82 Books Like The Tree that Sat Down

When it comes to building a world the readers can get involved in, you have to be careful not to reveal too much in the beginning. You want to captivate your readers, have them invest more and more time into exploring the world, allowing it to open up. The Ropemaker shows how well a fantasy story can be written this way. The distant and frightful empire is shrouded in mystery as Tilja and the others begin their adventure, but said mystery is slowly dismantled as they progress through their journey, coming to understand their enemy by living amongst them, all while seeking out a way to protect their home from invasion. 

I absolutely cannot spoil what might be the greatest twist in genre lit, so you’re just going to have to take my word on this one.

Lee was a master of character-driven plots and this one starts with an oldie but goodie trope: the character who wakes up with amnesia and has to explore a whole world to find herself. Our heroine has no name and no face—she always wears a mask—but the mystery of why she does so will keep your turning page after page.

If the title alone doesn’t make you want to read this book, you need to ask what happened to your sense of wonder. Don’t worry, though, because this novel will bring it back from the dead.

It doesn’t take much beyond the term “sapphic witches” to get me really excited about a book. Additionally, we’ve got elemental magic, blood rituals, and the store in Salem where the main character works is called the “Fly by Night Cauldron” and I was completely sold. This is a light, fun read that I thoroughly enjoyed. I was drawn in by the conflict, not only with the main villain, but a tense history with an ex, and a potential new romance. I really enjoy finding fantasy books where the queerness of the character is not an “issue” or questioned at all. It was something I badly needed as a teen, and it's a relief to be finally getting this kind of thing in literature. I wish I could send it to my younger self!

I found the magic system to be delightful as well, with the elemental powers reminding me… show more.

The Sweep series was one of the first witch series I ever read, and I promise you that it is still so, so good. Plus, there are 15 books to provide hours of entertainment. The story is very Wicca-based with well-described details of rituals and rites that will immerse you in each scene. I was immediately drawn to the main character, Morgan, and her struggles as she learns of her powers. The characters engage in familiar teenage drama, but everything is heightened by the magic they’re immersed in. Suspenseful, fast-paced, and just a little bit dangerous. 

I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.

All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.

Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.

New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.

What truly is there left to say about this masterpiece of classic fantasy that hasn’t been said a million times already?

After devouring the light appetizer that is The Hobbit, my teenage imagination was utterly blown away by what I only later understood to be the quintessential blueprint for nearly everything that’s followed throughout the years in this genre.

The sheer level of minute detail and painstakingly developed mythos is nothing short of a masterclass in world-building—a must-have skill for writing this kind of epic tale—but it was the story itself, with its core principles of friendship, loyalty, and sacrifice, that resonated so deeply with me.

While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.

I love this book because Tolkien took the fantasy genre to a new, unprecedented level, resurrecting ancient legends of old, with countless mythical creatures.

His magnificent characters defined their races, occupations, and even their languages, later inspiring the game, Dungeons and Dragons, of which I was once a Dungeon Master. Many of The Fellowship serve messianic roles. Gandalf, for example, conquers death following his battle with a demon, and Stryder, an obscure ranger, turns out to be Aragorn, heir of the fallen kingdom.

Tolkien captures keen insight into the human condition regarding the struggle against sin. He also whispers a mystery; while an evil wizard created the One Ring to rule them all, a hidden, even more powerful force is clearly behind the ring’s eventual destruction.

This was probably the next book that confirmed the concept of portal fantasy for me. It’s an allegorical story of a young woman’s fight against evil and evil forces, but starts out on Earth before moving to a parallel fantastical realm. I remember reading this as a teen and being fascinated by the idea of moving back and forth between worlds. At this time, I wasn’t even aware of the term “portal fantasy” or the subgenre, but Arena developed my interest in it.