100 Books Like The Surrender Tree/El Árbol de la Rendición

I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.

I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience. 

I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience. 

I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.

Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.

Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).  

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

I’m passionate about spying. It was an absolute privilege for me to have been able to spend my life in the shadows, so to speak. I was undercover my entire career doing espionage and covert action operations for our country and the CIA. I discovered very early on that I had a particular fascination for the arcane and Byzantine subspecialty of counterintelligence. It’s hard to describe the exhilaration I felt when we nabbed an American traitor and brought him or her to justice. It doesn’t get any better than that.   

I’ve been researching and writing with my co-author husband Jared Brown about spirits and mixed drinks for three decades. After writing more than three dozen books plus hundreds of articles about the history and origins of alcoholic beverages, you could say I am addicted to the topic in a big way. While we’ve travelled and tasted drinks around the world we’ve also amassed a few thousand books on the subject. It’s served as a launch point of our secondary careers as drinks consultants and master distillers for global spirits brands. I'm currently finishing my doctoral thesis on early-modern English brewing at the University of Bristol to put a feather on the cap of my long career.

Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give her a pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.