Here are 100 books that The Survivor in Us All fans have personally recommended if you like
The Survivor in Us All.
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I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
Helen Fremont has managed to write a memoir that reads like detective fiction. All she and her sister Lara knew of their Polish parents’ past was that they had survived Siberia and a concentration camp. The sisters were raised Catholic and it’s not until Fremont is an adult in Boston that she discovers the family is Jewish. Slowly piecing the past together, the sisters find out that after great trauma, their parents constructed post-war identities hiding their Jewishness. This story interested me because I had a Hungarian friend in university who was brought up in a convent but who learned as an adult that she was Jewish. In my youth I struggled to understand; this book gave me insight.
“Fascinating . . . A tragic saga, but at the same time it often reads like a thriller filled with acts of extraordinary courage, descriptions of dangerous journeys and a series of secret identities.”—Chicago Tribune
“To this day, I don't even know what my mother's real name is.”
Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish—Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
In the small town of Grady, Montana, twenty-four-year-old Tad Bungley has a reputation for trouble. When he lands a job at Come Around Ranch, however, his life seems to take a positive turn. As he develops a soft spot for Sam, the ranch owner's disabled son, and a special bond…
I’m the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (“the fount of life”). Concerned about Germany’s falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to “pure Aryan” officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer.
What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.
The New York Times bestseller with more than 1 million copies sold worldwide
Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive-and to reunite-We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds.
"Love in the face of global adversity? It couldn't be more timely." -Glamour
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.
He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.
Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.
In a memoir of a Jewish man's search for his roots, the son of Holocaust survivors returns to his parents' homeland in Poland to rediscover the former glory of East European Jewry.
I am an author, lifelong history geek, and relentlessly curious about finding unknown stories. In 2002 I met Henry Zguda, an eighty-five-year-old Polish Catholic who survived three years in Auschwitz and Buchenwald during World War II. He lived a mile from my house. Intrigued, I soon offered to write his incredible story. I am not Polish and knew little of Poland or Polish history when I began. This led to over ten years of research on Poland, World War II, and the Holocaust. My friendship with Henry changed the direction of my life and gave me keen insight into the plight of Poles, both Jewish and Christian, during World War II.
Thousands of memoirs and books exist on the Holocaust. I believe the inspiring stories of Poles and other victims of Hitler and Stalin deserve equally widespread recognition.
Gerda Weissmann was only age fifteen when the Germans invaded Poland in 1939. Born in Bielsko Poland to a middle-class Jewish family, the book follows her family’s loss and tragedy through the Holocaust. The author survived multiple concentration camps and a death march against impossible odds. Liberated on her twenty-first birthday, she weighed only sixty-eight pounds. This inspiring book includes moments of human decency and normalcy.
Of the six million Jews killed during the Holocaust, three million were from Poland. Klein captures the essence of what it meant to survive a genocide with only her life. Klein is a highly recognized voice for human rights and Holocaust remembrance, and the beneficiary of many awards and honorary degrees. Gerda Weissmann Klein is a name to be remembered.
All But My Life is the unforgettable story of Gerda Weissmann Klein's six-year ordeal as a victim of Nazi cruelty.
From her comfortable home in Bielitz (present-day Bielsko) in Poland to her miraculous survival and her liberation by American troops--including the man who was to become her husband--in Volary, Czechoslovakia, in 1945, Gerda takes the reader on a terrifying journey.
Gerda's serene and idyllic childhood is shattered when Nazis march into Poland on September 3, 1939. Although the Weissmanns were permitted to live for a while in the basement of their home, they were eventually separated and sent to German…
When a high security prison fails, a down-on-his luck cop and the governor’s daughter must team up if they’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) USA Today bestselling thriller from Adam Plantinga.
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
A Wolf in the Attic by Sophia Richman is a book written by a psychotherapist who was hidden in an attic in Poland as a Jewish child during the second world war. She describes this experience (she was told to never utter a sound) as well as its impact on her relationship with her parents and her life after the war in Paris and then in New York City. She maintained her reluctance to speak in public until very late in life and this book is a kind of coming out for what is now known as a “hidden child” or “child survivor.” I found it fascinating to read how a psychologist analyzes her own childhood and the life choices she makes as an adult.
A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland…
I grew up in a British military family, where the war and its triumphs and tragedies always felt close. My father was a member of the famed British secret agent network, SOE. He parachuted into Greece and faced capture and torture as he helped rescue 7,000 Italian soldiers stranded in the mountains. My mother’s fiancé, Martin Preston, was killed in 1940 in France. My second book, The Very White Of Love, recreated their story in fiction. I have always read passionately about the period and interviewed many other authors about the subject while I curated National Geographic’s popular column, Book Talk.
I was gripped from page one by this true story of two young lovers in Auschwitz.
Zippi Spitzer and David Wisnia are trapped inside a waking nightmare, yet nevertheless discover a love that sustained them through history’s darkest hour. I followed their survival beneath the ash-choked skies of Auschwitz with heart-wrenching amazement and was especially moved by how they were protected by their fellow inmates, proving that even in the midst of unimaginable horrors, humanity survives.
I also found the ending of the story deeply satisfying, as, having left the camp, the lovers make plans to meet again, though they are unable to imagine how long their reunion will take or how many lives they will live before they finally come together.
'Haunting and powerfully resonant... this is a story not just of remarkable individuals, but also a tribute to the wider indomitability of the human spirit at the darkest moment in European history' - Sinclair McKay, bestselling author of Berlin and Dresden
Zippi Spitzer and David Wisnia's story began when they first locked eyes across the work floor. It was the start of a romance that could have unfolded anywhere if it weren't for one key difference: Zippi and David were prisoners in history's most infamous death camp.
David and Zippi defied the odds by surviving for years beneath the ash-choked…
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
When I read They Were Like Family to Me (originally titled In the Land of Armadillos), I came to understand how magic realism can be used to illuminate that which ultimately cannot be described—in this case, the horror of human depravity during the Holocaust.
This technique also reflects the inability of the victims to grasp what is happening around them, causing them to escape into a world of fantasy. The novel is comprised of a series of interconnected tales about victims and perpetrators, with each chapter telling a story that is simultaneously realistic and dreamlike. It is utterly unique and unlike most other books in this genre.
Finalist for the 2017 Story Prize Honorable Mention in the 2017 ALA Sophie Brody Medal for achievement in Jewish Literature
“An absolutely dazzling triumph…A singularly inventive collection” (Jewish Book Council) of linked stories set in a German-occupied town in Poland during World War II, where tales of myth and folklore meet the real-life monsters of the Nazi invasion.
1942. With the Nazi Party at the height of its monstrous power, Hitler’s SS fires up the new crematorium at Auschwitz and the occupying army empties Poland’s towns and cities of their Jewish citizens. As neighbor turns on neighbor and survival depends…
An auctioned storage locker comes with a box of Raggedy Ann books and a dresser drawer stuffed with grisly momentos. A small college town in Georgia is now ground zero for a mind-bending cold case.
Local journalist James Murphy wishes he had never bought the storage unit which either contains…
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didn’t match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivor’s children and grandchildren.
From the minute Glenn Kurtz found a decaying tape of his parents’ trip to Poland in 1938, I was hooked. I’ve imagined being able to glimpse the world my grandparents inhabited in “the Old Country.” And here it was for Kurtz: some of the only film footage of a Jewish world erased by the Holocaust in the last months before it was gone forever.
I was fascinated to follow along with Kurtz as he becomes a detective working to discover who is in the recorded three minutes, where they are, and what they are doing. But that’s just the beginning; as he discovers the past, he makes connections in the present and changes lives in the process.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the…