Here are 100 books that The Surrender Tree/El Árbol de la Rendición fans have personally recommended if you like
The Surrender Tree/El Árbol de la Rendición.
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I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
In late 1800s Lithuania, young Audra gets caught up in an underground network of book smugglers while fleeing from Russian Cossack soldiers and attempting to save her family. Many of Nielsen’s novels would fit well on this list, but I particularly adore the message in this book about the power of words and storytelling when fighting oppression.
Audra lives on a quiet farm in Lithuania, but she understands that danger is never far away. Her parents warn her to stay close to home and avoid the patrolling Russian Cossack soldiers. The Russians, who occupy Lithuania, insist that everyone there must become Russian-they have banned Lithuanian books, religion, culture, and even the language. When Cossacks arrive abruptly at their door, Audra's parents insist that she flee, taking with her an important package and instructions for where to deliver it. In hopes of rescuing her parents, she becomes caught up in a growing resistance movement, Lithuanians intent on preserving…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
My favorite part of this book is that it is three stories that are narrated and each one is very unique. However, the dreams, hopes and fears parallel one another making the reader understand that these journeys are universal.
You also learn that history repeats itself because each story is set in a different era.
This action-packed novel tackles topics both timely and timeless: courage, survival, and the quest for home.
JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world . . .
ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America . . .
MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
I enjoyed reading about the courage the young protagonist, Annemarie, had and her determination to keep her best friend safe.
Lowry’s lyrical words put you in the moment and make you feel part of that world. I learned a lot about what WWII looked outside Germany, how people reacted to it, and how many outwitted the enemy.
A powerful story set in Nazi occupied Denmark in 1943. Ten-year-old Annemarie Johansen is called upon for a selfless act of bravery to help save her best-friend, Ellen - a Jew.
It is 1943 and for ten-year-old Annemarie Johansen life is still fun - school, family, sharing fairy stories with her little sister. But there are dangers and worries too - the Nazis have occupied Copenhagen and there are food shortages, curfews and the constant threat of being stopped by soldiers. And for Annemarie the dangers become even greater... her best-friend Ellen is a Jew. When Ellen's parents are…
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
Set during WWII, this novel follows a Ukrainian girl who, with other children, is forced to make bombs for the German army. The story is captivating and fast-paced, and it’s hard not to admire the protagonist, Lida, who risks everything in her fight to do what she believes is right. I think books like this are so important because they ask readers to think hard about what they would do in similar situations.
For readers who were enthralled by Alan Gratz's Prisoner B-3087 comes a gripping novel about a lesser-known part of WWII.
Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race,…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
Between Empires compares the anti-imperial literature and history of two former Spanish colonies, Cuba and the Philippines, but this time focusing on the late-nineteenth-century “intercolonial alliance” and, more specifically, on the oeuvres of two nationalist authors and national heroes: the Cuban José Martí and the Filipino José Rizal. Hagimoto explores a transpacific collective consciousness of resistance as well as the shared historical ties between Latin America and the Philippines. What I found more exciting about this book was that it reveals how, led by two national heroes and martyrs, there was still, well after the end of the Manila Galleon transpacific route, an end-of-nineteenth-century anti-colonial alliance between two far-away countries united by a shared history of colonial domination and oppression.
In 1898, both Cuba and the Philippines achieved their independence from Spain and then immediately became targets of US expansionism. This book presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of Jose Marti and Jose Rizal to reveal shared anti-imperial struggles.
My expertise and passion for the theme of children’s dreams for themselves and how they achieve them began with reading wonderful children’s picture books to my kids and grandkids when they were very young. After writing one young adult novel and four cozy mysteries for adults, I realize my true calling as a writer is to create books that little readers will not only love but return to again and again to reinforce their own dreams and sense of worth as well as awareness of others. Many picture books dwell on what elders dream for their children rather than what young ones wish for themselves.
I loved this children’s picture book because it involves a little girl with a big dream—to play drums in public—which was forbidden to girls in Cuba at the time.
Despite many obstacles, she practiced and practiced and finally reached her goal. I also love that this story was inspired by a Chinese-African-Cuban girl who broke Cuba’s tradition of the taboo on female drummers.
