – the grumpy unicorn, the difficult unicorn, the stereotypical unicorn, and the kittycorn.

I’m a Scottish writer and have an interest in Scotland’s many mythical creatures. My home country is inhabited by a myriad of mythical creatures, including kelpies, bogles, and mysterious Highland merfolk and I’m sure the natural environment plays a part. The inspiration behind my children’s fantasy novel Guardians of the Wild Unicorns was the fact that the unicorn is Scotland’s national animal. It seemed bizarre that Scotland opted for a mythical creature as a national animal, but when I started to do research into why, all became clear. People in the past believed unicorns were real. Unicorns have a long and proud history in Scotland and were chosen as a symbol of strength, independence, and dignity.