90 Books Like The Switch

Elmore Leonard is the master of the dialogue-driven novel.

In Pronto, the US Marshal Raylan Givens, who wears a cowboy hat and is a quick draw, defends a former bookie who is on the run in Italy. It’s the basis of the TV show Justified, which is also a great legal thriller.

Leonard always gives an authentic voice to his characters, whether they are a bookmaker on the run or a Marshal from Kentucky.

I love this one because it’s funny. Every so often, I need something witty and maybe a little offbeat, but with a crime element, and this does the trick.

Elmore Leonard’s Raylan Givens stories set in Kentucky also fit that bill, but Leonard was an outsider writing about a foreign place he researched, and sometimes those seams show. I like McCrumb because she knows the landscape personally.

Stephen J. Golds is a prolific powerhouse of dirty realist poetry and gritty modern crime fiction. I’ve been lucky enough to work with him on a number of projects now and admire his mind and words greatly. 

Say Goodbye When I’m Gone is a breakthrough work of art for someone well-studied in his craft. It’s punchy, atmospheric, and brutal…but also, so sensitively poetic and soulful.

Say Goodbye When I’m Gone, and his other books generally, are prime examples of how a masterwork doesn’t have to be a doorstop in page length. Like The Postman Always Rings Twice by James M. Cain, these gems of noir fiction are often in novella format. Soulful, concise, sharp, and lean. Like the best poetry, which Golds happens to be unsurprisingly masterful with too.

Before there were Daniel Day Lewis and Michelle Pfeiffer, there was the book that brought them together (in the movie): Edith Wharton’s The Age of Innocence, Wharton’s lush, sepia-toned tale of the New York haut ton of the 1870s. Gilded Age society at its best; it won the 1921 Pulitzer for fiction, making Wharton the first woman to win the prize. Read it first, then stream the movie. I loved its opulent portrayal of the well-heeled society of upper-class New York and its spot-on portrayal of moral hypocrisy. The battles that nineteenth-century women of all classes fought to live their lives with integrity and honesty seem to me to echo today in the ongoing injustices perpetrated against society’s powerless.

A moving collection of letters sent to “Dear Sugar” (Cheryl Strayed) and her responses make up this gorgeous read.

Letters sent from folks inquiring about life's biggest questions, grappling with grand losses, trying to make major decisions, and finding hope, healing, clarity, and wisdom from Sugar’s responses.

At once heart-breaking and heart-expanding, Sugar gets to the heart of what matters most through anecdotes, loving reflection, and kindness. So beautifully written that you can come back to her words time and time again, there is something for everyone in these exchanges.

A favorite quote: “Difficulty, solitude, and risk are the three things that all rites of passage have in common. It’s because putting ourselves in situations where we must do hard things that scare us without anyone there to intervene pushes us beyond what we previously thought ourselves capable of. It expands our perception of our own courage, strength, and endurance.… show more.

Set in the 1980s, it captures a time when sex, drugs, and parties fueled life. When the image of taking and consuming the best was a narcotic of its own. Restless, gorging, faceless encounters, aspiring to an empty illusion of excess with no rules and consequences you would never admit to.

Driven by desire. To be. To do. To cover the truth with a glib smile, a quick snort, and a slide into numbness so no one knows the smallness of your failures and you never have to admit to the quest of things you can never have. Love. Acceptance as you are. Success of the one thing you never lie about, the compulsion to have your written words celebrated. Truth and lies and an unobtainable love.

This is the dirty realist poet, Charles Bukowski's, last novel and is filled with intriguing code and name-dropping of people he knew and was influenced by. As well as being as poetic as hell. Pulp also gives a glimpse of what it might have been like if Bukowski had lived on and ventured fully into crime fiction or pulp noir.

I love the book’s surface-level simplicity to draw you into its world. However, it then subversively lets bigger themes creep in: including surrealism and spiritualism, as the author faces his own death. All this with Bukowski’s deftly poetic touches.

This showed me how semi-autobiographical elements can fuse and influence fiction and vice versa. And, that it doesn't have to be hard to absorb or distract from the story. By acknowledging layers in writing which are there for those who want to peel back and discover them. And when they don’t,… show more.

I never met Alex Finley, but we worked for some of the same people, and her book triggered a flood of memories for me. Black humor thrives in counterterrorism work—partly because laughing is a more acceptable way to release tension in the workplace than crying or punching tech support.

This is broad satire but with a hefty dose of authenticity. Anyone who has worked in a bureaucracy will laugh at this novel, but if you’ve worked in an intelligence bureaucracy, you’ll be snorting coffee from your nose.

The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.