Girls cannot be drummers. Long ago on an island filled with music, no one questioned that rule—until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bongós. She had to keep quiet. She had to practice in secret. But when at last her dream-bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream.
Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers, Drum Dream Girl tells an inspiring true…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
Naturally, when we think of sports in Latin America we first think of the region’s great athletes, from Pelé to Roberto Clemente, from Lionel Messi to Albert Pujols. But baseball and soccer players do not make sports meaningful on their own; many others – owners, sponsors, politicians, fans – make them what they are. This is the essential insight that guides Thomas Carter’s anthropology of Cuban baseball. He acknowledges the important role of the Communist regime in shaping the game, but he shows convincingly that the game belongs to its fans, for it is their passion that makes baseball important to Cuba, and it is their arguments about the game which make it a site for the negotiation of what it means to be Cuban.
In parks and cafes, homes and stadium stands, Cubans talk baseball. Thomas F. Carter contends that when they are analyzing and debating plays, games, teams, and athletes, Cubans are exchanging ideas not just about baseball but also about Cuba and cubanidad, or what it means to be Cuban. The Quality of Home Runs is Carter's lively ethnographic exploration of the interconnections between baseball and Cuban identity. Suggesting that baseball is in many ways an apt metaphor for cubanidad, Carter points out aspects of the sport that resonate with Cuban social and political life: the perpetual tension between risk and security,…
I was a history major when I left for a Havana study abroad semester in 2003, but I had not studied Cuba. My introduction was a University of Havana class on the period of the Cuban Republic, in which I sat surrounded by Cuban students. My classroom learning was aided by the public history representations all around me in the city. I was hooked. I wrote my undergraduate thesis at Yale on Cuban activist intellectuals of the late 19th and early 20th centuries, and a few years later went on the begin my doctorate in Latin American History at Columbia. I have been a historian of Cuba ever since, 20 years.
In Black Political Activism and the Cuban Republic, Melina Pappademos studies the participation in and contributions to Cuban politics by Cubans of African descent, particularly those of relatively elite status, during the entire period of the Cuban Republic (1902–1958). This work is not primarily about popular politics in the manner of Whitney or Farber; rather, it examines the impressive ingenuity of the tiny Black elite at working the patronage system embedded in formal politics in Cuba to gain advantages for itself (and sometimes causing gains to trickle down to the Black masses in the form of vote-buying). Although she does not focus on broader areas of Black popular mobilization, Pappademos acknowledges the importance to this end of mass organizations such as labor unions and the Cuban Communist Party and discusses challenges to the Black elite by non-elite Black voices.
While it was not until 1871 that slavery in Cuba was finally abolished, African-descended people had high hopes for legal, social, and economic advancement as the republican period started. In Black Political Activism and the Cuban Republic , Melina Pappademos analyzes the racial politics and culture of black civic and political activists during the Cuban Republic. The path to equality, Pappademos reveals, was often stymied by successive political and economic crises, patronage politics, and profound racial tensions. In the face of these issues, black political leaders and members of black social clubs developed strategies for expanding their political authority and…
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
The history of rum is, in so many ways, the history of Cuba. Bacardi shows this about as good as any book I’ve seen. I’m a first-generation Cuban-American (my parents left Cuba in the early ‘60s as teens and resettled to Miami).
So, it was particularly moving to follow the generational story of the Bacardis, the family from Santiago de Cuba who not only created what became the world’s best-known rum but whose patriarchs participated in or funded every coup, uprising, or political lurch in Cuba stretching back to the Spanish-American War.
I loved how Gjelten shepherds the reader from the horrors of the 19th-century war to the Cuban exodus following Fidel Castro’s ascent to power. It transported me to Cuba’s past and, more importantly, deepened my understanding of my own roots.
In this widely hailed book, NPR correspondent Tom Gjelten fuses the story of the Bacardi family and their famous rum business with Cuba's tumultuous experience over the last 150 years to produce a deeply entertaining historical narrative. The company Facundo Bacardi launched in Cuba in 1862 brought worldwide fame to the island, and in the decades that followed his Bacardi descendants participated in every aspect of Cuban life. With his intimate account of their struggles and adventures across five generations, Gjelten brings to life the larger story of Cuba's fight for freedom, its tortured relationship with America, the rise of…
