86 Books Like The Sunday Philosophy Club

In short: wonderful characters!

The plots have twists and turns, and often interesting settings around the world, but it's really the characters that make this series. Some of the books may have a dated feel at times, but it’s still wonderful to revisit old friends and have adventures in interesting places.

Plus, Mrs. Pollifax is wonderfully open-minded and generous, finding beauty and friends everywhere.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

I was hooked in the first chapter when the protagonist, Mary Russell, meets Sherlock Holmes, who is retired. There – do I have to say more?

She is a young woman and Sherlock is, well, Sherlock, and yet she matches wits with him while they end up in the middle of a creative and a bit scary Sherlock Holmes-ish tale. I couldn’t wait to get and read the sequels.

On the surface, the sleuth in this series would seem to be mustachioed Jim Qwilleran, newspaperman, who, when he inherits a boatload of money with a condition, moves to Moose County—400 miles north of everywhere. Two Siamese cats, Koko and Yum Yum, in tow. It might seem that his male feline, Koko, is the sleuth; he’s the more vocal of the two. But when all’s said and done, no matter if he’s writing his weekly column, The Qwill Pen, acting in a community theatre production, or patronizing local artists, when it comes right down to it, Yum Yum, his little girl Siamese, is always the one who inadvertently points him in the direction of the miscreant. Clever girl.

Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.

This charming, deeply romantic tale about an editor whose big promotion is contingent on her helping a popular author overcome a terrible case of writer’s block reminded me of all the reasons I adore reading and writing love stories.

Working with this author leads Lanie to question her long-cherished beliefs about what she wants (and needs) in a romantic partner. She opens her heart to new ideas and experiences as well as to love, and her journey, both personally and professionally, culminates in such an epically swoon-inducing way that you will be hard-pressed not to shed happy tears (I did!).

Like the book’s heroine, Lauren Kate clearly reveres the written word, and this story is a beautifully composed valentine to all bibliophiles.

Modern American literature is inconceivable without Maxwell Perkins. As an editor at Scribner's, he probably saved that dustily respectable firm by dragging it into the 20th century. He nursed F. Scott Fitzgerald and Ernest Hemingway and performed lifesaving surgery on the baggy manuscripts of Thomas Wolfe.

For all manner of authors, he had an unprejudiced eye for brilliance. He angled for Henry Roth's radical proletarian fiction and gave Winston Churchill the idea that eventually became A History of the English-Speaking Peoples. He advised Charles Scribner to grab Bruce Barton's The Man Nobody Knows, explaining that "it treats Christ as a supersalesman." (Scribner was scandalized, and another publisher made it a blockbuster.) He published the classy mysteries of S.S. Van Dine and capped his career with From Here to Eternity. And he gave every author unstinting time, attention, and labor.

Read this classic biography, and you'll understand why… show more.

I adored Charlotte and Rose’s heartbreaking friendship.

First, Charlotte and Rose come of age in the late nineties, a perfect pair with an inseparable bond taking on New York City. As they grow up, it’s their individual problems and decisions that loosen the bolts holding them together. Some friendships shape us into who we are, so losing a friend brings grief and anger.

Charlotte and Rose are both rich, fully realized characters with goals that don’t always align. Bauer’s brilliant prose makes this a book I could read again and again.

I have a hard time understanding why this book didn’t do better than it did commercially because it was a well-executed technical endeavor. Even more, than the really well-done twist ending, the biggest thing I really liked about Alex Pavesi’s book was that the story was told through the eyes of an editor as she reads a series of short stories.

I experienced the stories in real-time with her, but at the end of each, she critiqued them, with the result being an ongoing series of, well, let’s call them easter eggs for me. Again and again, throughout the whole book, she kept pointing out details I’d missed in each story that had a deeper meaning. It’d be easy for this format to get old, but it never did, at least for me. Then, should we take these stories and piece them together as bricks in the wall for the… show more.

A recent transplant from the South gets hired as a travel book editor and finds herself the sole human employee in a company run by a vampire. Her coworkers include zombies, incubi, and even a goddess. As part of her job, she must write a tourist guide to the city—for the undead.

To me, the most fun parts are the actual pages from the guide, interspersed with the narrative.